Live Streaming with the Dead – When Ancestors Visit

By Helen Neila Green

The story element of Live Streaming with the Dead: When Ancestors Visit is constructed using factual information. The pictorial evidence presented of ancestral communication is real. All the characters are real people, and the scenarios are based on actual occurrences. Ancestral communication has taken place while this book was being written, and in a manner of speaking, such a phenomenon can perhaps be viewed as a form of live-streaming with the dead.

Music forms an essential part of what is termed the spiritual investigation process discussed throughout this book. Each song or piece of musicor, in a number of cases, the lyrics, which are filled with messagesthat has been quoted is relevant to the story with respect to the band or to the artist. The music also encourages the reader to tune in to the mental power of sound, thus demonstrating that the power of sound, although not expressed out loud as such, enables an additional medium to be utilized so that we may explore an added dimension, as it were, in awakening the readers mental audio faculties.

• Language: English
• Publisher: AuthorHouse UK
• Release date: Sep 19, 2014
• ISBN: 9781496991423

Helen Neila Green

British born and naturalized in South Africa, Helen Neila Green (a.k.a. Helen Fenton) is a director and cofounder of African Violet Visions (AVV), which is a multifaceted company that applies an eclectic blend of arts and sciences to provide a creative marketing and writing/editing service, a genealogy research facility, an esoteric/spiritual consultancy, and musical and literary entertainment productions. Having spent a total of twenty-five years working for the Standard Bank of South Africa, Helen’s business roots are in the financial services sector. Her foundations in marketing science are her studies through the IMM Graduate School of Marketing, Johannesburg, and twenty years’ experience in corporate marketing, where she performed numerous roles within the bank in a marketing/communications context, focused on branding and advertising. In pursuit of a career as a writer and amateur scientist, Helen became involved in scientific research during 2011 and continues to gather material with the aim to write and publish books in the alternative science / esoteric / spiritual genres. A former musician, Helen is also involved in the musical side of AVV and coaches the emerging South African rock band Union Down, formerly known as High Rd.

Book preview

© 2014 Helen Neila Green. All rights reserved.

No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

Published by AuthorHouse 09/18/2014

ISBN: 978-1-4969-9141-6 (sc)

ISBN: 978-1-4969-9140-9 (hc)

ISBN: 978-1-4969-9142-3 (e)

Any people depicted in stock imagery provided by Thinkstock are models,

and such images are being used for illustrative purposes only.

Certain stock imagery © Thinkstock.

Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

Contents

Prologue

Storyline Sound Track

Chapter 1

Introducing Spiritual Investigation – An Eclectic Blend of Arts and Sciences

•    A Basket of Case Studies

•    The Dimensional Ecology of the ‘Multiverse’

•    Overview of the Steps Involved in the Scientific Method as Applied to Spiritual Investigation

Chapter 2

Messages from the ‘Afterlife Dimension’ And the Ultimate ‘Reality Check’: Coming to Grips with Quantum Physics

Chapter 3

- Turning to Bubbles Green - While We ‘Cross Over’ into the ‘Afterlife Dimension’

•    Late 1960 – Shoreham-by-Sea, West Sussex, United Kingdom

•    Sometime during February 2000 – Johannesburg, South Africa

Chapter 4

Turning to Genealogy: – And Who Might be Hiding in the Family Trees?

•    Sometime during December 2011

•    Sometime during October 2012

•    The following morning – sometime during October 2012

•    Sometime during late November 2012

•    Sometime during early December 2012

•    Turning to the arts and sciences of Astrology and Numerology

•    Sometime during mid-December 2012

•    Christmas Eve – 24 December 2012

•    Just before Dad’s birthday – November 2013

•    Sometime during early December 2013

•    Sometime during mid-December 2013

•    4 and 5 January 2014 – my birthday

•    18 January 2014

•    24 January 2014

•    Sometime during April 2014

To my beloved dad

Thomas William Gordon Green

image001.jpg

Portrait artwork by John Laurence Green

born March 1939, died 1960

Acknowledgements

It goes without saying that barring a few most influential and extremely important exceptions, I owe just about everything to my Ancestors – both dead and alive – for their help across all directions of time in enabling me to create the storyline for this book. I give special thanks to my family:

Warren, my life partner, for his unique contributions with respect to the art and science of genealogy, and for putting up with all my quirky behaviours while I wrote this book; his help and support have been consistently invaluable.

Kyle, my son, for his contributions to the arts and sciences involved in the Spiritual Investigation process and for his spontaneous illustrations.

Mum Denise, for her input in helping me piece together details of what life was like in the Sussex, UK, towns of Shoreham-by-Sea, Brighton, and Hove back in the early 1960s. She has continued to inspire me both spiritually and factually, and her firm opinions have kept me from going off the rails.

Brother Rick, for his much-appreciated technical support, setting up weekly teleconferencing sessions with Mum Denise, and the photograph of Granddad Des and Nanny Dorry.

Dad Tom, for his creative contributions and just for being the person he is; I couldn’t wish for a better dad to help inspire the creative direction of a book such as this one.

Brother Ant, for helping me put things down on paper – without his support this book would not have been possible.

Aunt Marie, for her confirmations that serve to further synchronise certain pieces of evidence presented as a result of the Spiritual Investigation process.

Soul Brother Brendan for taking the time to read through the manuscript and help refine the details.

Soul Sister Jenny for her messages, readings, insights, and technical support.

Soul Brother Justin for his encouragement and moral support.

My ‘partners in Ancestral communication’ currently residing in the afterlife dimension:

Prologue

The story element of Live Streaming with the Dead: When Ancestors Visit is constructed using factual information. At certain points, I have included pictures that I believe represent examples of evidence of Ancestral Communication. The characters are actual individuals both dead and alive and the scenarios are based on genuine occurrences and events. Ancestral Communication has taken place while this book was being written and in a manner of speaking, such a phenomenon can perhaps be viewed as a form of live streaming with the dead.

It is important to note that apart from the necessary technical information that provides the scientific approach and spiritual platform upon which rest the theories outlined in this book, the manner in which the story is related involves a unique approach that not only depends on the reader’s interpretation of the underlying concepts and ‘word craft’, but also relies heavily on ‘audio’ and ‘visual’ participation.

Music forms an essential part of what is termed the ‘Spiritual Investigation’ process discussed throughout this book. Each song or piece of music that has been quoted is relevant to the story either with respect to the band or artist or, in a number of cases, the lyrics, which are filled with messages. The music also encourages the reader to tune in to the mental power of sound, thus demonstrating that the power of sound, although not expressed out loud as such, gives license to enable an additional medium to be utilised, exploring an added dimension, as it were, in awakening the reader’s ‘mental audio’ faculties.

The pictures of ‘signs’ presented throughout the book bring to life energetic elements of Ancestral Communication and are crucial in demonstrating physical evidence. All elements work in concert. In the words of this first song, there’s a lot more to the pictures than first meets the eye.

Hey hey, my my

Rock and roll can never die

There’s more to the picture than