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Catalogue d'oiseaux
Catalogue d'oiseaux
Catalogue d'oiseaux
Ebook61 pages37 minutes

Catalogue d'oiseaux

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Catalogue d’oiseaux recounts a year in the life of a couple separated by distance, carefully documenting time spent together and apart. When reunited, they embark on travels across the globe—from Toronto to Berlin, Porto to the Yukon. This expansive poem moves sensually through small, intimate spaces and the larger world alike. Traced through art, architecture, and the cultural life of various cities, this stunning celebration of love lives between geographies and chronologies as a kaleidoscopic gathering of the many fractals that make up a couple's life.

LanguageEnglish
PublisherBookhug Press
Release dateApr 13, 2021
ISBN9781771666954
Catalogue d'oiseaux

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    Book preview

    Catalogue d'oiseaux - Aaron Tucker

    Gilt-framed picture of clouds against a green background.

    Catalogue d’oiseaux

    Catalogue d’oiseaux

    Aaron Tucker

    Book*hug Press

    Toronto 2021

    FIRST EDITION

    copyright © 2021 by Aaron Tucker

    ALL RIGHTS RESERVED

    No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without permission in writing from the publisher.

    Library and Archives Canada Cataloguing in Publication

    Title: Catalogue d'oiseaux / Aaron Tucker.

    Names: Tucker, Aaron, 1982- author.

    Description: First edition.

    Identifiers: Canadiana (print) 20210114231 | Canadiana (ebook) 20210114258

    ISBN

    9781771666947 (softcover) |

    ISBN 9781771666954

    (

    EPUB

    )

    ISBN 9781771666961

    (

    PDF

    ) |

    ISBN 9781771666978

    (Kindle)

    Subjects:

    LCGFT

    : Poetry.

    Classification:

    LCC PS 8639.U25 C38 2021 | DDC C811/.6—dc23

    The production of this book was made possible through the generous assistance of the Canada Council for the Arts and the Ontario Arts Council. Book*hug Press also acknowledges the support of the Government of Canada through the Canada Book Fund and the Government of Ontario through the Ontario Book Publishing Tax Credit and the Ontario Book Fund.

    Logo: Canada Council for the Arts Logo: Ontario Arts Council

    Logo: Government of Canada Logo: Ontario Creates

    Book*hug Press acknowledges that the land on which we operate is the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples. We recognize the enduring presence of many diverse First Nations, Inuit and Métis peoples and are grateful for the opportunity to meet and work on this territory.

    Love for her was a heroic exercise; the pleasure of it was mingled with trials of courage and generosity and dedication and straining of all the faculties of her being. Their world was a world of trees—intricate, garbled and impervious. ‘There!’ she would exclaim, pointing to a fork high in the branches, and they would launch out together to reach it and start between them a competition in acrobatics, culminating in new embraces. They made love suspended in the void, propping themselves or holding on to branches, she throwing herself upon him, almost flying.

    —Italo Calvino, The Baron in the Trees

    here

    and here and

    here

    and over and

    over your mouth

    —Phyllis Webb, Naked Poems

    on polished cobblestones, we wander past sheer buildings

    lightsoff storefronts fragrant with Porto’s famous soap

    water lily & lavender in the layers of your dark hair

    & your wild-ice eyes, vivid & frontier, a hawk’s double fovea

    plucks the view from vertical wind: Mosteiro de São Bento da Vitória

    blocks & arcs of granite ornament & dimensions

    we enter the thin yet cavernous labyrinth

    you, high albedo, linger over the igreja goldwork

    fine figures woven in arrangements of dance

    around its famous singing monks

    point to the foundation stone, its heft, dom

    the weight around which all else was built & revolves

    beyond, our circumpolar view of the city slopes to the Douro River

    then the mismatched orange rooftops staggered upbank

    bolide, you watch a slender boat slide downstream

    & I think of Pessoa & Harvestwoman’s opening line

    But no, she’s abstract, is a bird

    & in this harbour city, I’m dependent on

    you, the water moving through

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