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A Primer on Parallel Lives
A Primer on Parallel Lives
A Primer on Parallel Lives
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A Primer on Parallel Lives

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- Name another American poet who also had a career as a race-car driver and was honored with a limited edition replica of his car—“Dan Gerber’s 1965 Shelby R-Model.” (Sorry, 2250 models sold out at $90 a pop.) - Dan Gerber is an ordained Zen priest - Ted Kooser and Jim Harrison’s book Braided Creek (Copper Canyon, 2003) is dedicated to Gerber - Gerber’s last book of poems won the Foreword magazine “Best Book of the Year” Award - Gerber's work has appeared in many national publications, including The New Yorker; Poetry; Playboy; Sports Illustrated; The Nation
LanguageEnglish
Release dateDec 4, 2012
ISBN9781619320680
A Primer on Parallel Lives
Author

Dan Gerber

Dan Gerber's Trying to Catch the Horses (MSU Press) received Foreword Magazine's Book of the Year Award in Poetry, and A Primer on Parallel Lives (Copper Canyon) won the Michigan Notable Book Award.  His work has appeared in many journals and anthologies, including The New Yorker, Poetry, The Nation, and The Sun.  Along with poetry collections, Gerber has published three novels, a collection of short stories, and two books of nonfiction. He and his wife Debbie live with their menagerie, domestic and wild, in the mountains of California’s Central Coast.

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    Book preview

    A Primer on Parallel Lives - Dan Gerber

    ONE

    I am not I.

    I am this one

    walking beside me...

    J.R. JIMÉNEZ

    In Praise of Umberto Tapia

    I cup my hands around the last bright speck

    and blow gently to keep it alive, an ember

    of oak log, pared from a tree

    Umberto Tapia rescued with his artful pruning,

    from stifling mistletoe and Spanish moss,

    and the unleavened abundance that

    drags it down, a life like my own

    from which too little has been let go.

    Now I see this coal

    as a fallen star,

    one bright thing in a field of night,

    curious about the darkness

    and the world kneeling down to it,

    using its breath to keep it glowing.

    Tracking the Moment

    The place where I stopped last night is far away;

    and tomorrow, tonight will be last night.

    YANG WAN-LI (1127–1206)

    A million stars

    made by sun and wind

    on the water of a pond

    where I stood once

    and gazed from a house no longer standing

    with a woman no longer living,

    both so clear to me now,

    remembering light on the waves of Lake Michigan

    where my seven-year-old feet

    made tracks in the sand

    toward water

    where all tracks dissolve

    till the stars return with sunlight and memory

    as the breeze rises.

    1

    Weather comes up easily here in the mountains.

    This day, darkening before noon

    with ominous clouds, and then,

    as if to mock them,

    a shaft of sun comes through.

    Setting off up the valley with no destination

    other than this place from which I began,

    I suppose it’s finally the story of our lives,

    an innocence nothing can equal.

    Turning north to the edge of a hayfield,

    skirting its border of scrub oak and pine—

    leaving the mysterious forest unentered—

    a dense sandwich of years, my shoes kick up

    echoes and dust.

    [image: cover]

    Aimless motorcycle rides

    through canyons and vineyards

    with roses at the ends of the vine rows,

    great rolling plains and dark mountain passes,

    steeped in wild rosemary,

    with hayfields ready for cutting, or just cut,

    old cow dung and green cow dung,

    a whiff of petroleum and

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