Lances All Alike
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About this ebook
Modernist poet-painters Mina Loy and Baroness Elsa von Freytag-Loringhoven had many friends in common (including Djuna Barnes and Marcel Duchamp), yet there is no record that the two ever met. Their non-relationship presents a curious “absent presence * in modernist history.
Zelazo weaves lines of poetry by both women into an imaginary conversation, exploring the way their work has been suppressed, stitched, spliced, and edited by male editors and arbiters of taste.
Suzanne Zelazo
Suzanne Zelazo is a poet, editor, and educator. She has a PhD in English with a speciality in modernist poetry. Suzanne is the author of the poetry collection Parlance (Coach House) and is the co-editor of Body Sweats: The Uncensored Writings of Baroness Elsa von Freytag-Loringhoven (MIT Press) as well as Crystal Flowers: Poems and a Libretto by Florine Stettheimer (Book*hug). She currently lives in Toronto.
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Book preview
Lances All Alike - Suzanne Zelazo
EXCISION I
The Bisected Poems of Mina Loy and Baroness Elsa
‘Widows in Greenwich Village’
Kissing—a—lap—yelping noise
white flesh quakes
morning—in—hallway
Lethargic ecstasy of steps
jazz—stutters maiden saplings
penetrate
—spiritual—tinkling
high-strung ukulele
groves of grace
Electric crown crashes
through shampooed sound
Colossal absentee
black-blue
through starvation streets
incurves
Salacious survivor dragging
kitchen stove bathtub
Husband—
how secretly you
flutter
conjure
modulate
This anemic devotion
unfurled and leaning
tropic and readymade
Trailing the Moon Over Kentucky
(To Djuna from the Two of Us)
Stuffed maze—Moreover
the moon— — —
night pitched face to the skies
intricate ménage
Fluorescent pillar
mould-steeped air—
Corpse silver—circular
spellcast
looms dense and touching panic
clogged beat
of eardrum—
thermal icicles
coercive as coma
maniacal river uplaughs—
frail as this blooming
Arabesque of Victory
(an omen)
Women or widows within uniform
—honeysuckle fists
Lapping tears sweep
blue
discover blossom fire
under shady tree
grotesque
dove’s feather
drumming
sugar lake
the cargo of our dissonance
Ohio—Crab-Angel Carousel
Atomic sprite
perched to the west
monster stallion
on—river—reeds
poplars
revolving
Circus sun’s caress
something the contour
of captured crab’s
pearly claws
Performance becomes her—
juxtaposed hemispheres
form a squat concubine
azure and fervid
Baroque calf en pointe
—cosmic ballerina
in effigy
Chrysanthemum angler—
brain sugar of sweet
rose-flecked
ebony cloud
—gibes
its manly legs
masquerade of
rainbow ice
bite this tempest
Startled
orchestra
crab-crashes
to silence
Sediment of summer
Pity My Potency
I enter the
contraction—
A circle
in every direction
Congested cosmos
Prolonged Priestess of Intention
nerve-scraped
electric pain—
delirium’s
distorted mountain
Sell her ink
exotic actors
in vacuum interlude
giving life its feathered apology
precipitating into glory
pure
this was—is—ever—shall—be
Blurring
stretched muscle
—hushed halo
ludicrous climax
City Stir on Third
I
Dancewind disappear
bronze careening
Shadow bodies
flower-stained
with swish—
Tree arms of neon signs
lips ablaze
hueless
contorted tailor
Moon riding
eerie’s undress