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Lances All Alike
Lances All Alike
Lances All Alike
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Lances All Alike

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Modernist poet-painters Mina Loy and Baroness Elsa von Freytag-Loringhoven had many friends in common (including Djuna Barnes and Marcel Duchamp), yet there is no record that the two ever met. Their non-relationship presents a curious “absent presence * in modernist history.
Zelazo weaves lines of poetry by both women into an imaginary conversation, exploring the way their work has been suppressed, stitched, spliced, and edited by male editors and arbiters of taste.

LanguageEnglish
Release dateApr 10, 2018
ISBN9781770565340
Lances All Alike
Author

Suzanne Zelazo

Suzanne Zelazo is a poet, editor, and educator. She has a PhD in English with a speciality in modernist poetry. Suzanne is the author of the poetry collection Parlance (Coach House) and is the co-editor of Body Sweats: The Uncensored Writings of Baroness Elsa von Freytag-Loringhoven (MIT Press) as well as Crystal Flowers: Poems and a Libretto by Florine Stettheimer (Book*hug). She currently lives in Toronto. 

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    Book preview

    Lances All Alike - Suzanne Zelazo

    EXCISION I

    The Bisected Poems of Mina Loy and Baroness Elsa

    ‘Widows in Greenwich Village’

    Kissing—a—lap—yelping noise

    white flesh quakes

    morning—in—hallway

    Lethargic ecstasy of steps

    jazz—stutters maiden saplings

    penetrate

    —spiritual—tinkling

    high-strung ukulele

    groves of grace

    Electric crown crashes

    through shampooed sound

    Colossal absentee

    black-blue

    through starvation streets

    incurves

    Salacious survivor dragging

    kitchen stove bathtub

    Husband—

    how secretly you

    flutter

    conjure

    modulate

    This anemic devotion

    unfurled and leaning

    tropic and readymade

    Trailing the Moon Over Kentucky

    (To Djuna from the Two of Us)

    Stuffed maze—Moreover

    the moon— — —

    night pitched face to the skies

    intricate ménage

    Fluorescent pillar

    mould-steeped air—

    Corpse silver—circular

    spellcast

    looms dense and touching panic

    clogged beat

    of eardrum—

    thermal icicles

    coercive as coma

    maniacal river uplaughs—

    frail as this blooming

    Arabesque of Victory

    (an omen)

    Women or widows within uniform

    —honeysuckle fists

    Lapping tears sweep

    blue

    discover blossom fire

    under shady tree

    grotesque

    dove’s feather

    drumming

    sugar lake

    the cargo of our dissonance

    Ohio—Crab-Angel Carousel

    Atomic sprite

    perched to the west

    monster stallion

    on—river—reeds

    poplars

    revolving

    Circus sun’s caress

    something the contour

    of captured crab’s

    pearly claws

    Performance becomes her—

    juxtaposed hemispheres

    form a squat concubine

    azure and fervid

    Baroque calf en pointe

    —cosmic ballerina

    in effigy

    Chrysanthemum angler—

    brain sugar of sweet

    rose-flecked

    ebony cloud

    —gibes

    its manly legs

    masquerade of

    rainbow ice

    bite this tempest

    Startled

    orchestra

    crab-crashes

    to silence

    Sediment of summer

    Pity My Potency

    I enter the

    contraction—

    A circle

    in every direction

    Congested cosmos

    Prolonged Priestess of Intention

    nerve-scraped

    electric pain—

    delirium’s

    distorted mountain

    Sell her ink

    exotic actors

    in vacuum interlude

    giving life its feathered apology

    precipitating into glory

    pure

    this was—is—ever—shall—be

    Blurring

    stretched muscle

    —hushed halo

    ludicrous climax

    City Stir on Third

    I

    Dancewind disappear

    bronze careening

    Shadow bodies

    flower-stained

    with swish—

    Tree arms of neon signs

    lips ablaze

    hueless

    contorted tailor

    Moon riding

    eerie’s undress

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