The Old Mermaids Mystery School
By Kim Antieau
()
About this ebook
Are you feeling overloaded? Surrounded by chaos? Or maybe you're no longer sure what your purpose is. Perhaps you've never known. In a world of noise and chaos, The Old Mermaids Mystery School offers simple steps to connect with Nature, our true selves, and each other. In Mystery Schools from ancient times, the Mysteries were based on ideas that were hidden in plain sight. So it is with The Old Mermaids Mystery School. When the Old Mermaids walked out of the Old Sea and into the New Desert, changing their fin-ware into skin-ware, they brought with them not only their beautiful magical selves but entire skill sets which enabled them to thrive in their new and changing world. Now their unique, practical, mystical, and poetic ways of being in and connecting with the world are here in The Old Mermaids Mystery School, a 13-Mystery self-directed program to help you explore ways to swim, walk, and dance with beauty, joy, and authenticity through all the days and nights of your life. Each Mystery in The Old Mermaids Mystery School features the wisdom of one of the Old Mermaids. You won't find any dogma, religion, or exams here. Instead, revel in each of the 13 Mysteries, revealed to you over time, taking you from Sister Sheila Na Giggles's practical steps on being in the here and now to Sister Faye Mermaid's "The rest is mystery." The Old Mermaids offer you peace and sanctuary and a chance to thrive no matter where you find yourself in your life's journey.
Kim Antieau
Kim Antieau is the author of Mercy, Unbound. She lives with her husband in the Pacific Northwest.
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Book preview
The Old Mermaids Mystery School - Kim Antieau
The Old Mermaids Mystery School
Kim Antieau
Green Snake PublishingAlso by Kim Antieau
Old Mermaids Books
The Blue Tail
Church of the Old Mermaids
The First Book of Old Mermaids Tales
The Fish Wife
An Old Mermaid Journal
The Old Mermaids Book of Days and Nights
The Old Mermaids Book of Days and Nights: A Year and a Day Journal
The Old Mermaids Oracle
Other Novels
Broken Moon
Butch
Coyote Cowgirl
Deathmark
The Desert Siren
Her Frozen Wild
The Gaia Websters
Jewelweed Station
The Jigsaw Woman
Killing Beauty
Mercy, Unbound
The Monster’s Daughter
Queendom: Feast of the Saints
The Rift
Ruby’s Imagine
Swans in Winter
Whackadoodle Times
Whackadoodle Times Two
Other Non-Fiction
Answering the Creative Call
Certified: Learning to Repair Myself and the World in the Emerald City
Counting on Wildflowers: An Entanglement
MommaEarth Goddess Runes
The Salmon Mysteries: a Reimagining of the Eleusinian Mysteries
Under the Tucson Moon
Contents
Introduction
1. Mystery One: Be Here Now
Tale: Sister Sheila Na Giggles Mermaid and the Rocky Path
Recipe: Songbird Soup/Tea/Morning Porridge
Practice
2. Mystery Two: Be Full of Yourself
Recipe: Full Moon Libation
Menu for the Tea Shell: Summer Sunrise Tea
Tale: Sister DeeDee Lightful Mermaid Sees the Lightful
Practice
3. Mystery Three: Embrace the Wild
Tale: Sister Bea Wilder Mermaid Understands
Recipe: Sunshine
Wisdom: Ability to Respond
Practice
4. Mystery Four: Live Your Siren Song
Recipe: Singing Up the Sun
Tale: Sister Lyra Musica Mermaid and the Seeker
Practice
5. Mystery Five: Cultivate Joy
Tale: Sister Laughs a Lot Mermaid and Jack
Recipe: Make a Goddess
Recipe: Old Mermaids Treasure Box
Practice
6. Mystery Six: Be At Home in the World
Menu for the Tea Shell
Tale: Sister Ursula Divine Mermaid and Kadar’s Shed
Practice
7. Mystery Seven: Encourage Your Creative Process
Tale: Sister Bridget Mermaid and the Blessing Time
Wisdom: Old Mermaid Blessing
Practice: Make Yourself into an Old Mermaid
Practice
8. Mystery Eight: Make Magic
Tale: Sister Ruby Rosarita Mermaid and the Sous Chef
Recipe: The Magic of Blueberry Omelets
Practice
9. Mystery Nine: Be Wise
Tale: Sister Sophia Mermaid and Victoria
Practice: Calling In Wisdom
10. Mystery Ten: Love
Tale: Sister Magdelene Mermaid and the Young Woman
Practice
11. Mystery Eleven: Flow
Tale: Grand Mother Yemaya Mermaid and the Old Sea
Practice: Visiting Your Old Mermaids Sanctuary
12. Mystery Twelve: Honor the Ancestors
Tale: Mother Star Stupendous Mermaid and the Night Sky
Practice: Gifted Ceremony
Practice
13. Mystery Thirteen: Accept Mystery
Tale: Sister Faye Mermaid and the Mysteries
The Many Ways of the Old Mermaids
Practice: A Gifted Ceremony for Someone Else
Practice
About the Author
The Thirteen Suggestions
The Thirteen Mysteries
The Old Mermaids Mystery School
by Kim Antieau
Copyright © 2020 by Kim Antieau
ISBN: 978-1-949644-51-7
All rights reserved.
No part of this book may be reproduced
without written permission of the author.
Cover Painting by Rachel Slick.
Thanks to Nancy Milosevic.
http://www.kimantieau.com
www.kimantieau.smugmug.com
www.patreon.com/kimandmario
Published by Green Snake Publishing.
www.greensnakepublishing.com
To all the Old Mermaids Novices
Introduction
The Old Mermaids Mystery School
Welcome to The Old Mermaids Mystery School.
One winter at a writing retreat in the Sonoran Desert, the Old Mermaids came up out of a nearby wash and began telling me the stories that became my popular novel Church of the Old Mermaids.
At least that’s how I remember it. I always saw the Old Mermaids as mythic goddess-like beings and ordinary women trying to thrive in an environment that was barely survivable. They became more than characters in a novel to me and to others. Each one is iconic and down to Earth. Each one struggles yet stays true to herself and her community.
I have an affinity for the old mystery schools where they examined the ordinary and demonstrated the power, beauty, and sacredness in the so-called trivial. I’ve always wanted to be a part of a mystery school. One week while staying in a house at the end of a canyon in Abiquiu, NM, where a wild bear was wandering the area and keeping us indoors, The Old Mermaids Mystery School just spilled out of me. I wrote it, I asked people if they would be interested in taking a 13-month course, and it came into being in 2018.
This book is the good-parts version of that original online school. It is now a self-directed course that you can do in 13 months, 13 weeks, or in whatever time you choose, in whatever order you want. You will find no dogma here. This is your Mystery School. Enjoy it. Make it your own.
Please read Church of the Old Mermaids before you begin the school. It will introduce you to all the Old Ems and make the Mystery School a richer experience for you.
In this book, you will find suggestions to journal, record your dreams, draw, and answer questions throughout. I suggest you get a notebook for this journaling and drawing. Express yourself! (The print version of this book, available at online and brick and mortar bookstores has blank and lined pages throughout for your thoughts and images.)
Love and blessed sea,
Kim Antieau
One
Mystery One: Be Here Now
The great mystery schools taught their initiates, pupils, or novices about the daily mysteries surrounding us. If only we could see, hear, feel, and taste what was in front of us, beside us, all around us, life would be beautiful, profound, and liberating. If we could do this, time would stand still. All would be available to us. That was what they taught.
Is this possible?
For the Old Mermaids it was, and it can be for us, too. The first step and the first mystery is:
Be here now.
Yes, we’ve all heard this again and again. Be present. Don’t pay attention to the past or the future (except to learn from one and make sure you have a plan to pay your bills in the other). How does one be present, and for Pete’s sake, why would one want to be present all the time, especially if one’s present is miserable?
When I was in my twenties, newly married, and living in Ann Arbor, I read a book about Zen. When one is washing the dishes, the author wrote, one should pay attention to washing the dishes and nothing else. I didn’t understand why anyone would want to pay attention to doing the dishes!
I tried it anyway. When I did the dishes, I paid attention to doing the dishes. Time slowed. I became extremely aware. I was so aware of the feeling of the dishcloth and the water on my skin that it was uncomfortable at first. It felt as though something was wrong. This was only because I hadn’t really paid attention since I was a child.
I knew right then that being here now meant my life would be more sensual, fuller, and appear to last longer. Of course, I was not able to be here now
all the time—I doubt anyone can. When I am able to accomplish this, it makes all the difference in the world.
What’s all this time traveling about?
Sister Sheila Na Giggles Mermaid has said to more than one visitor to the Old Mermaids Sanctuary. Yesterday be gone and tomorrow never comes. Be here now.
Sister Sheila Na Giggles Mermaid understood this, as did all the Old Mermaids. She is related to the great Sheela na Gig of Ireland. (There are many spellings of her name.) Icons of Sheela na Gig are often on churches. She’s shown as a naked old woman, grinning, holding open her vagina. Patricia Monaghan says her name has been translated as hag, holy lady, and a vulgar word for female genitalia.
She may have been used to ward off evil, for good luck, for healing, as a warning of the power of the female. It’s difficult to figure out what ancient female symbols meant in their time because they are most often interpreted first through the male lens and then through the lens of the Christian Church. As far as we know, the first archaeologists were men. They would find male icons and call them gods, but they labeled female statues as fertility figures.
Many scholars now call Sheela na Gig a goddess, probably related to the Cailleach, the dark hag goddess of winter. She may represent sovereignty and a connection to the land. In any case, she certainly appears to represent life (through the vulva) and death (her often skeletal appearance).
Sheela na Gig may be related to Baubo, too, although not much scholarly evidence links them. In any case, Sister Sheila Na Giggles Mermaid is related to both goddesses. Baubo is the Greek goddess of belly laughter. She is often depicted as a vulva on two legs. She is the one who lifted her skirt to the mourning Demeter, causing the goddess to laugh, which lifted her grief over the loss of her daughter. (Coyote is a stand-in for Baubo in my book The Salmon Mysteries.) Some scholars link Baubo with Hecate.
All three of these goddesses—Sheela na Gig, Baubo, and Hecate—are goddesses of the people, of the Trivia. These goddesses represent or stand watch over the mysteries of life and death. Sister Sheila Na Giggles Mermaid also understands these trivial
mysteries. She urges us to get the starfish outta our eyes,
to remove those rose-colored glasses, and see life as it truly is. We can do this sustainably by becoming grounded and staying grounded in the here and now. It is then that we can learn from the past without being stuck in it, and we can plan for the future without fearing it.
We all have times in our lives when it is difficult to be present: when we are in pain, sick, or grieving. It is absolutely natural and healthy to be able to disassociate or go away
during some of those times. However, we want to be able to consciously make those decisions to go away,
not do so out of habit or rote. The more we practice being here now, the more likely we’ll be able to face the truth of the world and our lives and make decisions about how we want to live.
How can you be here now? How do you feel about being still? Do you meditate? How about a walking meditation?
What are your feelings about Sheela na Gig and Baubo? Draw them and see how that feels.
Tale: Sister Sheila Na Giggles Mermaid and the Rocky Path
And then . . . the Old Sea dried up, and the Old Mermaids were tossed ashore onto the New Desert. They shook off seaweed, shook off the last drops of the Old Sea, hid treasures here and there along the banks, and whispered sweet nothings into conch shells that now littered the arroyo and looked like otherwordly creatures waiting for the command to come alive again and share their wisdom, beauty, and treasures.
The Old Mermaids grieved, some of them wailed, and some of them curled up on the sandy bottom of the wash like pill bugs awaiting a new and safer world. But one by one and then together, they eventually left the edge of what had been and what was now. They met their neighbors. They communed with the elements, with the Elementals, with the coyotes, jackrabbits, saguaro, and palo verde. They listened to the whispers of . . . everything.
Eventually they dug their fingers into the earth, added water and straw, and built the Old Mermaids Sanctuary. Where all were welcome. The New Desert had become home.
All the Old Mermaids had their place on the Old Mermaids Sanctuary. Sister Ruby Rosarita Mermaid was especially good at cooking—which was something since they never cooked anything in the Old Sea, except perhaps ideas. Sisters Faye and Bridget Mermaids were particularly skilled at figuring out the right songs to sing, the correct words for the enchantments, and the ingredients needed for this or that malady at this time of the year and phase of the moon. Sister Magdelene Mermaid was good at love. Grand Mother Yemaya Mermaid understood the mysteries, all of the mysteries, better than almost anyone or anything.
Sister Sheila Na Giggles Mermaid’s sea chanties were quite colorful, and she could fix almost anything while telling a good joke. Sister Sheila Na Giggles Mermaid was mostly known for her frankness. Her honesty could make a person cringe, but she liked to say, Get the starfish outta your eyes!
Face reality and move on, she’d say. Things will turn out one way or another.
Sister Sheila Na Giggles Mermaid adjusted to life in the New Desert quicker than any of the Old Mermaids. Naturally, the area folks respected her—and kept her at a distance. Most humans do not care to hear the truth about the world or themselves, at least not as a steady diet.
But then there was Mary Connell. She lived on the other side of the ridge, near where Granita Wash crosses Coyote Arroyo. Over time, the community had become concerned about Mary. The Healer and Sisters Bridget and Faye Mermaids had all visited her several times to treat her injuries. Rocks kept falling down on the path she took