The Writer of Wirlt
By Fred. Zwarts
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The Writer of Wirlt is a challenge to explore the boundaries of reality.javascript:void(0);
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The Writer of Wirlt - Fred. Zwarts
The Writer of Wirlt
by
Fred. Zwarts
Colophon
The Writer of Wirlt
Text: Fred.Zwarts
Illustrations: Marco Zwarts
First Dutch edition published: April 2007
Layout and Design: Fred.Zwarts
isbn: 978-90-8788-019-4
Coördination and technical realization:
Koninklijke BDU Uitgevers B.V., Barneveld
Second Dutch edition published: December 2017
Cover and design: Geert de Koning
isbn: 978-94-6342-066-2
Published via www.jongboek.nl and mijnbestseller.nl
English version published: December 2019
Cover and design: Geert de Koning
Translation edited: JoAnn van Seventer
Published by: mijnbestseller.nl
More information and processing information on
website www.Wirholt.nl
We have done our best to ascertain the rightful claimant(s) of the
cover illustration. We request anyone who considers his/her material
to have been used without correct mention of the source to contact us.
All rights reserved. No part of this publication may be reproduced
and/or transmitted in any form, or by any means (electronic,
mechanical, photocopying, recording or otherwise) without written
permission of the rightful claimants.
To see a World in a Grain of Sand
And a Heaven in a Wild Flower
Hold Infinity in the palm of your hand
And Eternity in an hour.
Auguries of Innocence
William Blake
The Conception
It all began when the Writer thought up Wirlt. At first Wirlt was still unstructured and empty, but as he brooded on his first thought, the Writer's spirit gradually filled in the empty places with more structure and detail.
'There should be light', thought the Writer. But he could also make stories of places in a perpetual darkness: far away in a long, closed cave, deep in the ocean, or on a lonely planet, far away in the dark universe. After reflecting on these things, he decided to let the characters in his stories see each other and be able to enjoy the colours. He also thought the normal alternation of day and night would better fit his and the readers' own experiences. He made a few notes. That was how it would be. This was the first day.
'There should be a blue sky with white clouds over a vast sea', thought the Writer. But some stories should have an ominous sky with dark clouds, and skies with water pouring down like a river. This he also noted down. That was how it would be. This was the second day.
'There should be large continents to separate the seas', thought the Writer, 'but also some small islands in the sea, and lakes on the land'. Busy as he was, drawing oceans and land masses, deserts here and jungles there, regions with savannahs and steppes, and others with fields and meadows and large settlements, when he finally looked up from his work it was already dark. The third day was over.
'There should be a sun in the sky of Wirlt, and a moon and stars during the night', thought the Writer. He bought a computer program to plan how the sun, the moon, the planets and the stars would be seen from a certain location for a given time. After practicing a few times he managed quite well. Then the fourth day was over.
'There should be living animals of all sorts in the sea and birds flying through the air', thought the Writer. He borrowed some books from the library about marine life and birds to study their general life and behaviour. He also thought about having a few new species play a role in his stories, and made notes about their characteristics and peculiarities. So passed the fifth day.
'There should be land animals as well, big ones and small ones, fast ones and slow ones, tame ones and wild ones', thought the Writer. He read some articles about the behaviour of mammals and small insects. Again he thought about a few new species, with properties that he could use well in his stories. He wrote them down carefully in his notebook.
'There should also be human beings like us', thought the Writer. 'People who can think, who can make their own plans and can strive to