Cats I've Known: On Love, Loss, and Being Graciously Ignored
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Cats I've Known - Katie Haegele
Cats
I’ve
Known
On Love, Loss, and being
graciously ignored
katie
haegele
Microcosm publishing
Portland, OR
Cats I’ve Known
On Love, Loss, and Being Graciously Ignored
Katie Haegele
First published, October 10, 2017
© Katie Haegele, 2017
This edition is © by Microcosm Publishing, 2017
Cover and Illustrations by Trista Vercher, Vercher Ink
Microcosm Publishing
2752 N Williams Ave
Portland, OR 97227
For a catalog, write or visit
MicrocosmPublishing.com
ISBN 978-1-62106-481-7
This is Microcosm #272
Edited by Elly Blue
Designed by Joe Biel
Cover by Trista Vercher
Distributed worldwide by PGW and in Europe by Turnaround.
If you bought this on Amazon, I’m so sorry. You could have gotten it cheaper and supported a small, independent publisher at MicrocosmPublishing.com
The quote on page 17 is from Lonesome Dove by Larry McMurtry
Library of Congress Cataloging-in-Publication Data
Names: Haegele, Katie, author
Title: Cats I’ve known / Katie Haegele.
Description: First edition. | Portland, OR : Microcosm Publishing, 2017.
Identifiers: LCCN 2016048193 (print) | LCCN 2017024118 (ebook) | ISBN
9781621060123 (epdf) | ISBN 9781621061274 (epub) | ISBN 9781621064855 (
mobi/kindle) | ISBN 9781621064817 (pbk.)
Subjects: LCSH: Cats--Anecdotes. | Haegele, Katie.
Classification: LCC SF445.5 (ebook) | LCC SF445.5 .H34 2017 (print) | DDC
636.8--dc23
LC record available at https://lccn.loc.gov/2016048193
Microcosm Publishing is Portland’s most diversified publishing house and distributor with a focus on the colorful, authentic, and empowering. Our books and zines have put your power in your hands since 1996, equipping readers to make positive changes in their lives and in the world around them. Microcosm emphasizes skill-building, showing hidden histories, and fostering creativity through challenging conventional publishing wisdom with books and bookettes about DIY skills, food, bicycling, gender, self-care, and social justice. What was once a distro and record label was started by Joe Biel in his bedroom and has become among the oldest independent publishing houses in Portland, OR. We are a politically moderate, centrist publisher in a world that has inched to the right for the past 80 years.
Global labor conditions are bad, and our roots in industrial Cleveland in the 70s and 80s made us appreciate the need to treat workers right. Therefore, our books are MADE IN THE USA and printed on post-consumer paper.
Table of Contents
Introduction: The Backyard Saga Begins
1: Ophelia
2: Sylvester
3: The White Cat Statue
4: Sister Eustace & the Library Cat
5: Locust Moon
6: Sylvia
7: Gloria
8: Max
9: The Truth Is out There
10: The Wannabe
11: The Backyard Saga Continues
12: Trixie
13: Crooked Cat
14: Oscar
15: Snickerdoodle
16: Owlbert
17: Dubh
18: Honeybunch
19: Chachi
20: The Landlord’s Cat
21: The Ghost Kitten
22: Backyard Saga: The Bad Mammer Jammer
23: Dee & Emma
24: Cornbread
25: Punkhouse Cat Fight
26: Grayson
27: Neil Young
28: Gwen
29: Ricky
30: Georgia
31: Coco
32: The White Witch’s Cat
33: Gracie
34: Polly & Onyx & Boris
35: Bad Bad & Farfel
36: Chicken Livers
37: More Bookstore Cats
38: Farkle
39: Olivia
40: Pet Shop Kitten Party
41: Farm Cats
42: The Backyard Saga Goes on and On
43: Cat’s Cat
Introduction: The Backyard Saga Begins
I can see them from here: The mama cat and her litter of two kittens romping around in our backyard. The mother is lounging on her side, watching as her daffy babies tumble over each other and roll around in the grass. She’s black with a white belly and the babies are both the same dark grey color and covered in fuzz.
I’m having my morning coffee at my kitchen table, which sits under two huge windows that look out onto the narrow backyard of my Philadelphia row house. It’s my favorite place in this whole house to sit and work—like I am right now—or to talk to my mom on the phone, or to drink a beer while our little radio plays 107.9, Philly’s new throwback hip-hop station, which is easily the best one in town.
From my spot at the table I can see our whole yard, as well as the entirety of both yards on either side, plus the row of houses behind ours and the busy street at the bottom of it. Out front, the door to our house opens right onto the sidewalk; we don’t even have a real stoop. When people walk down our street I can see their faces from my living room, and on a warm day when the windows are open, I can hear every word they say. I grew up in a suburb just outside this city, where there was a bit more space and it was a bit more quiet. But I’ve always wanted to live in a house like this one, all tucked in with my neighbors snug on either side and signs of life all around me. When Joe and I got married and agreed to move to the city, this is the neighborhood I chose, and it’s perfect. There’s trash on the sidewalks and some shady people who hang out around the bus stop, but there’s a lot of beauty here, too.
And it’s been funny, getting used to having these stray cats around. I’ve had lots of pet cats in my life, but these aren’t anybody’s pets. They’re not exactly wild, though, either—they need us people, and our garbage, and the occasional moments of kindness we have to offer. Joe and I keep an eye on them but we haven’t needed to worry about them much; we’ve been here for nearly a year now and we still haven’t had a cold spell. It’s December, but it’s been unseasonably warm since the summer ended, which I guess is why the mama and her babies are looking so relaxed out there. They’ve got a long, yellow strip of sun to loll around in, and the grass hasn’t even died.
We see the same strays again and again and have enjoyed getting to know them from a distance, like neighbors who you wave to when you see them but basically don’t know. The mama cat uses our backyard as a hangout and a through-way and there’s something delightful about spotting her back there. She’s a tough old thing with a slight limp and a wonky eye, features we interpreted—entirely uncritical of the gender essentializing we were engaging in—to mean that she was a he. The old guy,
we called the cat whenever we saw it. Hey look, the old guy is on the shed again. He’s staring at us!
one of us would say. A few times we saw the cat on the wooden bench in our backyard or sitting on the roof of that tin shed next door, but more often than that it’s in transit, rarely at ease, never resting or sleeping for long. That’s the life of a stray, I guess.
And anyway, he turned out to be a she, which we knew because she had kittens, which we found out one morning at breakfast when Joe saw her come trotting through the yard with a tiny, dark baby swinging from her mouth. We watched, eyes huge, as she and her cargo squirmed under the fence to our neighbor Frank’s yard, then hid herself and her kitten under a dirty old plastic bin that was propped against one of the tires he keeps back there.
Frank is an older guy who has lived here forever and he’s pretty eccentric. You could call him one of the drawbacks to living here, I guess, but actually he’s alright. He owns the house next to ours, a small parking lot next to that, and the house on the other side of the lot, and all three of these properties are filled with mysterious hulking objects that are covered in tarps and other makeshift structures. The tiny walkway between our house and his is also jammed full of junk—buckets, upturned rakes, snarls of rope or hose or something like that—and he owns four rusted-out jalopies: a truck and three ancient cars that he keeps on the street in front of his houses at all times so that no one else can park near him. It’s hard to say what exactly Frank has going on over there, and I can’t help but feel curious. The man who rents our house to us grew up in this neighborhood and he told us that when he was young, Frank apprenticed with the last remaining goldsmith in the city. Together they repaired the massive chandeliers that hang—or used to hang—from the ceilings of the fancy department stores downtown. A lot of the junk Frank collects in his yards looks like it’s made of metal, so I guess he might be using his