Johnny Bear, and Other Stories from Lives of the Hunted
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Johnny Bear, and Other Stories from Lives of the Hunted - Ernest Thompson Seton
JOHNNY BEAR
AND OTHER STORIES
FROM LIVES OF THE HUNTED
By
ERNEST THOMPSON SETON
First published in 1935
This edition published by Read Books Ltd.
Copyright © 2017 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available
from the British Library
Contents
Ernest Thompson Seton
JOHNNY BEAR
I
II
III
IV
V
VI
TITO THE STORY OF THE COYOTE THAT LEARNED HOW
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
WHY THE CHICKADEE GOES CRAZY ONCE A YEAR
Ernest Thompson Seton
Ernest Thompson Seton was born on 14th August 1860, in South Shields, County Durham, England. He grew up to be a pioneering author, wildlife artist, founder of the Woodcraft Indians, and one of the originators of the Boy Scouts of America (BSA).
The Seton family emigrated to Canada when Ernest was just six years old, and most of his childhood was consequently spent in Toronto. As a youth, he retreated to the woods to draw and study animals as a way of avoiding his abusive father – a practice which shaped the rest of his adult life. On his twenty-first birthday, Seton's father presented him with a bill for all the expenses connected with his childhood and youth, including the fee charged by the doctor who delivered him. He paid the bill, but never spoke to his father again.
Originally known as Ernest Evan Thompson, Ernest changed his name to Ernest Thompson Seton, believing that Seton had been an important name in his paternal line. He became successful as a writer, artist and naturalist, and moved to New York City to further his career. Seton later lived at ‘Wyndygoul’, an estate that he built in Cos Cob, a section of Greenwich, Connecticut. After experiencing vandalism by some local youths, Seton invited the young miscreants to his estate for a weekend, where he told them what he claimed were stories of the American Indians and of nature.
After this experience, he formed the Woodcraft Indians (an American youth programme) in 1902 and invited the local youth to join (at first just boys, but later girls as well). The stories that Seton told became a series of articles written for the Ladies Home Journal, and were eventually collected in The Birch Bark Roll of the Woodcraft Indians in 1906. Seton also met Scouting's founder, Lord Baden-Powell, in 1906. Baden-Powell had read Seton's book of stories, and was greatly intrigued by it. After the pair had met and shared ideas, Baden-Powell went on to found the Scouting movement worldwide, and Seton became vital in the foundation of the Boy Scouts of America (BSA) and was its first Chief Scout (from 1910 – 1915). Despite this large achievement, Seton quickly became embroiled in disputes with the BSA’s other founders, Daniel Carter Beard and James E. West.
In addition to disputes about the content of Seton's contributions to the Boy Scout Handbook, conflicts also arose about the suffrage activities of his wife, Grace, and his British citizenship (it being an American organization). In his personal life, Seton was married twice. The first time was to Grace Gallatin in 1896, with whom he had one daughter, Ann (who later changed her name to Anya), and secondly to Julia M. Buttree, with whom he adopted an infant daughter, Beulah (who also changed her first name, to Dee). Alongside his work with the Woodcraft Indians and the BSA, Seton also found time to pursue his primary interest – that of nature writing.
Seton was an early pioneer of animal fiction writing, his most popular work being Wild Animals I Have Known (1898), which contains the story of his killing of the wolf Lobo. He later became involved in a literary debate known as the nature fakers controversy, after John Burroughs published an article in 1903 in the Atlantic Monthly attacking writers of sentimental animal stories. The controversy lasted for four years and included important American environmental and political figures of the day, including President Theodore Roosevelt. Seton was also associated with the Santa Fe arts and literary community during the mid-1930s and early 1940s, which comprised a group of artists and authors including author and artist Alfred Morang, sculptor and potter Clem Hull, painter Georgia O'Keeffe, painter Randall Davey, painter Raymond Jonson, leader of the Transcendental Painters Group, and artist Eliseo Rodriguez.
In 1931, Seton became a United States citizen. He died on 23rd October, 1946 (aged eighty-six) in Seton Village in northern New Mexico. Seton was cremated in Albuquerque. In 1960, in honour of his 100th birthday and the 350th anniversary of Santa Fe, his daughter Dee and his grandson, Seton Cottier (son of Anya), in a fitting tribute to the man who loved his surrounding countryside so much, scattered his ashes over Seton Village from an airplane.
JOHNNY BEAR
I
Johnny was a queer little bear cub that lived with Grumpy, his mother, in the Yellowstone Park. They were among the many Bears that found a desirable home in the country about the Fountain Hotel.
The steward of the Hotel had ordered the kitchen garbage to be dumped in an open glade of the surrounding forest, thus providing throughout the season, a daily feast for the Bears, and their numbers have increased each year since the law of the land has made the Park a haven of refuge where no wild thing may be harmed. They have accepted man's peace-offering, and many of them have become so well known to the Hotel men that they have received names suggested by their looks or ways. Slim Jim was a very long-legged thin Blackbear; Snuffy was a Blackbear that looked as though he had been singed; Fatty was a very fat, lazy Bear that always lay down to eat; the Twins were two half-grown, ragged specimens that always came and went together. But Grumpy and Little Johnny were the best known of them all.
Grumpy was the biggest and fiercest of the Blackbears, and Johnny, apparently her only son, was a peculiarly tiresome little cub, for he seemed never to cease either grumbling or whining. This probably meant that he was sick, for a healthy little Bear does not grumble all the time, any more than a healthy child. And indeed Johnny looked sick; he was the most miserable specimen in the Park. His whole appearance suggested dyspepsia; and this I quite understood when I saw the awful mixtures he would eat at that garbage-heap. Anything at all that