Evergreen Ape: The Story of Bigfoot
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About this ebook
David Norman Lewis
David Lewis is a Seattle based writer and director. He has written for The Stranger, The Seattle Weekly, BlackPast.org, and Moon Travel. His films have appeared in the Northwest Film Forum's Local Sightings Festival and small theaters around Seattle.
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Evergreen Ape - David Norman Lewis
Evergreen Ape
The Story of Bigfoot
© David Norman Lewis, 2021
This edition © Microcosm Publishing, 2021
For a catalog, write or visit:
Microcosm Publishing
2752 N Williams Ave.
Portland, OR 97227
www.Microcosm.Pub
eBook ISBN 9781648410963
This is Microcosm #566
Edited by Sarah Koch
Design by Joe Biel
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Microcosm Publishing is Portland’s most diversified publishing house and distributor with a focus on the colorful, authentic, and empowering. Our books and zines have put your power in your hands since 1996, equipping readers to make positive changes in their lives and in the world around them. Microcosm emphasizes skill-building, showing hidden histories, and fostering creativity through challenging conventional publishing wisdom with books and bookettes about DIY skills, food, bicycling, gender, self-care, and social justice. What was once a distro and record label was started by Joe Biel in his bedroom and has become among the oldest independent publishing houses in Portland, OR. We are a politically moderate, centrist publisher in a world that has inched to the right for the past 80 years.
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Contents
Bigfoot
Wild Men
Ape Canyon
Kings and Apes
Rousseau and Dahinden
Cripple Foot
Bigfoot Convention
Real Seattle Apes
A Bigfoot Hiking Guide
Bigfoot
He who seeketh long enough and hard enough will find the truth, whatever that truth may be.
–Roger Patterson, Bigfoot Hunter
Recently at a Seattle junk store, I found hundreds of unopened packs of Harry and the Hendersons trading cards. They are not collectables; they are worth less now than when the film first came out in 1987. Even though they still have the gum in them, people no longer care about Seattle’s top family-friendly Bigfoot movie. Wow, can you imagine kids used to trade these in school?
I asked a friend who was with me.
Something tells me they didn’t,
he responded, but I know what you mean.
There has yet to be a truly incredible Bigfoot movie.
At Seattle’s Scarecrow Video, America’s largest surviving video rental store, there is an entire Bigfoot movie section. Although it probably contains every Bigfoot movie ever made, just by looking at the covers it is clear that somebody will find Bigfoot before anybody makes a watchable movie about them. Be it Harry and the Hendersons, where Bigfoot brings a family closer together, or Big and Hairy, where Bigfoot plays basketball, or Bigfoot vs. D.B. Cooper, where Bigfoot constantly stares at buff, shirtless men, none of the available movies get at the essence of Bigfoot.
Bigfoot is hard to dramatize because he doesn’t do anything. Aliens abduct farmers, vampires suck blood, the chupacabra sucks goat blood, the Mongolian Death Worm electrocutes people, but all Bigfoot does is exist, and existing is all he has to do for people to devote their lives to looking for him.
Why the idea of an undiscovered species of ape living in the Northwest wilderness is appealing to so many people is a bigger mystery than whether or not the creature exists. Dr. Grover Krantz—the professor of anthropology at Washington State University who nearly destroyed his career and lost countless promotions for his belief in Bigfoot—wrote that, even if a Bigfoot was ever found, Life will go on, almost as if nothing had happened.
Still, he was obsessed.
To a non-believer, most Bigfoot books are unreadably boring since they are usually just collections of people claiming to have seen one.
Yet people cannot get enough of them. My editor told me it is almost impossible for a Bigfoot book to lose money. Many booksellers have confirmed that people come into their stores and ask do you have anything else on Bigfoot?
looking to read anything that might have a novel blurry photo of the elusive creature.
This was not always the case. Although stories of Wild Men
are found in every culture on Earth, from Europe, Australia, and Japan, to Africa and North America, they did not capture the imagination of white America until the 1920s, and they did not become a mania until after World War II. According to the stories of countless American Indians, they have been around forever, yet during the 1924 Ape Canyon
incident, there was not yet an English word to describe them, as Bigfoot and Sasquatch had never appeared in print.
As a social phenomenon, interest in Bigfoot is often attributed to a desire to reconnect with nature,
which explains why he was so popular during the hippie movement of the 60s and ‘70s. While this is partially true, it raises even more complicated questions: What is nature
? How do you reconnect
with it? Why do people want to reconnect
with it to begin with? And, even more intriguing, why are the people with this desire almost entirely white?
In the decade leading up to the first famous modern Bigfoot sighting in the Northwest, the Ape Canyon
incident of 1924, there were a variety of stories about the failure of man to connect with