The Receding Brow
By Max Brand
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About this ebook
Max Brand
Max Brand® (1892–1944) is the best-known pen name of widely acclaimed author Frederick Faust, creator of Destry, Dr. Kildare, and other beloved fictional characters. Orphaned at an early age, he studied at the University of California, Berkeley. He became one of the most prolific writers of our time but abandoned writing at age fifty-one to become a war correspondent in World War II, where he was killed while serving in Italy.
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The Receding Brow - Max Brand
THE RECEDING BROW
..................
Max Brand
KYPROS PRESS
Thank you for reading. In the event that you appreciate this book, please consider sharing the good word(s) by leaving a review, or connect with the author.
This book is a work of fiction; its contents are wholly imagined.
All rights reserved. Aside from brief quotations for media coverage and reviews, no part of this book may be reproduced or distributed in any form without the author’s permission. Thank you for supporting authors and a diverse, creative culture by purchasing this book and complying with copyright laws.
Copyright © 2015 by Max Brand
Interior design by Pronoun
Distribution by Pronoun
TABLE OF CONTENTS
The Receding Brow
The Receding Brow
By
Max Brand
THE RECEDING BROW
..................
THEY SAT UPON PERCHES LIKE birds in the dingy room with its faintly offensive odor. For the most part they were silent as owls, but occasionally one of the monkeys broke into a shrill chattering, and when this happened the others turned their heads sharply and regarded the noisemaker with manifest disgust. The purposeless solemnity of the animals contrasted uncannily with the curious who passed along through the monkey-house.
That slight and offensive odor as well as the sawdust on the floor made the room seem something like a circus menagerie, yet there was a difference. Other animals, whether, a lion or a wolf, return the gaze of man with a look partly of awe and partly of fear, but the monkey stares back with a certain intimate curiosity which at the same time thrills and horrifies a human being.
There were a few who passed among the monkeys with a careful scrutiny, sometimes stopping for quite a time before one perch and walking around and around the chained exhibit; they were the purchasing agents for circuses and zoos.
The majority of the people in the room went about without purpose, laughing and talking with one another. Aside from the monkeys the only motionless figure there was an old white-bearded man, a patrician figure, who stood in a corner with one arm folded across his breast and his chin resting in the palm of his other hand. He seemed to observe nothing but to dream in philosophic meditation.
He started now into an attentive attitude, and as he did so moved from the shadow which had hitherto veiled his head, and the light fell upon a singularly ugly face which the venerable beard could not disguise. Under the beard the line of the jaw showed square and powerful; the nose squat and misshapen with stiffly distended nostrils, the eyes supernally bright under the frowning arch of great, bony brows, the forehead slanting steeply back to an unmanageable gray forelock; the lip pushed up to a sneer by a fanglike tooth rising from the lower jaw. And at that briefly receding brow, that strangely bright eye and the ominous sneer, an observer stared in terror. Afterward he could not fail to observe that the eye was bright not with malice but with understanding and he felt sympathy and respect for a figure so grotesque and yet so manly. If at first that face suggested an ape, in a moment it set one searching his memory for significantly ugly men, calling up the figures of Socrates and Aesop.
That which had roused the strange old man from his meditation was the sight of a dapper youth who was standing close to an immense orang-utan, which was shackled securely in an opposite corner. The big monkey squatted on his haunches braced with his long arms and was apparently asleep. His observer leaned over with one hand upon his knee and extended, his walking-stick to rouse the creature, which made a vague and sleepy motion with one hand and immediately resumed its somnolent attitude.
At this dreamlike and grotesque movement the young man laughed and, moving a little closer, passed the point of his cane across the top of the monkey’s head, but this time failed to elicit any response whatever. Confident that the big ape was now asleep, and eager for amusement, he tapped it sharply across the shoulder. What happened was as astonishing as if a grotesque statue of Buddha had come to life to startle an unbeliever.
The orang-utan seized the point of the walking-stick and jerked it violently toward him, the force of the act throwing the man off his balance. Finding himself reeling toward the ape he shouted and strove to regain his poise, but the long arm of his victim darted out again and his hand closed upon the wrist of his inquisitor. The shout of the endangered man was heard and a score of people rushed toward the place, but it was obvious that no help could come in time. The struggles of the man infuriated the monkey, who