Historic Photos of Daytona Beach
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Historic Photos of Daytona Beach - Harold D. Cardwell
HISTORIC PHOTOS OF
DAYTONA BEACH
TEXT AND CAPTIONS BY HAROLD D. CARDWELL, SR.
Road-beach racing resumed after a hiatus caused by World War II. The track was laid out for 3.5 miles (half the course was on the beach and half on the hard pavement) having a north turn and a south turn. The approach from the beach was hard-packed marl and shell.
HISTORIC PHOTOS OF
DAYTONA BEACH
Turner Publishing Company
200 4th Avenue North • Suite 950
Nashville, Tennessee 37219
(615) 255-2665
412 Broadway • P.O. Box 3101
Paducah, Kentucky 42002-3101
(270) 443-0121
www.turnerpublishing.com
Copyright © 2007 Turner Publishing Company
All rights reserved.
This book or any part thereof may not be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Library of Congress Control Number: 2006937034
ISBN: 1-59652-326-3
Printed in the United States of America
07 08 09 10 11 12 13 14 15 —0 9 8 7 6 5 4 3 2 1
CONTENTS
ACKNOWLEDGMENTS
PREFACE
FROM THE WILDERNESS TO A TOWN (1875–1906)
TRANSPORTATION, INDUSTRY, AND WORLD WAR I (1907–1918)
REAL ESTATE BOOM, DEPRESSION, AND WORLD WAR II (1919–1945)
GROWTH, THE BEACH, TOURISM, AND RACING (1946–1965)
NOTES ON THE PHOTOGRAPHS
The Firecracker 400, Fourth of July, 1963. The race was started with the pace car in front and the qualified drivers following behind. Notice the officials giving their signals to the drivers. Today NASCAR has improved the track with new grandstands for the fans, facilities for the race cars, and new safety measures for the drivers.
ACKNOWLEDGMENTS
This volume, Historic Photos of Daytona Beach, is the result of the cooperation and efforts of many individuals, organizations, and corporations. It is with great thanks that we acknowledge in particular the generous assistance of the State Archives of Florida.
We would also like to thank the following individuals for valuable contributions and assistance in making this work possible:
Harold D. Cardwell, Sr., our writer
N. Adam Watson, Photographic Archivist, State Archives of Florida
PREFACE
Daytona Beach has thousands of historic photographs that reside in archives, both locally and nationally. This book began with the observation that, while those photographs are of great interest to many, they are not easily accessible. During a time when Daytona Beach is looking ahead and evaluating its future course, many people are asking, How do we treat the past? These decisions affect every aspect of the city—architecture, public spaces, commerce, infrastructure—and these, in turn, affect the way that people live their lives. This book seeks to provide easy access to a valuable, objective look into the history of Daytona Beach.
The power of photographs is that they are less subjective than words in their treatment of history. Although the photographer can make decisions regarding subject matter and how to capture and present it, photographs do not provide the breadth of interpretation that text does. For this reason, they offer an original, untainted perspective that allows the viewer to interpret and observe.
This project represents countless hours of review and research. The researchers and writer have reviewed thousands of photographs in numerous archives. We greatly appreciate the generous assistance of the individuals and organizations listed in the acknowledgments of this work, without whom this project could not have been completed.
The goal in publishing this work is to provide broader access to this set of extraordinary photographs that seek to inspire, provide perspective, and evoke insight that might assist people who are responsible for determining the future of Daytona Beach. In addition, the book seeks to preserve the past with adequate respect and reverence.
With the exception of touching up imperfections caused by the damage of time and cropping where necessary, no other changes have been made. The focus and clarity of many images is limited to the technology and the ability of the photographer at the time they were taken.
The work is divided into eras. Beginning with some of the earliest known photographs of Daytona Beach, the first section records photographs through the beginning of the twentieth century. The second section covers the early twentieth century through World War I. Section Three spans a period of time from the