The Old Rose Index

By Brent C. Dickerson

This detailed book is the useful long-awaited and efficient comprehensive index to Brent C. Dickerson's fascinating works on Old Roses. The index lists all of the roses in these internationally-known, influential works, and specifies to the reader which page in which of these books has the main or important entry on the rose in question; also indexed here are all substantive references to people, places, things, or concepts in these important works which arose from Dickerson's twenty years of careful research and close study. "The Old Rose Index" additionally includes complete and updated appendices listing roses by year and by color, several interesting articles, as well as updates to Dickerson's previous booksplus completly new entries on 29 interesting old roses not covered previously! While not for those who do not own Dickerson's other books, "The Old Rose Index" will give the reader who does own these monumental works complete mastery over the great treasury of information supplied by "The Old Rose Advisor" (second edition), "The Old Rose Adventurer", and "The Old Rose Informant", saving time and streamlining research in one's quest for information. This remarkable book is the key that unlocks that treasury!

• Language: English
• Publisher: iUniverse
• Release date: Oct 11, 2001
• ISBN: 9781469716404

Brent C. Dickerson

Brent C. Dickerson is the internationally-known author of the most influential modern works on old roses. This is the enlarged second edition of his acclaimed first book The Old Rose Advisor; also in print are his definitive works The Old Rose Adventurer, Roll Call: The Old Rose Breeder, and The Old Rose Informant, the latter two books also being available from iuniverse.

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All Rights Reserved © 2001 by Brent C. Dickerson

No part of this book may be reproduced or transmitted in any form or by any means, graphic, electronic, or mechanical, including photocopying, recording, taping, or by any information storage or retrieval system, without the permission in writing from the publisher.

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Contents

FOREWORD

THE INDEX

APPENDIX ONE

APPENDIX TWO

APPENDIX THREE

APPENDIX FOUR

APPENDIX FIVE

APPENDIX SIX

APPENDIX SEVEN

Queen: What have I done that thou darest wag thy tongue In noise so rude against me?

Hamlet: Such an act

That blurs the grace and blush of modesty; Calls virtue hypocrite; takes off the rose From the fair forehead of an innocent love And sets a blister there; makes marriage vows As false as dicer’s oaths; O, such a deed As from the body of contraction plucks The very soul, and sweet religion makes A rhapsody of words! Heaven’s face does glow, Yea, this solidity and compound mass, With heated visage, as against the Doom, Is thought-sick at the act.

Queen: Ay, me, what act

That roars so loud and thunders in the index?

—William Shakespeare, Hamlet III:4

Foreword

"In producing this little book, my efforts have focused on bringing you the means to unravel all the sorts and varieties of this charming flower …I won’t regret the time spent if I can help you to find some pleas-ure!…Nowadays [1811], we have about two hundred species, varieties, and subvarieties of Roses; the favor and preference that this plant seems to enjoy over others can’t fail to draw in yet greater numbers…The blossom of the Rose ornaments the bosom of the shepherdess as it does that of the princess, that of Innocence just as that of Flirtation; it is as varied in its forms and colors as the Ladies are in their beauties and graces. A collection of Roses at the height of bloom could be compared to an assembly of young people adorned in the charm of their age. One finds in both gatherings freshness of color and elegance of form and proportion. There can be found some common beauties which everyone likes, such as those of the Centifolias, the Mosses, and the Uniques; and there are some male beauties which force you to a certain respect mingled with admiration—such are the Purples, the Velvets, and others of striking color. Whimsical beauties can be found—I would nearly say capricious ones—sought out for their singularity and the pleasures of their united charms—details which please without motive, such as Junon, the Agathe Roses, ‘Bipennee’Renoncule’, and ‘ttllef. Some fine, fresh, delicate beauties make us afraid to approach lest we damage them—Unique Carnee, and the Maiden’s Blushes. Modest beauties can also be found there, hidden among the others, beauties which seem eclipsed and crushed in the hurly-burly; nevertheless, the eye rests on them with pleasure and ease. Such are the Pompons, the Bordeaux or ‘Rosier des Dames’ and the Chinas. And, finally, there are some sparkling beauties which, at first glance, seem destined to catch everyone’s eye, winning everyone’s devotion, and overshadowing all the rest. These would be ‘Bicolor’, the Panachees, the Portlands, the Hessoises, and Lucidas, and others. These last, while not bearing close examination of their details, should not be passed over on that account. On the contrary, their sparkle should make them sought out to decorate the garden, where they are very effective.

"One could elaborate this comparison between Roses and the Ladies, indeed as to moral qualities, because one finds in certain sorts the amiability and modesty which are the most beautiful ornament of the sex. The Provinses, for instance, used in the form of dry preserves, called conserves, to restore the activity of a weak digestion, and to strengthen it, give us a striking example of maternal love. This kind of rose exhausts itself in giving numerous runners to ensure survival; in doing so, its own existence is of short duration if one doesn’t lift or cut off these new-borns as soon as they appear—they take possession of all the nourishing sap from their mother, who is brought to her end. Such is the good mother of her family, who knows no pleasure but raising her dear children, and who is not afraid to sacrifice herself if circumstances seem to demand it.

"In the last century, one would not go so far as to reveal one’s tendencies towards being a rosarian; but rose-culture grew in favor such that it took the throne of Goddess of Flowers. People thus should lose no time in starting to grow them! When you get right down to it, why haven’t Roses had fanciers as Tulips, Hyacinths, Auriculas, and Carnations have had? I contend that they merit our loyalty and efforts, if not beyond the other flowers mentioned, then at least to the same degree. Their culture is much easier: Roses ask for nothing but ordinary protection; their flowers aren’t subject to change and degeneration as is the case with the others. It is not necessary to give them soil which is either unusual or prepared in advance. Roses—don’t they shine as much as Tulips, Hyacinths, and Carnations through their beauty and the range of their colors? Don’t they flatter the nose with their different perfumes? Can they be reproached for the short duration of their beauty and freshness? I would respond on their behalf that they continue on the same specimen from one day to the next for a month, six weeks, and more; that a Rose established four or five years, strong and vigorous, can give from a hundred to three hundred flowers and more; that one can revel in roses the whole year, especially since the China Rose has come our way; this lattermost lavishes on us its most beautiful flowers from Spring to Fall, before and after the other sorts. Aside from this, do we not have a succession of flowers from the beginning of May to the end of October, with the Pompons, Bordeaux, Red and White Monthlies, Centifolias, and Musks?—numerous varieties, each more beautiful than the others, filling in the small intervals which can happen between the bloom periods [of other roses]. I insist that no flower can give such varied pleasures as roses do! They can be found in the form of a tree; they can vary in foliage; they can decorate a garden in a number of ways; different colors can be found on the same specimen. What flower can supply so many charms of all sorts as the Rose?

"For a long time, it has had supremacy over the others—it was declared the Queen of Flowers—it is proper that this noble title was bestowed on it in a time and era when it only had a small number of varieties; and it should keep its empire and merit this preference so well founded, especially now when culture has raised the number of them to more than two hundred varieties and sub-varieties.

"To raise new sorts and varieties, it is necessary to plant a bed or block of Roses which produce fruit, such as the Monthlies, the Sultanes, the Sans Pareilles, and Agathes, the Provinses, and other sorts, taking care to mix them well and vary them relative to color, having them all in bush form, at an even height as much as possible by training them short and thick. At bloom-time, around the middle of the day it is necessary to drag a rope across the bed in several directions, a rope brought to bear on each of the stems by someone. This rope, in shaking the bushes and flowers, will make them disperse their pollen, which mixes together, and, thus mixed, is borne to the pistils of different roses. These pistils, upon ripening, give some seed which necessarily will bring new varieties when sown. Thus it is that, in helping Nature, we can help ourselves to new pleasures in the culture of this flower."—Claude-Thomas Guerrapain, Almanach des Roses, 1811.

The Index

Key to References

A&C   Appendix of Addenda and Corrigenda in this present book.

TORAla   The Old Rose Advisor, 2nd edition, volume 1.

TORAlb   The Old Rose Advisor, 2nd edition, volume 2.

TORAlx   The Old Rose Advisor, 1st edition (referenced for

plates only).

TORA2   The Old Rose Adventurer, 1st edition.

TORInf   The Old Rose Informant, 1st edition.

Thus, a reference such as TORA1a:23 means that the rose will be found on page 23 of The Old Rose Advisor (second edition), volume 1.

• Any old roses not found in the above works, and therefore not in this Index, are encompassed in the book Old Roses: The Master List by the same author.

A

‘À Balais’, see ‘Comtesse de Chamoïs’

‘À Bois Brun’, TORA2:331

‘À Bois et Feuilles Panachées’, TORInf:76

‘À Bordures’, see ‘Comtesse de Chamoïs’

‘A. Bouquet’, TORA1a:107

‘À Bouquets’ (Ch), TORInf:473, 478, 531

‘À Bouquets’ (D), see ‘Argentée’

‘À Boutons Penchés’, see ‘Boursault’

‘À Boutons Renversés à Fleurs Simples’,

TORA2:271

‘À Bractées’, see Rosa bracteata

‘À Cinq Couleurs’, see ‘Fortune’s Five-

Colored Rose’

‘À Coeur Jaune’, TORInf:137, 531, 537

‘À Douze Pétales’, see ‘À Fleurs Presque

Simples’

‘A Drawiel’, TORA1a:396

‘À Feuille de Chêne’, TORA2:95

‘À Feuille de Chou’, TORInf:70

‘À Feuille de Sauge’, TORInf:74

‘À Feuille de Saule’, TORInf:93

‘À Feuille Luisante’, TORInf:43

‘À Feuilles Bipennées’, see ‘À Feuilles de

Céleri’

‘À Feuilles Crénelées’, TORA2:95

‘À Feuilles Crépues’, see ‘Bullata’

‘À Feuilles Crispées’, see ‘À Feuilles de

Céleri’

‘À Feuilles d’Épine-Vinette’, see Hulthemia

persica

‘À Feuilles de Céleri’, TORA2:96,

TORInf:71 (as ‘Bipennée’)

‘À Feuilles de Chanvre’ (A), see

‘Cymbæfolia’ (A)

‘À Feuilles de Chanvre’ (C), TORA2:96

‘À Feuilles de Chêne Vert’, see ‘À Feuille

de Chêne’

‘À Feuilles de Chêne’, see ‘À Feuille de

Chêne’

‘À Feuilles de Chou’, see ‘Bullata’

‘À Feuilles de Frêne’ (Turb), see ‘Turneps’

‘À Feuilles de Frêne’ (unc.), see

‘Fraxinifolia’ (unc.)

‘À Feuilles de Groseillier de Maquereau’,

see ‘À Feuilles de Céleri’

‘À Feuilles de Groseillier’, see ‘À Feuilles

de Céleri’

‘À Feuilles de Laitue’, see ‘Bullata’

‘À Feuilles de Pêcher’ (A), TORA2:149

‘À Feuilles de Pêcher’ (Ch), TORInf:471,

477

‘À Feuilles de Persil’, see ‘À Feuillles de

Céleri’

‘À Feuilles Gaufrées’, see ‘Bullata’

‘À Feuilles Larges’, see ‘Platyphylla’

‘À Feuilles Luisantes’ (unc.), see

‘Fraxinifolia’ (unc.)

‘À Feuilles Penchées’, see Rosa clinophylla

‘À Feuilles Ridées’, see Rosa rugosa

‘À Feuilles Rondes’, TORInf:71

‘À Feuilles Rondes Crénelées’, see ‘À

Feuilles Crénelées’

‘À Feuilles Simples’, see Hulthemia persica

‘À Filet’, TORInf:135, 139, 144, 496, 504

‘À Fleur d’Anémone’, see ‘De La Flèche’

‘À Fleur d’un Rouge Pâle’, see ‘Blush

Belgic’

‘À Fleur Double’, see ‘La Moderne’

‘À Fleur Pleine’, TORInf:497, 504

‘À Fleur Violâtre Semi-Double’,

TORInf:542

‘À Fleurs Blanches’, see ‘De Cels’

‘À Fleurs Carnées’, see ‘Carnea’ (Mult)

‘À Fleurs Chagrinées’, TORInf:101, 171

‘À Fleurs d’Anémone’, see ‘Anémone’ (M)

‘À Fleurs de Junon’, TORInf:542

‘À Fleurs de Rose Tremière de la Chine’,

TORA2:29

‘À Fleurs Doubles Violettes’, TORA2:96

‘À Fleurs Doubles’ (A), see ‘Plena’ (A)

‘À Fleurs Doubles’ (B), TORInf:509

‘À Fleurs Doubles’ (Bslt), see ‘Inermis’

(Bslt)

‘À Fleurs Doubles’ (Mk), see ‘Double

White’ (Mk)

‘À Fleurs Doubles’ (Rbg), see ‘Petite

Hessoise’

‘À Fleurs Gigantesques’ (G), TORInf:47

‘À Fleurs Jaunes’, see ‘Lutescens Simplex’

‘À Fleurs Pâles’ (B), TORInf:509

‘À Fleurs Pâles’ (M), see ‘Gracilis’ (M)

‘À Fleurs Panachées’ (Bslt), TORA2:271

‘À Fleurs Panachées’ (C), see ‘Variegata’

(C)

‘À Fleurs Presque Simples’, TORA2:112

‘À Fleurs Roses’ (A), see ‘Elisa’

‘À Fleurs Roses’ (Mult), see ‘Rose’

‘À Fleurs Roses très Pâles’, TORInf:450,

464

‘À Fleurs Rouges’ (N), TORInf:526, 533,

536

‘À Fleurs Rouges’ (T), TORInf:489, 504

‘À Fleurs Rouges Doubles’, see ‘Red

Damask’

‘À Fleurs Semi-Doubles’, see ‘Petite

Hessoise’

‘À Fleurs Simples’ (C), TORA2:96,

TORInf:539

‘À Fleurs Simples’ (T), TORInf:483, 495,

503

‘À Fleurs Simples Couleur de Cire’, see

Rosa foetida

‘À Folioles Crénelées’, see ‘À Feuilles

Crénelées’

‘A. Geoffrey de St.-Hilaire’, TORA1a:396

‘À Grand Cramoisi’, TORA2:30

‘À Grandes Feuilles’, see ‘Platyphylla’

‘À Gros Cul’, see Rosa turbinata

‘À Long Pédoncle’, TORA2:121

‘À Longs Pédoncles’, see ‘À Long

Pédoncle’

‘A.-M. Ampère’, TORA1:396

‘À Odeur de Jacinthe’, see ‘Thisbé’.

‘À Odeur de Punaise’, see ‘Le Rire Niais’

‘À Odeur Ingrate’, see ‘Le Rire Niais’

‘À Pétale Teinté de Rose’, see ‘Subalba’

‘À Pétales Mucronés’, TORInf:491, 504

‘À Pétales Réfléchis’, TORInf:136, 531,

537

‘À Pétales Variés’, see ‘York and Lancaster’

‘À Petites Feuilles’ (Brac), see

‘Scabriusculus’

‘À Petites Feuilles’ (Rox), see Rosa roxburghii

‘À Petites Fleurs’, see ‘Enfant de France’

(Holland)

‘À Sept Pétales’, see ‘À Fleurs Presque

Simples’

‘À Tiges sans Épines’, see ‘Inermis’ (Pim)

‘Abailard’, TORA2:30

‘Abaillard’, TORA2:30

‘Abbé André Reitter’, TORA1b:207,

TORA2:385

‘Abbé Berlèze’, TORA1a:397

‘Abbé Bramerel’, TORA1a:397

‘Abbé de la Haye’, TORInf:573, 578

‘Abbé Garroute’, TORA1a:107

‘Abbé Giraudier’, TORA1a:397

‘Abbé Millot’, TORA1b:207

‘Abbotswood’, TORA2:195

‘Abeilard’, see ‘Abailard’ and ‘Abaillard’

‘Abel Carrière’, TORA1a:397, TORA1x:

Plate 120

‘Abel Grand’, TORA1a:398

‘Abelard’, see ‘Abailard’ and ‘Abaillard’

‘Abondant’, TORA1b:143

‘Abondante’, see ‘Belle Couronnée’

‘Abraham Zimmermann’, TORA1a:399

‘Abricotée’, TORA1a:108

‘Abyssinian Rose’, see ‘Sancta’

Acclimation, TORInf:289

‘Achievement’, TORA2:287

‘Achille’, TORA2:30

‘Achille Cesbron’, TORA1a:399

‘Achille Gonod’, TORA1a:399

‘Acidalie’, TORA1a:297

‘Adam’, TORA1a:108

‘Adam Messerich’, TORA1a:298

‘Adam Rackles’, TORA1b:207, TORA2:

385

‘Adélaïde d’Orléans’, TORA1b:471,

TORA2:265

‘Adélaïde de Meynot’, TORA1a:399

‘Adélaïde Moullé’, TORA2:288

‘Adèle’, TORA2:30

‘Adèle Bougère’, TORA1b:207, TORInf:

573, 578

‘Adèle Courtoise’, TORA2:30

‘Adèle de Bellabre’, TORA1a:109

‘Adele Frey’, TORA1b:6

‘Adèle Heu’, TORA2:30

‘Adèle Jougant’, see ‘Mlle. Adèle Jougant’

‘Adèle Mauzé’, TORA1a:19

‘Adèle Pavié’, TORA2:121

‘Adèle Prévost’, TORA2:30

‘Adéline’, TORA2:97

‘Adiantifolia’, TORA1a:399, TORA2:225

‘Admirable’, TORA2:30

‘Admiral Dewey’, TORA1b:207

‘Adolf Kärger’, TORA2:456

‘Adolf Koschel’, TORA2:457

‘Adolphe Kärzer’, see ‘Adolf Kärger’

‘Adolphe Koschel’, see ‘Adolf Koschel’

‘Adonis’ (G/Descemet), TORA2:31

‘Adonis’ (G/Unk., poss. pre-1828 Ag by

Stegerhoek), TORA2:31

‘Adriadne’, see ‘Ariane’

‘Adrian Reverchon’, TORA2:356

‘Adrien Schmitt’, TORA1a:400

‘Adrienne Christophle’, TORA1b:7

‘Adrienne de Cardoville’, TORA1a:298,

TORA2:97

‘Aëlita’, TORA2:288

‘Aennchen von Tharau’, TORA2:259

‘Afghan Yellow’, TORInf:604

‘Afranie’, TORInf:133, 139, 144, 493, 504

‘Agar’, TORA2:31

‘Agathe Couronnée’, see ‘Marie-Louise’

‘Agathe Incarnata’, see ‘Blush Belgic’

‘Agathe Majestueuse’ (Ag), see ‘Majestueuse’

‘Agathe Majestueuse’ (G), see ‘Aimable

Rouge’

‘Agathe Nouvelle’, see ‘Héloïse’

‘Agathe Rose’, see ‘Marie-Louise’

Agathe Roses, TORA2:84 et seq.,

TORInf:79

‘Agénor’, TORA2:31

‘Aglaé Adanson’, TORA2:31, 38,TORInf: 60

‘Aglaia’ (C), TORA2:97

‘Aglaia’ (Lam), TORA2:356

‘Agnes’, TORA2:225

‘Agnes Emily Carman’, TORA2:226,

TORInf:608

‘Agnes Emily Corman’, see ‘Agnes Emily

Carman’

‘Agnes und Bertha’, TORA2:332

‘Agrippina’, see ‘Cramoisi Supérieur’

‘Aicha’, TORA2:180

‘Aigle Brun’, TORA2:31

‘Aigle Noir’, TORA2:31

‘Aigle Rouge’, see ‘Mahæca’ (G)

‘Aimable Amie’, TORA2:31

‘Aimable Emma’, see ‘Belle Hélène’

(Descemet)

‘Aimable Pourpre’, TORA2:31

‘Aimable Rouge’, TORA2:31

‘Aimable Sophie’, see ‘Belle Hélène’

(Descemet)

‘Aimée Vibert’, TORA1b:7, TORA1x:Plate

172

‘Aimée Vibert, Climbing’, TORA1b:9

‘Aimée Vibert Jaune’, see ‘Mme. Brunner’

‘Alain Blanchard’, TORAA1b:470,

TORA2: 97

‘Alaine’, TORA2:32

‘Alba’ (C), TORA2:97

‘Alba’ (Ch), see ‘De Cels’

‘Alba’ (D), see ‘Fausse Unique’

‘Alba’ (G), see ‘Gallica Alba’

‘Alba’ (Law), TORA2:506

‘Alba’ (Rg), see Rosa rugosa ‘Alba’

‘Alba Bifera’, TORA2:149

‘Alba Carnea’, TORA1a:400, TORA2:501

‘Alba Flore Multiplici’, see ‘Pompon

Blanc’ (Pim)

‘Alba Grandiflora’, TORA2:249

‘Alba Mutabilis’,TORA1a:400,TORA2: 501

‘Alba Odorata’, TORA2:216

‘Alba Plena’, TORA2:249

‘Alba Rosea’, see ‘Beauté Tendre’

Alba Roses, TORA2:147 et seq.,

TORInf:26, 36, 75ff, 79, 80, 92, 166,

183

‘Alba Rubifolia’, TORA2:288

‘Alba Rubigens’, see ‘Lesser Maiden’s

Blush’

‘Alba Rubrafolia’, see ‘Alba Rubifolia’

‘Alba Rubrifolia’, see ‘Alba Rubifolia’

‘Albane d’Arneville’, TORInf:590, 594

‘Albast’, TORA2:385

‘Albéric Barbier’, TORA2:288

‘Alberich’, TORA1b:143

‘Albert Hoffmann’, TORA1a:110

‘Albert la Blotais’ (Climber), TORA1b:10

‘Albert la Blotais,’ (HP), see ‘Monsieur

Albert la Blotais’

‘Albert Maumené’, TORA2:208

‘Albert Payé’, TORA1a:400

‘Albert Stopford’, TORA1a:110

‘Albertine’, TORA2:288

Albertus Magnus, TORA2:259

‘Albo Pleno’, see ‘Pompon Blanc’ (Pim)

‘Alcime’ (G), TORA2:32

‘Alcime’ (M), TORA2:122

‘Alcine’ (G), TORA2:32

‘Alcine’ (M), see ‘Alcime’ (M)

‘Aldégonde’, see ‘Rouge Formidable’

‘Alector Cramoisi’, TORA2:32

‘Alex Giraud’, see ‘Alexandre Girault’

‘Alexander Elmslie’, see ‘Alexander Emslie’

‘Alexander Emslie’, TORA2:385

‘Alexander Hill Gray’, TORA1a:110

‘Alexandra’, see ‘The Alexandra’

‘Alexandre Chomer’, TORA1a:400

‘Alexandre Dumas’, TORA1a:400

‘Alexandre Dupont’, TORA1a:401

‘Alexandre Dutitre’, TORA1a:401

‘Alexandre Girault’, TORA2:289

‘Alexandre Laquement’, TORA2:32

‘Alexandre Laquemont’, see ‘Alexander

Laquement’

‘Alexandre Pelletier’, see ‘Monsieur

Alexandre Pelletier’

‘Alexandre Trémouillet’, TORA2:289

Alexandria (city), TORA2:13, 162, 163

‘Alexis Lepère’, TORA1a:401

‘Alfieri’, TORA2:32

‘Alfred Colomb’, TORA1a: 401, TORA1x:

Plate 104

‘Alfred de Dalmas’, TORA2:139

‘Alfred K.Williams’, TORA1a:402

‘Alfred Leveau’, see ‘Monsieur Alfred

Leveau’

‘Ali Pacha Chérif ’, see ‘Aly Pacha Chérif ’

‘Alice’, TORA2:149

‘Alice Aldrich’, TORA2:226

‘Alice Grahame’, TORA2:385

‘Alice Gray’, see ‘Scandens’ (Arv)

‘Alice Hamilton’, TORA1a:60

‘Alice Hoffmann’, TORA1a:60

‘Alice Kaempff’, TORA2:386

‘Alice Leroi’, TORA2:122

‘Alice Leroy’, see ‘Alice Leroi’ and ‘Mlle.

Alice Leroy’

‘Alice Lindsell’, TORA2:386

‘Alida Lovett’, TORA2:289

‘Alika’, TORA2:32

‘Aline’, TORA2:32

‘Aline Rozey’, TORA1a: 299, TORInf:

590, 594

‘Aline Sisley’, TORA1a:111

‘Alister Stella Gray’, TORA1b:110,

TORA1x:Plate 67

‘Alix Roussel’, TORA1a:111

‘Allan Chandler’, TORA2:372

‘Allen Chandler’, see ‘Allan Chandler’

‘Alliance Franco-Russe’, TORA1a:111

‘Alp Rose’, see Rosa pendulina

‘Alpaïde de Rotallier’, TORA1a:403

‘Alpenfee’, TORA2:280

‘Alphonse de Lamartine’, TORA1a:403

‘Alphonse Karr’, TORA1a:111

‘Alphonse Soupert’, TORA1a: 403,

TORA1x: Plate 135

‘Alpine Rose’, see Rosa pendulina

‘Alsace-Lorraine’, TORA1a:403

‘Alsterufer’, TORA2:386

‘Altaica’, TORA2:180

‘Altissima’, see ‘Aigle Brun’

‘Aly Pacha Chérif ’, TORA1a:404

‘Amadis’, TORA2:271

‘Amalie de Greiff ’, TORA2:386

‘Amalie de Grieff ’, see ‘Amalie de Greiff ’

‘Amanda Patenotte’, TORA1a:19,

TORA2: 495

‘Amandine’, TORA1a:20

‘Amarante’, TORA1a:299, TORA2:499

‘Amateur André Fourcaud’, TORA1b:208,

TORA2:386

‘Amazone’, TORA1a:112

‘Ambassador’, TORA2:457

‘Ambrogio Maggi’, TORA1a:404

‘Ambroise Paré’, TORA2:32

‘Ambrose Paré’, see ‘Ambroise Paré’

‘Amdo’, TORA2:226

‘Amédée de Langlois’, TORA1a:299

‘Amédée Philibert’, TORA1a:404

‘Amélia’ (A), TORA2:149

‘Amélia’ (Turb), see ‘Belle Rosine’

‘Amélie’, see ‘Amélia’ (A)

‘Amélie de Bethune’, TORA2:457

‘Amélie de Mansfield’, TORA2:32

‘Amélie Gravereaux’, TORA2:226

‘Amélie-Suzanne Morin’, TORA1b:144

‘America’ (Rg), TORA2:226

‘America’ (W), TORA2:289

‘American Banner’, TORA1a:113

‘American Beauty’, TORA1a:404

‘American Beauty, Climbing’, TORA1b:

11, TORA2: 290

‘American Belle’, TORA1a:405

‘American Perfection’, TORA1a:113

‘American Pillar’, TORA2:290

‘Améthyste’, TORA2:332

‘Ami Charmet’, TORA1a:405

‘Ami Martin’, TORA1a:406

‘Ami Quinard’, TORA2:386

‘Amiral Courbet’, TORA1a:406, TORA1x:

Plate 139

‘Amiral Gravina’, TORA1a:406

‘Amitié’, see ‘L’Amitié’

‘Amy Robsart’, TORA2:190

‘Anacréon’, TORA2:32

Anacreon (poet), TORA2:13, 32,

TORInf: 23

‘Anaïs Ségalas’, see ‘Anaïs Ségales’

‘Anaïs Ségales’, TORA2:97

‘Anaïse’, TORA1a:360

‘Anatole de Montesquieu’, TORA2:266

‘Ancelin’, TORA2:198

‘Anci Böhm’, see ‘Anci Böhmova’

‘Anci Böhmova’, TORA2:332

‘Ancienne Pivoine’, see ‘Bourbon’

‘Andenken an Alma de l’Aigle’, TORA2: 362

‘Andenken an Breslau’, TORA2:291

‘Andenken an Moritz von Fröhlich’,

TORA1b:208, TORA2:386

‘Andersonii’, TORA2:195

‘André Du Pont’, see ‘Rouge Formidable’

‘André Leroy d’Angers’, TORA1a:406

‘André Louis’, TORA2:291

‘André Schwartz’, TORA1a:113

‘Andreas Hofer’, TORA2:332

‘Andrée Vanderschrick’, TORA2:332

Andrews (H.C.), TORInf:454-456

‘Andrieux’, TORInf:549, 553

Andry (Dr.), TORA1b:63

‘Anemonæflora’, TORA2:250

‘Anémone’ (C), TORInf:33, 71, 347, 349

‘Anémone’ (G), see ‘Ornement de la

Nature’ and ‘Renoncule’ (G)

‘Anémone’ (M), TORA2:122

‘Anémone’ (T), TORInf:492, 504

‘Anémone Ancienne’, see ‘Ornement de la

Nature’

‘Anemone Rose’, see ‘Anemonenrose’

‘Anemonenrose’, TORA2:246

‘Anemonoides’, see ‘Anemonenrose’

‘Angel Guiméra’, TORA2:457

‘Angèle’, TORA2:72

‘Angèle Fontaine’, TORA1a:406, TORA2:

501

‘Angèle Pernet’, TORA2:457

‘Angélique Quétier’, TORA2:122

‘Angels Mateu’, TORA2:458

‘Angelus’, TORA2:386

‘Angelus, Climbing’, TORA2:372

Angers (city), TORA1a:29, 30, 160,

TORA2:141, 142, 148, 521, 522,

TORInf:226, 320, 556

‘Anglaise’, see ‘Lesser Maiden’s Blush’

‘Animating’, TORA1a:60, TORA2:497,

TORInf:47, 476, 478

‘Animée’, see ‘Animating’

Anjou (French region), TORInf:168

‘Anna Alexieff’, TORA1a:407,

TORA1x:Plate 96

‘Anna de Diesbach’, TORA1a:407,

TORA1x:Plate 97

‘Anna Jung’, TORA1a:113

‘Anna Maria’, see ‘Anne Maria’

‘Anna Olivier’, TORA1a:114

‘Anna Olivier, Climbing’, TORA1b:11

‘Anna Rübsamen’, TORA2:291

‘Anna Scharsach’, TORA1a:408

‘Anna’, see ‘My Lady Kensington’

‘Ännchen Müller’, TORA1b:144,

TORA1x: Plate 221

‘Anne de Boleyn’, TORA2:199

‘Anne de Boulen’, see ‘Anne de Boleyn’

Anne de Bretagne, TORA2:70

‘Anne Laferrère’, TORA1a:408

‘Anne Maria’, TORA2:280

‘Anne of Geierstein’, TORA2:190

‘Anne-Marie Côte’, TORA1b:12

‘Anne-Marie de Montravel’, TORA1b:144

‘Annette Gravereaux’, TORA2:458

‘Anni Welter’, TORA2:122

‘Annie Cook’, TORA1a:114

‘Annie Laxton’, see ‘Anny Laxton’

‘Annie Vibert’, TORA1b:12

‘Annie Wood’, see ‘Mlle. Annie Wood’

‘Anny Laxton’, TORA1a:408

‘Antoine Ducher’, TORA1a:409

‘Antoine Mouton’, TORA1a:409

‘Antoine Rivoire’, TORA1b:208

‘Antoine Weber’, TORA1a:115

‘Antoinette Cuillerat’, TORA1a:61

‘Antoinette Durieu’, TORA1a:115

‘Antonia d’Ormois’, see ‘Antonine d’Ormois’

‘Antonie Schurz’, TORA1a:409

‘Antonine d’Ormois’, TORA2:33

‘Antonine Verdier’, TORA1b:210, TORInf:

574-575, 577, 579, 583

‘Antonio Relleri de Peluffo’, see ‘Antonio

Rolleri de Peluffo’

‘Antonio Rolleri de Peluffo’, TORA2:458

‘Apeles Mestres’, TORA1b:12

‘Apfelblüte’, TORA1b:145

‘Apolline’, TORA1a:199

‘Apotheker Franz Hahne’, TORA2:458

‘Apotheker Georg Höfer’, TORA2:386

‘Apotheker Georg Höfer, Climbing’,

TORA1a:13, TORA2:372, A&C

‘Apple Blossom’, TORA2:332

‘Apricot Glow’, TORA2:291

‘Arabella’, TORA2:387

Arabia and Arabs, TORA2:13, 27, 93,

TORInf:252

‘Aramis’, TORA2:33

Arboretum Segrezianum, TORA1a:624

‘Arcadia’, TORA2:291

‘Archduchess Charlotte’, TORA1b:13

‘Archduke Charles’, see ‘Archiduc Charles’

‘Archévêque’, see ‘La Provence’ and

‘Pourpre Charmant’

‘Archiduc Charles’ (Ch), TORA1a:61

‘Archiduc Charles’ (G), see ‘Belle Hélène’

(Descemet)

‘Archiduc Joseph’, TORA1a:115, TORA1x:

Plate 55

‘Archiduchesse Elisabeth-Marie’, TORA1a:

145

‘Archiduchesse Elizabeth d’Autriche’,

TORA1a:410

‘Archiduchesse Marie-Dorothée Amélie’,

see ‘Erzherzogin Marie-Dorothea’

‘Archiduchesse Marie-Immaculata’,

TORA1a: 115

‘Archimède’, TORA1a:115

‘Ardoisée’, see ‘Busard Triomphant’

‘Ardoisée de Lyon’, TORA1a:410

‘Ardon’, TORA2:291

‘Ards Pillar’, TORA2:372

‘Ards Rambler’, TORA1b:13

‘Ards Rover’, TORA1b:13, TORA1x:Plate

205

‘Arethusa’, TORA1a:62

‘Argentée’, TORA2:72

‘Argentine Cramon’, see