In This Our World, Suffrage Songs and Verses - A Collection of Poems
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Charlotte Perkins Gilman
Charlotte Perkins Gilman was an American sociologist, writer, lecturer, and social reformist. As a child, Gilman was often in the presence of her father’s relatives, notably Isabella Beecher Hooker, a well-known suffragist, and Harriet Beecher Stowe, an abolitionist and author of Uncle Tom’s Cabin. Many of Gilman’s own works reflect similarly feminist and social reformist perspectives, and in 1909 she established The Forerunner, a magazine that acted as a forum for discussion of these issues. Gilman’s most famous work is “The Yellow Wallpaper,” a semi-autobiographical short story written in response to being put on “rest cure” by a doctor to cure her depression. Gilman’s works also include the poetry collection In This Our World, and the feminist texts Women and Economics and The Home: Its Work and Influence. She died in 1935.
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In This Our World, Suffrage Songs and Verses - A Collection of Poems - Charlotte Perkins Gilman
Then This
Table of Contents
The news-stands bloom with magazines,
They flame, they blaze indeed;
So bright the cover-colors glow,
So clear the startling stories show,
So vivid their pictorial scenes,
That he who runs may read.
Then This: It strives in prose and verse,
Thought, fancy, fact and fun,
To tell the things we ought to know,
To point the way we ought to go,
So audibly to bless and curse,
That he who reads may run.
Arrears
Table of Contents
Our gratitude goes up in smoke,
In incense smoke of prayer;
We thank the Underlying Love,
The Overarching Care—
We do not thank the living men
Who make our lives so fair.
For long insolvent centuries
We have been clothed and fed,
By the spared captive, spared for once,
By inches slain instead;
He gave his service and is gone;
Unthanked, unpaid, and dead.
His labor built the world we love;
Our highest flights to-day
Rest on the service of the past,
Which we can never pay;
A long repudiated debt
Blackens our upward way.
Our fingers owed his fathers dead—
Disgrace beyond repair!
No late remorse, no new-found shame
Can save our honor there:
But we can now begin to pay
The starved and stunted heir!
We thank the Power above for all—
Gladly we do, and should.
But might we not save out a part
Of our large gratitude,
And give it to the power on earth—
Where it will do some good?
How Doth The Hat
Table of Contents
How doth the hat loom large upon her head!
Furred like a busby; plumed as hearses are;
Armed with eye-spearing quills; bewebbed and hung
With lacy, silky, downy draperies;
With spread, wide-waggling feathers fronded high
In bosky thickets of Cimmerian gloom.
How doth the hat with colors dare the eye!
Arrest—attract—allure—affront—appall!
Vivid and varied as are paroquets;
Dove-dull; one mass of white; all solid red;
Black with the blackness of a mourning world—
Compounded type of Chaos and Old Night
!
How doth the hat expand: wax wide, and swell!
Such is its size that none can predicate
Or hair, or head, or shoulders of the frame
Below thIs bulk, this beauty-burying bulk;
Trespassing rude on all who walk beside,
Brutally blinding all who sit behind.
How doth the hat's mere mass more monstrous grow
Into a riot of repugnant shapes!
Shapes ignominious, extreme,