Nativity/In Lockdown with Brecht
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About this ebook
Nativity / In Lockdown with Brecht makes demands of the reader that will be repaid in new perspectives on and ways of feeling about the world today and in the foreseeable future. It also employs humour, satire and a sense of the absurd at times.
Kelvin S C Yearwood
Kelvin Yearwood lives in the city of Bristol, UK. In addition to writing poetry he is a modern jazz and groove musician and composer, he likes independent cinema and theatre, reads widely and is looking for that new thing to pique his interest. He is currently working on a short novel.
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Book preview
Nativity/In Lockdown with Brecht - Kelvin S C Yearwood
Nativity
I make a choice,
Rent public space
Where I rustle other’s leaves,
Give inspiration an insolent squeeze
In bookshop café muse.
Pressed by a pulp of rich ground bean
I stir and versify against the grain.
On Sundays we played,
Child energy congregate
All authority withdrawn
On abandoned Sunday building site
Across scaffold raised for elevated neighbours
And lofted elusive playmates.
We grew to short horizons
Of envious cannibals;
Malevolently levelled
And ate our neighbour’s children,
Sucked our marrow lives
Cradled in creels of vinegar chips
Swaddled in pressed and bitter leaves.
My virtual peers now range wide,
The world stilled,
Homed in, phoned in
Within a hand-held shield.
I run my finger along the edge
Of blithest suburbs
Blunt crescent scimitars,
Snub-nosed cul-de-sacs,
Detached,
All recognitions scratched,
A sublimated rust-belt,
Unmindful hell resisting fates of common toil.
Behind low walls, dry beds,
Manicured grass and weeds
Bleached unyielding fish-heads gape,
Bulbous eyes swivel and dilate,
Drawn to the nets,
Their membrane lip,
And suck and nose the glassy play of shadow light.
Happily snapped and overruled by snarling pugs
They do not thrash
In their shallow churning air
But slow distil in oaken skins,
In dreams of home-brewed rolling hills,
Vintage promise of years to come
In long suspended drains of cup, joyful drink,
Until inundated care, full-spectrum shielded,
Calls the vet on what remains
Of toothless, stinking lapdog;
The undertakers,
A cask of mouldered ribs, they bag and bin,
Tilt the keg,
Its bitter liquors, coldest ash
Matured for flushing down the gurgling sink.
Nostalgia’s creep,
The toxic years all end good years.
Each coming end, raise high the fairsome lamb
Marked by an attic raid
On chained light, hanging coils of snaking paper.
At feast’s end,
Renewed flesh willing
The cold and cut-price ham
Forked in the side,
Encrusted with the crumb of bread
Washed down with boxed creeper yield.
The café drags me back.
Young mother, babe,
Peal fat rung bells
Amongst our clinking rank,
Our scatter-thin communion
Between lip and coffee cup,
Ceremony of ceramic goblet, cracked saucer dink.
Despite our retiring selves
The infant in us rises, keen,
Raises hell within our whispering chapels;
Turns the tables,
Rattles spectre being,
Spits on our drip of coin.
For now she’s happy, happy to scream
Across the toasted tea-cakes, coffee pots
Happy to sit, happy to shit the latest nappy.
Led by the muzzle
Dogs perk up.
Well… all catalogued ‘dog’
And gesture, eye and brow, dilating nose
‘Can you not hear the dinner bells’
So free, so fresh, so generous,
So resoundingly magnanimous.
There is life, life’s spilling cup
A banquet
Baked in a bairn’s pink pot
Steeped in a fulsome jug
Of richest pre-digestive juices
On which to mount a tractable bolt,
But thoroughly disposed of now, child in manger
At the designated baby-changing unit.
A young son dares to quietly whimper;
A mother unsure
Dives for respite at the coffee counter
In small talk, guarded laughter.
Beneath a chair, a hound
Discreetly tends to its behind.
The season’s quickened burst
Of till-ring, closing clatter
Rhymes with the bookish judiciousness,
The murmurs of its customer base,
But for a local character spike
In the audible texture.
And ’tis jolly not to be an out of season churl,
Run tears
Raise shamefaced rosiness
Down your young child’s