The Arban Manual
By Eric Bolvin
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About this ebook
Arban’s Complete Conservatory Method for Trumpet and Arban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
Eric Bolvin
Eric Bolvin BioEric Bolvin is a Producer, Composer and performer whose schedule includes recording, writing, teaching, and performing music. As a session player and arranger, Eric has recorded over 70 CDs for A&M Records ,Mesa/Blue Moon Records and a host of independants. He has performed or recorded alongside such greats as Russell Ferrante, Jeff Lorber, Dennis Chambers and Greg Adams. As a composer and arranger, his works have been performed by Ernie Watts, Grant Geissman, Jerry Bergonzi and many others.Eric is busy writing for TV, film and radio and some of his credits include; NBC, Telemundo, MTV, VH1, Comedy Central, SyFy, Bravo, OWN, Pawn Stars, Deception, Amish Mafia, Twizzlers and Doncafe.Eric has set up a page on his site so hear can hear some of the new music he’s been creating withfilm, TV and media in mind. You can also view his credits and demo reel.https://bolvinmusic.com/eric-bolvin-music-listening-room/Eric’s most recent cd No Boundaries is on Innervision records and has stayed on the jazz radio charts for over six months. Eric Bolvin has also released four solo CDs on his EBjazz Records label; Eric Bolvin’s Quorum, The Night, The Rain And You, The Lost Recordings, and Workin’ It. His music is in use by some of the industry’s top music libraries.Eric owns his own publishing company, Faded Duck Music, which currently publishes his books and compositions. Eric is the author of The Really Big Student Songbook, The Arban Manual, The Modern Jazz Trumpet Method, The Big Book Of Pentatonics & Fourths and Tongue Level & Air-26 Lessons to Efficient Trumpet Playing.Eric maintains a website www.BolvinMusic.com which features free instructional videos, demos and music for all musicians.Contact Eric Bolvin at:www.BolvinMusic.comeric@bolvinmusic.com408.236.2009
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Reviews for The Arban Manual
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Book preview
The Arban Manual - Eric Bolvin
Who
This book is designed for all brass players although I’ve known woodwind players that have used Arban.
Arban is not a beginner’s book and you should have a comfortable range of A above the treble clef for trumpet or third ledger line G for bass clef instruments before you start this program.
Why
Arban’s Complete Conservatory Method for Trumpet and Arban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.
How
A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part.
Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Each part’s instructions are as follows:
I. – VI. Description of exercise, etude or piece
Page and line numbers. Models
Practice tips and suggestions
Range Considerations
The student who is ready to play from Arban should have a usable range
up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arban by today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.
If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.
Warming Up
One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.
Performance Etudes
I’ve designated some of the more melodic and well balanced etudes as performance etudes
. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.
All of the characteristic studies and celebrated fantaisies are considered performance pieces.
Models
Models are different ways of playing an exercise. Many models involve using different articulations on a given exercise. Arban’s use of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.
The Hard Stuff
At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.
Multiple Tonguing
Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arban recommends tu ku
, many have had success using tuh kuh
, duh guh
, tee kee
and many others. Finding your best syllables may take some experimentation.
Extending Exercises
Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.
Transposition
Beginning with Lesson 47, exercises are