Pianist

FEEL COMFORTABLE IN ALL KEYS TRANSPOSITION

n a passionate desire to become masters of our instrument, we pianists spend lots of time learning repertoire and building up a strong technique. But what use is technique without solid general musicianship, and a reliable ear? I advise my students to include transposition as a regular part of their practice; they tell me the improvement to the way they listen to their playing is noticeable after just a few minutes. In this article I’m going to look at how we can use transposition to refine our listening skills and improve our tactile awareness as we move around the keyboard. For building real security into a piece we need to memorise, there is nothing better than being able to play it in a couple of different keys – albeit slowly. We can also use transposition as

You’re reading a preview, subscribe to read more.

More from Pianist

Pianist1 min read
Mel BONIS (1858-1937)
Composed and published in 1913, French composer Mel Bonis’s Album pour les tout-petits Op 103 contains 20 relatively easy pieces which feature some charmingly descriptive titles: There’s La puce (The flea), Douce amie (Sweet friend), La toupee (Spinn
Pianist2 min readMusic
Spring Has Sprung
‘Thank goodness spring is here,’ I thought, as I looked out onto the garden one morning in early March, watching my cat weave his way through the daffodils. Spring brings the promise of new life. The dispelling of cold, hard winter, and the welcome a
Pianist1 min read
Cornelius GURLITT (1820-1901)
One often associates German composer Cornelius Gurlitt with easy, rather ‘plain’ repertoire. However, this delightful set of six pieces, entitled Spring Flowers, is anything but mundane! The set was first published in 1896, ‘Daffodil’ featuring as th

Related Books & Audiobooks