A Tree or a Person or a Wall: Stories
By Matt Bell
4.5/5
()
Currently unavailable
Currently unavailable
About this ebook
A 19th-century minister builds an elaborate motor that will bring about the Second Coming. A man with rough hands locks a boy in a room with an albino ape. An apocalyptic army falls under a veil of forgetfulness. The story of Red Riding Hood is run through a potentially endless series of iterations. A father invents an elaborate, consuming game for his hospitalized son. Indexes, maps, a checkered shirt buried beneath a blanket of snow: they are scattered through these pages as clues to mysteries that may never be solved, lingering evidence of the violence and unknowability of the world.
A Tree or a Person or a Wall brings together Bell’s previously published shorter fiction—the story collection How They Were Found and the acclaimed novella Cataclysm Baby—along with seven dark and disturbing new stories, to create a collection of singular power.
From the Trade Paperback edition.
Matt Bell
Matt Bell is the author of the novels Scrapper and In the House upon the Dirt between the Lake and the Woods, as well as the short story collection A Tree or a Person or a Wall, a non-fiction book about the classic video game Baldur's Gate II, and several other titles. His writing has appeared in The New York Times, Tin House, Conjunctions, Fairy Tale Review, American Short Fiction, and many other publications. A native of Michigan, he teaches creative writing at Arizona State University.
Read more from Matt Bell
Appleseed: A Novel Rating: 4 out of 5 stars4/5A Tree or a Person or a Wall: Stories Rating: 4 out of 5 stars4/5Scrapper Rating: 4 out of 5 stars4/5Best of the Web 2010: Travels in the Footsteps of the Commodore Who Saved America Rating: 0 out of 5 stars0 ratings
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Reviews for A Tree or a Person or a Wall
6 ratings1 review
- Rating: 4 out of 5 stars4/5Matt Bell’s A Tree or a Person or a Wall might be categorized as Existentialist Horror. If human beings are the architects of our own fate, then Bell’s stories suggest we’ve pretty much made a hash of it.As a warning to fans of Stephen King or Edgar Allen Poe or even Shirley Jackson, you won’t find anything that straightforward within these pages. These are literary allegories chock full of evocative and disturbing imagery with plots that are often vague or surrealistic. Most seem to deal with the repercussions of human folly, like bigotry (“The Migration”), over-reliance on technology and conformity (“For You We Are Holding”) or the pursuit of eternal youth (“The Inheritance”). The title piece, “A Tree or a Person or a Wall,” is about a young boy who spends his life imprisoned in a cell with an albino ape until such time as he will become the jailer and imprison another small boy, perhaps illustrating the vicious cycle of complacency that perpetuates evil.The longest story “Cataclysm Baby,” is a literal A-to-Z of freakish children born into an ever more desecrated world; each baby represents some aspect of the moral degradation of mankind and the ways in which we’ve exploited [and will ultimately destroy] our world. This seems to be a popular theme with Bell as there are a number of straight-out dystopian and/or apocalyptic tales. In “The Receiving Tower” a small platoon of elderly men, seemingly the last on Earth, have spent countless years in some sort of military installation awaiting word from the outside world that their commission has finally been served and they will be allowed to leave. In “The Collectors,” we get a glimpse into the final days of the real-life Collyer brothers, New York socialites turned hoarders who died as a result of being trapped amongst the debris and filth they’d accumulated in their Fifth Avenue mansion. Sort of a microcosm of mankind’s relationship to the planet and, taken in the context of the rest of the collection, certainly some sort of cautionary tale. Bell has a great command of mood and his language is very haunting. The stories have a way of sticking with you and making you think. This is a brilliant collection. I can recommend it not only to high-minded horror fans, but anyone who’s interested in well-written, modern morality fables.