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The Odyssey
The Odyssey
The Odyssey
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The Odyssey

Rating: 4 out of 5 stars

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Journey with Ulysses as he battles to bring his victorious, but decimated, troops home from the Trojan War, dogged by the wrath of the god Poseidon at every turn. Having been away for twenty years, little does he know what awaits him when he finally makes his way home.
LanguageEnglish
Release dateApr 8, 2013
ISBN9781627930109
Author

Homer

Although recognized as one of the greatest ancient Greek poets, the life and figure of Homer remains shrouded in mystery. Credited with the authorship of the epic poems Iliad and Odyssey, Homer, if he existed, is believed to have lived during the ninth century BC, and has been identified variously as a Babylonian, an Ithacan, or an Ionian. Regardless of his citizenship, Homer’s poems and speeches played a key role in shaping Greek culture, and Homeric studies remains one of the oldest continuous areas of scholarship, reaching from antiquity through to modern times.

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Rating: 4.0466657403517985 out of 5 stars
4/5

7,618 ratings137 reviews

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  • Rating: 4 out of 5 stars
    4/5
    I had attempted to read The Odyssey once before and failed miserably. Since then I've learned just how important the translator is when choosing to read ancient classics. I'm happy that I found a different translation to try which made this a much more enjoyable and engaging read. Given that the story comes from a time of oral tradition I decided to try out the audio book, which I think was the right idea but the wrong narrator for me. More on that below.For anyone who doesn't know, The Odyssey was written by Homer somewhere around 800 BC. The epic poem relates the story of Odysseus and his trials on his return journey home after the Trojan war. For such a simple premise, the scope is vast. It has a little bit of everything (magic, monsters, gods, suitors, shipwrecks, action) and touches on so many themes (violence and the aftermath of war, poverty, wealth, marriage and family, betrayal, yearning for ones home, hospitality) that is is easy to see why this poem is so important and how it has inspired many stories to this day. One of the best and worst parts about this version was the introduction to the poem. The intro goes into great detail about the controversies about the poem's origins and dives deeply into the poem's many themes. This was great for someone who already knows the story and wants to learn more before getting into Odysseus's tale. For those that don't like spoilers, it's best if you skip the introduction and read/listen to it after you're done with the poem. Fair warning for audio book listeners - the introduction is roughly 3.5 hours long and I was definitely getting impatient to hear the poem long before it was done.I listened to the audio book narrated by Claire Danes. This has really driven home that I need to listen to a sample of the narrator before choosing my audio books. Claire does an adequate job when reading the descriptive paragraphs but just didn't work for me when it came to dialog. All her characters, male and female, sounded the same and were a bit over done so it was a challenge to keep who was speaking apart. She is going on my avoid list for future audio books.
  • Rating: 5 out of 5 stars
    5/5
    The Odyssey is well worth reading not only to experience a story that has so heavily influenced Western literature, but also because, as appalling of a hero as Odysseus may be, it's a fun story. In all its extravagance, it set the standard for epic adventures.I cannot recommend Emily Wilson's translation enough. It is beautiful and fluid. She maintains a poetic rhythm yet the language is modern and clear. It's worth the extra time to read it out loud so you can truly savor the language for both its flow and the way it captures the sentiments of the characters.For those with several Odysseys under their belt, I would still recommend this version, if for no other reason than to read her introduction. Her analysis of the story is brilliant.
  • Rating: 5 out of 5 stars
    5/5
    One of the single greatest books, EVER. Written.!!! !!! !!!

    #paganism_101
  • Rating: 5 out of 5 stars
    5/5
    Wilson's translation of the Odyssey is excellent, but the real value is her introductory material and notes, including the three maps of the world of The Odyssey and of the actual classical Greek world. As for the translation, my Greek is not adequate to comment but it reads very well, lively and yet true to the Homeric conventions. The pace is brisker than that of the archaic translations I have previously read, and more like contemporary English than some of the more modern. I even found myself sympathizing with different characters as I read. And I noticed some character development, in Telemachus, for example.
  • Rating: 5 out of 5 stars
    5/5
    A wonderful translation, easy to read and to understand. But thank goodness for the intro.Hard to believe but I've never read this before. And rather than get lost in the lengthy introduction, I jumped ahead and just began the tale itself. It was hard to put down and I sped right through it, but by the end I was thinking, "Boy, these people were weird", so thank goodness for that intro, which I started after finishing the main work. One of the first things mentioned is that no one in the ancient world, at any time, acted or spoke like these people. So that was one question answered.
  • Rating: 3 out of 5 stars
    3/5
    This was a book I decided to tackle with audiobook and I thought it came across better listening to a narrator. Will give the Iliad go to.
  • Rating: 5 out of 5 stars
    5/5
    Infinitely more enjoyable than the Iliad, but slightly different than I remember. I really don't remember the story being so disjointed. Don't get me wrong, I really love the Odyssey, but I would have preferred if it had been more linear (instead of so much of it being told in retrospect).I didn't quite get to that point I often expereince with epic works where I feel as though I've lost a friend, though I will miss the great adventure! I wish more time had been devoted to Odysseus's actual voyage, but I'll take what I can get from such an ancient work.
  • Rating: 5 out of 5 stars
    5/5
    Rated: A-The New Lifetime Reading Plan: Number 3Life as the journey.And thus he spoke among the immortals:"Ah, how quick men are to blame the gods!From us, they say, all their evils come,When they themselves, by their own ridiculous pride,Bring horrors on far beyond anything fateWould ever have done.For a better and a higher gift than this there cannot be, when with accordant aims man and wife have a home. Great grief is it to foes and joy to friends; but they themselves best know its meaning.Our lives are soon over. If one is unfeeling,And cruel in his thoughts, all men call down cursesUpon him while he is alive, and after he's deadThey mock and scorn him. but if one is kind-hearted and generous,Strangers carry his fame throughtout the worldAnd many are they who call that mortal good.
  • Rating: 5 out of 5 stars
    5/5
    A standard text for high school classrooms, the Fitzgerald translation, rewritten in prose form, provides an accessible version of Homer's The Odyssey. Without question, this page-turning adventure acts as a model for storytelling, as Homer likely captured in riveting manner the attention of his local audience wherever he traveled. Set up in media res, the gripping narrative takes readers through the wandering years of Odysseus, a Greek soldier-king, who had fought in the Trojan War. With hubris, the cocky hero manages to enrage Poseidon who punishes the mere mortal through a series of obstacles where he is unable to get back to his homeland of Ithaca to be with his wife and son. Even after reading the classic epic several times, I am always impressed by Homer's use of imagery as illustrated in the passage when Odysseus pokes the eye out of the baby cyclops Polyphemus: "Eyelid and lash were seared; the pierced ball hissed broiling, and the roots popped." Wow! This is enough for any student to lose an appetite before lunch break.
  • Rating: 5 out of 5 stars
    5/5
    I have nothing new to add, of course. Homer sings for our time too- what more is there? Gods and heroes and regular humans all jumbled up together and humanity is unchanged down all the years. This translation is lovely, by turns sonorous and stirring but always compelling.
  • Rating: 4 out of 5 stars
    4/5
    What else could you select while sailing the Med if not a previous voyage across a similar sea? I thought this was going to be a hard read, but it really wasn't. In part, I think, that is because there is a part of knowing the outline of the story and it's elements already. It is such a well known story that you can't really come it it without knowing something of it already. It's not told in real time, that is reserved for Odysseus' son, Telemachus' journey to try and find news of his father and his dealings with his mother's suitors. The tale of Odysseus' journey back form the Trojan wars is told in order, but in retrospect. It's an interesting way of combining the two strands of the tale, the traveller and those left behind. The impact the traveller's absence has on those left behind is well illustrated, and how things are difficult for both sides in that instance - it's not just the traveller that has to endure trials. I was pleasantly surprised at how much I enjoyed this.
  • Rating: 4 out of 5 stars
    4/5
    My first foray into ancient Greek myth and I loved it. This translation is very accessible and immersed me into Odysseus' journey of trials and tribulations. Loved it!
  • Rating: 3 out of 5 stars
    3/5
    A must read
  • Rating: 4 out of 5 stars
    4/5
    Opmerkelijke, niet-chronologische structuur. Ook minder tragedisch-heroïsch dan Ilias, meer accent op waarden trouw, vriendeschap. Verschuiving tav Ilias: mensheld speelt hier de hoofdrol; Odysseus doorspartelt alle gevaren dankzij zijn formidabele karakter (groot hart, eerlijk maar ook vurig en wreedaardig), een man voor alle tijden; doorslaggevend: hij gelooft in eigen kunnen. Ook intelligent-listig (soms web van leugens), daarom in de Oudheid eerder als negatieve figuur gezien (corrupt en leugenachtig), pas met Renaissance gerehabiliteerd.Maar Odysseus is wel de enige onbesproken held, alle anderen (inclusief Telemachos en Penelope) worden in een dubieus daglicht gesteld. Tav Ilias komen vrouwen meer op voorgrond (maar niet altijd positief).Geen mythe, maar wel heldenverhaal, epos. De hoofdlijn is grondig vermengd met andere verhalen (dat van de cycloop is bij andere volkeren in 125 versies te vinden). Het centraal thema is de queeste, de zoektocht naar wat verloren is gegaan (vergelijking met Gilgamesj mogelijk: bezoek aan onderwereld, nihilistische visie op dood).
  • Rating: 5 out of 5 stars
    5/5
    My knowledge of classical literature and mythology is sadly lacking. The main reason I decided to tackle The Odyssey is because I want to read Ulysses and I gather that a passing acquaintance with this work will make that experience more meaningful.Listening to Ian McKellen reading the Robert Fagles' translation made me regret my lack of education in the classics. I have no way of assessing the merits of Fagles' work, but I would love be to be able to read this epic poem in the language in which it was written and not feel that I was missing most of its cultural, social and political context.Given my lack of familiarity with Greek mythology, it was interesting to realise just how much of the story is imbedded in my consciousness, from Penelope unravelling her weaving to put off her suitors, to the story of the Sirens, to the Cyclops. This is but a small indicstion of the importance of this epic to Western history and literature.Overall, I found The Odyssey more interesting for what it represents as a primary source of Western literature than for the characters or the plot. Odysseus is not exactly a hero for modern times: he may be a master tactician and warrior, but he's also a consummate liar, a rapist, a plunderer and a murderer. The other characters don't have a lot going for them either, at least not in contemporary terms. However, in spite of having an instinctive reaction against the Odysseus' behaviour and the horrific violence contained in the text, I still found it compulsive listening. I loved the non-linear structure and the rhythm of the language. In addition. I was fascinated by the involvement of the gods in the affairs of human beings: directing their actions, subverting their plans, punishing them and performing the odd makeover to assist them to achieve their ends.Ian McKellen's narration was - unsurprisingly - excellent. However, the sound quality of the audiobook left a bit to be desired. At times it was blurry and the volume was variable. While I would have benefited from the introduction and endnotes in a good text edition of this work, listening to an epic poem almost certainly written to be read aloud was for me the best way of tackling it. At some point I'd like to read a well annotated edition in order to learn what my ignorance led me to miss.How can I not give five stars to a literary work which is still being read and discussed thousands of years after it was written?
  • Rating: 5 out of 5 stars
    5/5
    After the ten-year Trojan War ends the warriors return to their home lands. Odysseus’ journey is longer than most because he has angered Poseidon. He runs into one obstacle after another as he fights to return to his wife and son. He fights a Cyclops, travels to the land of the dead, narrowly misses the call of the sirens and spends years trapped on Calypso's island. When he finally returns to Ithaca his home is filled with suitors attempting to woo his wife. I first read The Odyssey in high school, rereading it a decade later was a very different experience. This time I paid much more attention to Penelope’s story. She is such an incredible character. Her loyalty and patience is remarkable. Even though her husband has been gone for 20 years she still holds out that he is alive and will return to her. It made me wonder how long someone would wait nowadays. Obviously there were fewer communication options back then, but still a couple decades is a long time to hang on to hope. Penelope is surrounded by suitors and keeps them at bay by telling them she’ll consider them once she finishes what she’s weaving. She weaves all day and then at night she undoes everything she’s woven. Margaret Atwood wrote an interesting novella about her story, The Penelopiad: The Myth of Penelope and Odysseus.I enjoyed his son Telemachus’ journey. When his father leaves he is only a baby, but he’s grown to become a man in Odysseus’ absence and he longs to find his father. He isn’t sure if he should search for his father or stay and protect his mother, it’s a difficult decision. For me, it’s important that Odysseus is not a god. He is just a mortal man. So many of the stories in Greek literature are about the gods or demigods. Odysseus is neither, he occasionally has help from the gods, like Athena, at other times he is persecuted by the gods, especially Poseidon, but he has none of their powers. He must rely on his intelligence and cunning to outsmart his captors. BOTTOM LINE: An absolute must for classic lovers. It’s also one of the most accessible pieces of Greek literature and a gateway drug into that world. p.s. This time around I listened to the Robert Fagles translation on audio and it was read by the magnificent Ian McKellen. I would highly recommend it!  
  • Rating: 5 out of 5 stars
    5/5


    I never was a reader of classic in fact I had to read the cliff notes version before attempting one. Last year's reading through all those Jane Austen was a pain but weirdly enough this classics is really good. Initially I thought The Odyssey would be hard on me and I was right when I begin the reading with Samuel Butler's translation. I tried using Librivox's audiobook to keep me going but its confusing me since Pallas Athena became Minerva, Zeus became Jove and Odysseus became Ulysses, I end up being so disinterest with the descriptiveness that I turn to Fagles. Fagles saved me.

    There's a huge differences between Fagles (1996), Butler's (1922) and Rieu's (1946) translations. I read through nearly half of Butler's, quarter of Rieu's and all of the Fagles and to be honest, if you saw Fagles version. Get them.

    One of the reason that Fagles is most preferred is that when a professor recommend it, you get it. Other than that, Fagles is said to be closest to the poetic form from the original Ancient Greek and even I notice the poetic elements in the words rather than the excessive descriptive paragraphs of the same thing with Rieu and Butler's. Both translated Odyssey in novel style and most of the free source "The Odyssey" translation came from Butler, it made absolute sense why some people have differences in opinions on this epic.

    Before I began, I actually read this book with the help of Ian McKellan's narration. I know I have been an anti-audiobook thing but I'm not being hypocrite, in fact I was still struggling with the audiobooks but I was absolutely fine with poems (and The Odyssey actually is a series of rhapsodies) since these things are not meant to be read. Its mean to be said out loud and for me, this is quite an exception. But I still have problems concentrating with the listening part because I often fall asleep or space out so thats why I read and listen at the same time.

    With Ian McKellan's (aka Gandalf or Magneto if you don't know who that was) theatric experience, he effectively brought the classic into deathless dramatic epicness. Experiencing "The Odyssey" is nothing if you haven't listen to it being told by a bard who is ironically is who Ian McKellan is and listening to Sir Ian McKellan breathing the soul of Homer into Odyssey is possibly near orgasmic thing that I've ever had to listen to.

    The Odyssey began with a prayer to the Muse as the narrator started giving a short summary of the story. It's mostly centered around the events surrounding the missing hero, Odysseus, King of Ithaca. 20 years since Odysseus went to Troy to fight the war for Helen of Argos (not Helen of Troy!), the hero never went home and everyone including his wife and son accepted that he's died. Years earlier prior to the even in the first book, hundreds of men came to Ithaca to court the King's widow, Queen Penelope as it seems to be a custom for a beautiful young widow to remarry after the death of their husband. But Penelope managed to avoid the remarriage by prolonging the courtship which ends with the suitors overstaying Penelope's palace for years and spend all of the palace's resources on their feasting.

    In the first book, Athena became distraught over the plight of the great hero who is stuck in limbo and the fate of Odysseus's wife and son with their guests terrorizing their home. After she begged Zeus to command Calypso to let Odysseus go from her sensual snare, she disguised herself as Mentes, an old friend of Odysseus, to nudge the young prince to take action against the suitor's menace. With the guidance by the goddess, Telemachus finally set off to the seas to search for real news from his father. Meanwhile, Odysseus escaped Calypso's grasp finally heading towards his home but his journey was diverted and he was stranded again in Scheria due to Poseidon's being angry over what Odysseus had blinded his son, the cyclops Polyphemus during his earlier journey. In Scheria, he began to weave his tale and finally tell the Phaecians of his past and his journey back from Troy to Ithaca. The tales itself include his encounter with Circe, Polyphebus, Aeolus, The Cattle of the Sun and etc. The Phaecians took pity on him and send him back to Ithaca where he plotted doom against the suitors who defiled his house.

    The story is being told in various multiple narration in the beginning (Athena, Telemachus, Penelope, Odysseus etc) that is why I get some readers would get lost and felt it is boring but if its being read out loud, the poetry in Odyssey is much more prevalent than some passive narration style. Because Fagles updated the translation to be nearer to the original, you'll get the feel of what Homer had initially tried to portray with his stories.

    Since I do critical reading with The Odyssey, I do take note to the major recurrent theme of Xenia. A concept of hospitality by the Greek that embrace travelers into their home, mostly because they fear a god would disguise themselves as travellers and would punish them if they didn't treat their guests well. There are also signs from the gods or the hint by Odysseus cunning tongue or the forebodings. Some argue that The Odyssey is used to justify the role of some political ideologies that even I couldn't grasp it firmly. Besides I was thinking that The Odyssey's characterizations and conflicts are being overused in so many modern literature particularly famous archetypal ones.

    Other than that, I do notice this book is actually a mild romance novel, particularly with Penelope who is constantly grieving about her husband from the start of the book. I can't say about Odysseus fidelity but frankly, some characters in this book is classic strong female archetype. Athena (obviously.. disguising as several guys, fighting in wars, a peacekeeper etc), Penelope (a loyal woman who acting skills and great patience is what kept her in that limbo and somehow did do something to escape her near inevitable fate of loveless forced marriage from a broken mutual love marriage), Calypso (a woman desperate in need of love and companionship so much that she offers everything kept a man who never love her) and Circe (basically a lonely girl who know how to defend herself against a bunch of men coming into her house and turn them into pigs which they are). Ironically, the female in this book have more character than a bunch of YA novels and hypes these days.

    I had some misgivings about the story initially since Telemachus part of the book is really annoying. But it move well whenever Athena and Odysseus was around.

    To anyone who is considering to take on the classic, for more immersive experience, I would recommend the combination of Fagles translation and Sir Ian McKellan's audiobook if you want to read the epic. It will take longer than a few days if you read them at night, but its well worth to see Ian McKellan curses and narrating female parts nicely.
  • Rating: 5 out of 5 stars
    5/5
    Condensed version of the incredible epic, though Odysseus does not loose his luster even in Spanish. He continues to be a hero you wish to see home, but know he has many flaws that he needs to work on.
  • Rating: 4 out of 5 stars
    4/5
    Great story and translated in a way that compares more with a modern written tale.
  • Rating: 4 out of 5 stars
    4/5
    This epic I never did try to read as a teenager, but I knew that it too would come someday just as the Iliad would. This epic took longer to read than the Iliad, but then the translation of the Iliad I read had some books taken out for the sake of the readers. This translation by Fagles didn't cut anything out. I really enjoyed this translation. I've heard others praise Fagles as a wonderful translator and I have to agree. This myth is also an outstanding one. It really personifies the Quest Pattern we now-a-days link to many books. This is another epic I would love to listen to as well, so we'll see if I can get my hands on another good translation.
  • Rating: 5 out of 5 stars
    5/5
    It's good to meet classics in person after being distant acquaintances who know one another just well enough to nod in passing. Now I can shake The Odyssey heartily by the hand when I meet it in other stories, hail-well-met. And meet it in other stories I will, this revered grandfather of the revenge story and the travelogue. Besides being a classic, The Odyssey is a fascinating tale in its own right of strange wonders and awful dangers, of the faithful and the faithless, of wrongs committed and retribution meted out. Odysseus, Achaean hero of the Trojan War, has been ten years fighting at Troy and another ten making his way home. Imprisoned by a nymph, shipwrecked, lost, waylaid — Odysseus, beloved of some gods, is hated by others. Meanwhile at home in Ithaca, many have despaired of his coming, including his wife Penelope and son Telemachus, who now suffer at the hands of Penelope's suitors, leading men of the Achaeans who wish to possess her. Odysseus will never return, they say, as they sit in his house eating and drinking up all his wealth. Telemachus is just a young man and cannot prevent their ravages. The situation is indeed desperate, as Penelope, worn out with mourning Odysseus, begins to accept her fate to become another man's wife. Once I got used to it, I loved the repetition of certain phrases and descriptions: "long-tried royal Odysseus," "discreet Telemachus," "heedful Penelope," "clear-eyed Athena," "the gods who hold the open sky," "rosy-fingered dawn," "on the food before them they laid hands," and more. It reminded me that I was hearing a poem (I listened on audiobook) and that it was originally memorized by the bard, not read off the page. The repetition is comforting. It was easy to fall into the rhythm of the story and the archaic language, surrendering to the storyteller's art. I find the interplay between the gods and men so interesting. I don't know if The Odyssey is an accurate picture of ancient Greek theology and I don't want to draw too many conclusions from what was understood even at the time to be mythological. But I had a similar experience listening to The Iliad — the gods are great and powerful and all that, but they are so very involved in human affairs, almost as if they can't bear to be left out... why should Athena care so much whether Odysseus ever gets home? Why is it that human affairs so concern the councils of Olympus? I suppose the simple answer is that these stories were made up by humans and since the thing that interests us most is ourselves, we can't imagine gods who aren't likewise fascinated.I listened to an older translation by George Herbert Palmer and I'm glad I did. My experience of The Iliad was marred by the fact that it was a modernized translation, the latest and greatest supposedly. But all that really means is that it was dumbed-down for lazy listeners, to the point where some of the heroic moments almost became comical in our modern parlance. No thank you! I'm no expert in translation, but this one presented no jarring moments of disconnect between the style and substance, and I thought it fitted the subject matter very well. The reader of this particular audiobook, Norman Dietz, has a low, smooth, calm voice that I quickly learned to like. This is an excellent story that never slackens its pace or lets you stop caring what happens to its hero. Don't be intimidated by its status as a classic — all that means is that it's a good story that has stood the test of time, delighting its hearers both in ancient days and now. I recommend it!
  • Rating: 4 out of 5 stars
    4/5
    Surprisingly, The Odyssey was not a part of my education in any form whether abridged or otherwise. When I set a goal to read more classics this year I decided, what better place to start to than one of the foundations of western literature!First of all, the translation by Robert Squillace is anything but poetic, but served as a good starting point for an Odyssey novice such as myself. The prose format made it easy to read and the endnotes provided necessary background information which was essential for my understanding as I have never had much of a background in Greek or Roman mythology. This story has it all romance, adventure, betrayal, manipulative schemes, and violence in abundance...let's just say, its epic! Odysseus, King of Ithaca, survives the Trojan war only to meet obstacle upon obstacle on his journey home to his faithful wife, Penelope. Along the way he and his men must battle a man eating Cyclops, the charms of Circe who turns Odysseus' men into pigs, the wrath of the Sun god and Poseidon the god of the seas, Calypso who makes Odysseus a prisoner of love and other wizards, sirens, and gods. In all it takes Odysseus 10 years to return to Ithaca only to find that his home has been plundered by suitors seeking his wife's hand in marriage.As a classic, it is easy to see how The Odyssesy affected the creation of such movies/books as: Lord of the Rings, Star Wars, and Harry Potter. The Odyssey certainly deserves its place among classic literature for these reasons and its obvious entertainment value. I would be hard pressed to say that this was my favorite book to read, it did take me nearly 10 months to complete it after all, but it is one that I'm glad I took the time to read just for the background knowledge I acquired. As I read the epic, I found myself alternately amused and irritated with Odysseus who uses cleverness and intelligence to get him out of more than one scrape only to be led into another with his personality flaw of arrogance. The epic shows Odysseus' ability to manipulate his enemies and lead his men, but somehow miss all opportunities to return to his wife, who is forced to deal with the aggressive suitors. Despite the fantastic/mythical nature of the read, the humanness of Odysseus is ultimately the very aspect of the epic, in addition to his classical influence, that makes it worth the time to read. I can only imagine what this epic would be like to hear performed, how entertaining it must have been for its listeners!
  • Rating: 5 out of 5 stars
    5/5
    The tribulations of the wily Odysseus making his way home after the Trojan war to his wife Penelope in Ithaca. An excellent translation for today's reader with a masterly introduction by the classicist Bernard Knox. "So they traded stories, the two ghosts standing there in the House of Death..." As Ted Hughes wrote, "Just the right blend of sophistication and roughness it seems to me."
  • Rating: 4 out of 5 stars
    4/5
    Though most people seem to prefer The Iliad to The Odyssey, I like the latter for its sheer fabulous inventiveness. The story is fairly simple, Odysseus is trying to make his way home to the Greek island of Ithaca after the Trojan war, but he's earned the ire of the god Poseidon so it's not going to be an easy task. Meanwhile, his wife Penelope is beset with a veritable infestation of suitors and she's running out of delaying tactics.The poem divides itself between Odysseus's ordeals (exciting!) and the troubles back at home with his wife and son (not quite so exciting). Some of my favorite parts:- the encounter with a certain cranky monoptic giant with a taste for human flesh- the trip to the underworld and Odysseus's conversations with the recently deceased. (Apparently being dead kind of sucks.)- the Scylla and Charybdis incident, in which a crevice-lurking multi-headed monstrosity and a nasty whirlpool double-team our hero and his ship. What's not to like?- The sirens, Circe and her isle of enchanted pigs, and so on.. All good stuff.PS: I had one small irritation while reading this. Robert Fagles deploys the phrase "dawn with her rose-red fingers" one too many times in this book. He used it quite a bit in The Iliad as well, but The Iliad has a different flow and therefore it doesn't seem quite as conspicuously repetitive. I know it's part of Homer's poetic style, but a bit more variation from the translator would have been appreciated.One last thought: I felt very, very sorry for Odysseus's dog.
  • Rating: 4 out of 5 stars
    4/5
    This was not at all what I expected. I had steeled myself to reading a long flowering epic poem that would be repetitive and impossible to understand. Instead, I found this to be surprisingly readable and even more surprisingly interesting. A few things really helped me on my journey. I was reading and listening to this book using the Fagles translation which is narrated by Ian McKellen - excellent! I also listened in parallel to Elizabeth Vandiver's lectures about The Odyssey. There are only 12 lectures, but she adds so much background to the story that it added the depth and perspective I needed to make this a very enjoyable read.
  • Rating: 4 out of 5 stars
    4/5
    I figured it was about time to read this. I wanted to understand the references to Homer and Greek mythology that is littered throughout literature. I was afraid it was going to be difficult to get through the book and it might be a slog, but fortunately it was not. I really enjoyed it, and got into the story. While I slept I even had dreams about Athena messing with me. This is a great translation and I highly recommend it.
  • Rating: 4 out of 5 stars
    4/5
    I've always loved the Odyssey. Odysseus isn't my favourite hero -- he spends far too much time being tricksy for that. But I always enjoyed the stories.
  • Rating: 3 out of 5 stars
    3/5
    I'm glad that my library had this as an audiobook - I think it made me like the tale much more. Had I read it in paper the style would just make me bored and quit but the story fit well in an audio format.

    The writing style was mediocre and much repetitions to make the reader remember that it was Athena in a different shape etcetera. I wouldn't have liked this style at all in paper form. But it's heart-warming, thinking that someone back in the ancient days wrote this, that the humans had the same reactions and feelings back then. And the story in itself is a good adventure tale.
  • Rating: 4 out of 5 stars
    4/5
    I have read several versions of The Odyssey ranging from ones designed for collegiate readers to ones designed for early readers, and frankly I like them all. I have long been a fan of this particular story for all its colorful characters and life lessons. I think that the parallel story lines of Odysseus, Telemachus, and Penelope offer a variety of perspectives for any reader.
  • Rating: 5 out of 5 stars
    5/5
    The greatest of all ancient Greek works is spellbinding. Fagles' prose is lean and muscular, giving a grit and immediacy to his adventures. Loved it when I read it in high school, love it still today. As relevant today as it was nealy 3000 years ago.

Book preview

The Odyssey - Homer

Book II

Assembly of the people of Ithaca—speeches of Telemachus and of the suitors–Telemachus makes his preparations and starts for Pylos with minerva disguised as mentor.

Now when the child of morning, rosy-fingered Dawn, appeared Telemachus rose and dressed himself. He bound his sandals on to his comely feet, girded his sword about his shoulder, and left his room looking like an immortal god. He at once sent the criers round to call the people in assembly, so they called them and the people gathered thereon; then, when they were got together, he went to the place of assembly spear in hand—not alone, for his two hounds went with him. Minerva endowed him with a presence of such divine comeliness that all marvelled at him as he went by, and when he took his place in his father’s seat even the oldest councillors made way for him.

Aegyptius, a man bent double with age, and of infinite experience, was the first to speak. His son Antiphus had gone with Ulysses to Ilius, land of noble steeds, but the savage Cyclops had killed him when they were all shut up in the cave, and had cooked his last dinner for him. {17} He had three sons left, of whom two still worked on their father’s land, while the third, Eurynomus, was one of the suitors; nevertheless their father could not get over the loss of Antiphus, and was still weeping for him when he began his speech.

Men of Ithaca, he said, hear my words. From the day Ulysses left us there has been no meeting of our councillors until now; who then can it be, whether old or young, that finds it so necessary to convene us? Has he got wind of some host approaching, and does he wish to warn us, or would he speak upon some other matter of public moment? I am sure he is an excellent person, and I hope Jove will grant him his heart’s desire.

Telemachus took this speech as of good omen and rose at once, for he was bursting with what he had to say. He stood in the middle of the assembly and the good herald Pisenor brought him his staff. Then, turning to Aegyptius, Sir, said he, "it is I, as you will shortly learn, who have convened you, for it is I who am the most aggrieved. I have not got wind of any host approaching about which I would warn you, nor is there any matter of public moment on which I would speak. My grievance is purely personal, and turns on two great misfortunes which have fallen upon my house. The first of these is the loss of my excellent father, who was chief among all you here present, and was like a father to every one of you; the second is much more serious, and ere long will be the utter ruin of my estate. The sons of all the chief men among you are pestering my mother to marry them against her will. They are afraid to go to her father Icarius, asking him to choose the one he likes best, and to provide marriage gifts for his daughter, but day by day they keep hanging about my father’s house, sacrificing our oxen, sheep, and fat goats for their banquets, and never giving so much as a thought to the quantity of wine they drink. No estate can stand such recklessness; we have now no Ulysses to ward off harm from our doors, and I cannot hold my own against them. I shall never all my days be as good a man as he was, still I would indeed defend myself if I had power to do so, for I cannot stand such treatment any longer; my house is being disgraced and ruined. Have respect, therefore, to your own consciences and to public opinion. Fear, too, the wrath of heaven, lest the gods should be displeased and turn upon you. I pray you by Jove and Themis, who is the beginning and the end of councils, [do not] hold back, my friends, and leave me singlehanded {18}—unless it be that my brave father Ulysses did some wrong to the Achaeans which you would now avenge on me, by aiding and abetting these suitors. Moreover, if I am to be eaten out of house and home at all, I had rather you did the eating yourselves, for I could then take action against you to some purpose, and serve you with notices from house to house till I got paid in full, whereas now I have no remedy." {19}

With this Telemachus dashed his staff to the ground and burst into tears. Every one was very sorry for him, but they all sat still and no one ventured to make him an angry answer, save only Antinous, who spoke thus:

"Telemachus, insolent braggart that you are, how dare you try to throw the blame upon us suitors? It is your mother’s fault not ours, for she is a very artful woman. This three years past, and close on four, she had been driving us out of our minds, by encouraging each one of us, and sending him messages without meaning one word of what she says. And then there was that other trick she played us. She set up a great tambour frame in her room, and began to work on an enormous piece of fine needlework. ‘Sweet hearts,’ said she, ‘Ulysses is indeed dead, still do not press me to marry again immediately, wait—for I would not have skill in needlework perish unrecorded—till I have completed a pall for the hero Laertes, to be in readiness against the time when death shall take him. He is very rich, and the women of the place will talk if he is laid out without a pall.’

This was what she said, and we assented; whereon we could see her working on her great web all day long, but at night she would unpick the stitches again by torchlight. She fooled us in this way for three years and we never found her out, but as time wore on and she was now in her fourth year, one of her maids who knew what she was doing told us, and we caught her in the act of undoing her work, so she had to finish it whether she would or no. The suitors, therefore, make you this answer, that both you and the Achaeans may understand-‘Send your mother away, and bid her marry the man of her own and of her father’s choice’; for I do not know what will happen if she goes on plaguing us much longer with the airs she gives herself on the score of the accomplishments Minerva has taught her, and because she is so clever. We never yet heard of such a woman; we know all about Tyro, Alcmena, Mycene, and the famous women of old, but they were nothing to your mother any one of them. It was not fair of her to treat us in that way, and as long as she continues in the mind with which heaven has now endowed her, so long shall we go on eating up your estate; and I do not see why she should change, for she gets all the honour and glory, and it is you who pay for it, not she. Understand, then, that we will not go back to our lands, neither here nor elsewhere, till she has made her choice and married some one or other of us.

Telemachus answered, Antinous, how can I drive the mother who bore me from my father’s house? My father is abroad and we do not know whether he is alive or dead. It will be hard on me if I have to pay Icarius the large sum which I must give him if I insist on sending his daughter back to him. Not only will he deal rigorously with me, but heaven will also punish me; for my mother when she leaves the house will call on the Erinyes to avenge her; besides, it would not be a creditable thing to do, and I will have nothing to say to it. If you choose to take offence at this, leave the house and feast elsewhere at one another’s houses at your own cost turn and turn about. If, on the other hand, you elect to persist in spunging upon one man, heaven help me, but Jove shall reckon with you in full, and when you fall in my father’s house there shall be no man to avenge you.

As he spoke Jove sent two eagles from the top of the mountain, and they flew on and on with the wind, sailing side by side in their own lordly flight. When they were right over the middle of the assembly they wheeled and circled about, beating the air with their wings and glaring death into the eyes of them that were below; then, fighting fiercely and tearing at one another, they flew off towards the right over the town. The people wondered as they saw them, and asked each other what all this might be; whereon Halitherses, who was the best prophet and reader of omens among them, spoke to them plainly and in all honesty, saying:

Hear me, men of Ithaca, and I speak more particularly to the suitors, for I see mischief brewing for them. Ulysses is not going to be away much longer; indeed he is close at hand to deal out death and destruction, not on them alone, but on many another of us who live in Ithaca. Let us then be wise in time, and put a stop to this wickedness before he comes. Let the suitors do so of their own accord; it will be better for them, for I am not prophesying without due knowledge; everything has happened to Ulysses as I foretold when the Argives set out for Troy, and he with them. I said that after going through much hardship and losing all his men he should come home again in the twentieth year and that no one would know him; and now all this is coming true.

Eurymachus son of Polybus then said, Go home, old man, and prophesy to your own children, or it may be worse for them. I can read these omens myself much better than you can; birds are always flying about in the sunshine somewhere or other, but they seldom mean anything. Ulysses has died in a far country, and it is a pity you are not dead along with him, instead of prating here about omens and adding fuel to the anger of Telemachus which is fierce enough as it is. I suppose you think he will give you something for your family, but I tell you—and it shall surely be—when an old man like you, who should know better, talks a young one over till he becomes troublesome, in the first place his young friend will only fare so much the worse—he will take nothing by it, for the suitors will prevent this—and in the next, we will lay a heavier fine, sir, upon yourself than you will at all like paying, for it will bear hardly upon you. As for Telemachus, I warn him in the presence of you all to send his mother back to her father, who will find her a husband and provide her with all the marriage gifts so dear a daughter may expect. Till then we shall go on harassing him with our suit; for we fear no man, and care neither for him, with all his fine speeches, nor for any fortune-telling of yours. You may preach as much as you please, but we shall only hate you the more. We shall go back and continue to eat up Telemachus’s estate without paying him, till such time as his mother leaves off tormenting us by keeping us day after day on the tiptoe of expectation, each vying with the other in his suit for a prize of such rare perfection. Besides we cannot go after the other women whom we should marry in due course, but for the way in which she treats us.

Then Telemachus said, Eurymachus, and you other suitors, I shall say no more, and entreat you no further, for the gods and the people of Ithaca now know my story. Give me, then, a ship and a crew of twenty men to take me hither and thither, and I will go to Sparta and to Pylos in quest of my father who has so long been missing. Some one may tell me something, or (and people often hear things in this way) some heaven-sent message may direct me. If I can hear of him as alive and on his way home I will put up with the waste you suitors will make for yet another twelve months. If on the other hand I hear of his death, I will return at once, celebrate his funeral rites with all due pomp, build a barrow to his memory, and make my mother marry again.

With these words he sat down, and Mentor {20} who had been a friend of Ulysses, and had been left in charge of everything with full authority over the servants, rose to speak. He, then, plainly and in all honesty addressed them thus:

Hear me, men of Ithaca, I hope that you may never have a kind and well-disposed ruler any more, nor one who will govern you equitably; I hope that all your chiefs henceforward may be cruel and unjust, for there is not one of you but has forgotten Ulysses, who ruled you as though he were your father. I am not half so angry with the suitors, for if they choose to do violence in the naughtiness of their hearts, and wager their heads that Ulysses will not return, they can take the high hand and eat up his estate, but as for you others I am shocked at the way in which you all sit still without even trying to stop such scandalous goings on—which you could do if you chose, for you are many and they are few.

Leiocritus, son of Evenor, answered him saying, Mentor, what folly is all this, that you should set the people to stay us? It is a hard thing for one man to fight with many about his victuals. Even though Ulysses himself were to set upon us while we are feasting in his house, and do his best to oust us, his wife, who wants him back so very badly, would have small cause for rejoicing, and his blood would be upon his own head if he fought against such great odds. There is no sense in what you have been saying. Now, therefore, do you people go about your business, and let his father’s old friends, Mentor and Halitherses, speed this boy on his journey, if he goes at all—which I do not think he will, for he is more likely to stay where he is till some one comes and tells him something.

On this he broke up the assembly, and every man went back to his own abode, while the suitors returned to the house of Ulysses.

Then Telemachus went all alone by the sea side, washed his hands in the grey waves, and prayed to Minerva.

Hear me, he cried, you god who visited me yesterday, and bade me sail the seas in search of my father who has so long been missing. I would obey you, but the Achaeans, and more particularly the wicked suitors, are hindering me that I cannot do so.

As he thus prayed, Minerva came close up to him in the likeness and with the voice of Mentor. Telemachus, said she, if you are made of the same stuff as your father you will be neither fool nor coward henceforward, for Ulysses never broke his word nor left his work half done. If, then, you take after him, your voyage will not be fruitless, but unless you have the blood of Ulysses and of Penelope in your veins I see no likelihood of your succeeding. Sons are seldom as good men as their fathers; they are generally worse, not better; still, as you are not going to be either fool or coward henceforward, and are not entirely without some share of your father’s wise discernment, I look with hope upon your undertaking. But mind you never make common cause with any of those foolish suitors, for they have neither sense nor virtue, and give no thought to death and to the doom that will shortly fall on one and all of them, so that they shall perish on the same day. As for your voyage, it shall not be long delayed; your father was such an old friend of mine that I will find you a ship, and will come with you myself. Now, however, return home, and go about among the suitors; begin getting provisions ready for your voyage; see everything well stowed, the wine in jars, and the barley meal, which is the staff of life, in leathern bags, while I go round the town and beat up volunteers at once. There are many ships in Ithaca both old and new; I will run my eye over them for you and will choose the best; we will get her ready and will put out to sea without delay.

Thus spoke Minerva daughter of Jove, and Telemachus lost no time in doing as the goddess told him. He went moodily home, and found the suitors flaying goats and singeing pigs in the outer court. Antinous came up to him at once and laughed as he took his hand in his own, saying, Telemachus, my fine fire-eater, bear no more ill blood neither in word nor deed, but eat and drink with us as you used to do. The Achaeans will find you in everything—a ship and a picked crew to boot—so that you can set sail for Pylos at once and get news of your noble father.

Antinous, answered Telemachus, I cannot eat in peace, nor take pleasure of any kind with such men as you are. Was it not enough that you should waste so much good property of mine while I was yet a boy? Now that I am older and know more about it, I am also stronger, and whether here among this people, or by going to Pylos, I will do you all the harm I can. I shall go, and my going will not be in vain—though, thanks to you suitors, I have neither ship nor crew of my own, and must be passenger not captain.

As he spoke he snatched his hand from that of Antinous. Meanwhile the others went on getting dinner ready about the buildings, {21} jeering at him tauntingly as they did so.

Telemachus, said one youngster, means to be the death of us; I suppose he thinks he can bring friends to help him from Pylos, or again from Sparta, where he seems bent on going. Or will he go to Ephyra as well, for poison to put in our wine and kill us?

Another said, Perhaps if Telemachus goes on board ship, he will be like his father and perish far from his friends. In this case we should have plenty to do, for we could then divide up his property amongst us: as for the house we can let his mother and the man who marries her have that.

This was how they talked. But Telemachus went down into the lofty and spacious store-room where his father’s treasure of gold and bronze lay heaped up upon the floor, and where the linen and spare clothes were kept in open chests. Here, too, there was a store of fragrant olive oil, while casks of old, well-ripened wine, unblended and fit for a god to drink, were ranged against the wall in case Ulysses should come home again after all. The room was closed with well-made doors opening in the middle; moreover the faithful old house-keeper Euryclea, daughter of Ops the son of Pisenor, was in charge of everything both night and day. Telemachus called her to the store-room and said:

Nurse, draw me off some of the best wine you have, after what you are keeping for my father’s own drinking, in case, poor man, he should escape death, and find his way home again after all. Let me have twelve jars, and see that they all have lids; also fill me some well-sewn leathern bags with barley meal—about twenty measures in all. Get these things put together at once, and say nothing about it. I will take everything away this evening as soon as my mother has gone upstairs for the night. I am going to Sparta and to Pylos to see if I can hear anything about the return of my dear father.

When Euryclea heard this she began to cry, and spoke fondly to him, saying, My dear child, what ever can have put such notion as that into your head? Where in the world do you want to go to—you, who are the one hope of the house? Your poor father is dead and gone in some foreign country nobody knows where, and as soon as your back is turned these wicked ones here will be scheming to get you put out of the way, and will share all your possessions among themselves; stay where you are among your own people, and do not go wandering and worrying your life out on the barren ocean.

Fear not, nurse, answered Telemachus, my scheme is not without heaven’s sanction; but swear that you will say nothing about all this to my mother, till I have been away some ten or twelve days, unless she hears of my having gone, and asks you; for I do not want her to spoil her beauty by crying.

The old woman swore most solemnly that she would not, and when she had completed her oath, she began drawing off the wine into jars, and getting the barley meal into the bags, while Telemachus went back to the suitors.

Then Minerva bethought her of another matter. She took his shape, and went round the town to each one of the crew, telling them to meet at the ship by sundown. She went also to Noemon son of Phronius, and asked him to let her have a ship—which he was very ready to do. When the sun had set and darkness was over all the land, she got the ship into the water, put all the tackle on board her that ships generally carry, and stationed her at the end of the harbour. Presently the crew came up, and the goddess spoke encouragingly to each of them.

Furthermore she went to the house of Ulysses, and threw the suitors into a deep slumber. She caused their drink to fuddle them, and made them drop their cups from their hands, so that instead of sitting over their wine, they went back into the town to sleep, with their eyes heavy and full of drowsiness. Then she took the form and voice of Mentor, and called Telemachus to come outside.

Telemachus, said she, the men are on board and at their oars, waiting for you to give your orders, so make haste and let us be off.

On this she led the way, while Telemachus followed in her steps. When they got to the ship they found the crew waiting by the water side, and Telemachus said, Now my men, help me to get the stores on board; they are all put together in the cloister, and my mother does not know anything about it, nor any of the maid servants except one.

With these words he led the way and the others followed after. When they had brought the things as he told them, Telemachus went on board, Minerva going before him and taking her seat in the stern of the vessel, while Telemachus sat beside her. Then the men loosed the hawsers and took their places on the benches. Minerva sent them a fair wind from the West, {22} that whistled over the deep blue waves {23} whereon Telemachus told them to catch hold of the ropes and hoist sail, and they did as he told them. They set the mast in its socket in the cross plank, raised it, and made it fast with the forestays; then they hoisted their white sails aloft with ropes of twisted ox hide. As the sail bellied out with the wind, the ship flew through the deep blue water, and the foam hissed against her bows as she sped onward. Then they made all fast throughout the ship, filled the mixing bowls to the brim, and made drink offerings to the immortal gods that are from everlasting, but more particularly to the grey-eyed daughter of Jove.

Book III

Telemachus visits Nestor at Pylos.

Thus, then, the ship sped on her way through the watches of the night from dark till dawn, but as the sun was rising from the fair sea {24} into the firmament of heaven to shed light on mortals and immortals, they reached Pylos the city of Neleus. Now the people of Pylos were gathered on the sea shore to offer sacrifice of black bulls to Neptune lord of the Earthquake. There were nine guilds with five hundred men in each, and there were nine bulls to each guild. As they were eating the inward meats {25} and burning the thigh bones [on the embers] in the name of Neptune, Telemachus and his crew arrived, furled their sails, brought their ship to anchor, and went ashore.

Minerva led the way and Telemachus followed her. Presently she said, Telemachus, you must not be in the least shy or nervous; you have taken this voyage to try and find out where your father is buried and how he came by his end; so go straight up to Nestor that we may see what he has got to tell us. Beg of him to speak the truth, and he will tell no lies, for he is an excellent person.

But how, Mentor, replied Telemachus, dare I go up to Nestor, and how am I to address him? I have never yet been used to holding long conversations with people, and am ashamed to begin questioning one who is so much older than myself.

Some things, Telemachus, answered Minerva, will be suggested to you by your own instinct, and heaven will prompt you further; for I am assured that the gods have been with you from the time of your birth until now.

She then went quickly on, and Telemachus followed in her steps till they reached the place where the guilds of the Pylian people were assembled. There they found Nestor sitting with his sons, while his company round him were busy getting dinner ready, and putting pieces of meat on to the spits {26} while other pieces were cooking. When they saw the strangers they crowded round them, took them by the hand and bade them take their places. Nestor’s son Pisistratus at once offered his hand to each of them, and seated them on some soft sheepskins that were lying on the sands near his father and his brother Thrasymedes. Then he gave them their portions of the inward meats and poured wine for them into a golden cup, handing it to Minerva first, and saluting her at the same time.

Offer a prayer, sir, said he, to King Neptune, for it is his feast that you are joining; when you have duly prayed and made your drink offering, pass the cup to your friend that he may do so also. I doubt not that he too lifts his hands in prayer, for man cannot live without God in the world. Still he is younger than you are, and is much of an age with myself, so I will give you the precedence.

As he spoke he handed her the cup. Minerva thought it very right and proper of him to have given it to herself first; {27} she accordingly began praying heartily to Neptune. O thou, she cried, that encirclest the earth, vouchsafe to grant the prayers of thy servants that call upon thee. More especially we pray thee send down thy grace on Nestor and on his sons; thereafter also make the rest of the Pylian people some handsome return for the goodly hecatomb they are offering you. Lastly, grant Telemachus and myself a happy issue, in respect of the matter that has brought us in our ship to Pylos.

When she had thus made an end of praying, she handed the cup to Telemachus and he prayed likewise. By and by, when the outer meats were roasted and had been taken off the spits, the carvers gave every man his portion and they all made an excellent dinner. As soon as they had had enough to eat and drink, Nestor, knight of Gerene, began to speak.

Now, said he, that our guests have done their dinner, it will be best to ask them who they are. Who, then, sir strangers, are you, and from what port have you sailed? Are you traders? or do you sail the seas as rovers with your hand against every man, and every man’s hand against you?

Telemachus answered boldly, for Minerva had given him courage to ask about his father and get himself a good name.

Nestor, said he, "son of Neleus, honour to the Achaean name, you ask whence we come, and I will tell you. We come from Ithaca under Neritum, {28} and the matter about which I would speak is of private not public import. I seek news of my unhappy father Ulysses, who is said to have sacked the town of Troy in company with yourself. We know what fate befell each one of the other heroes who fought at Troy, but as regards Ulysses heaven has hidden from us the knowledge even that he is dead at all, for no one can certify us in what place he perished, nor say whether he fell in battle on the mainland, or was lost at sea amid the waves of Amphitrite. Therefore I am suppliant at your knees, if haply you may be pleased to tell me of his melancholy end, whether you saw it with your own eyes, or heard it from some other traveller, for he was a man born to trouble. Do not soften things out of any pity for me, but tell me in all plainness exactly what you saw. If my brave father Ulysses ever did you loyal service, either by word or deed, when you Achaeans were harassed among the Trojans, bear it in mind now as in my favour and tell me truly all."

My friend, answered Nestor, "you recall a time of much sorrow to my mind, for the brave Achaeans suffered much both at sea, while privateering under Achilles, and when fighting before the great city of king Priam. Our best men all of them fell there—Ajax, Achilles, Patroclus peer of gods in counsel, and my own dear son Antilochus, a man singularly fleet of foot and in fight valiant. But we suffered much more than this; what mortal tongue indeed could tell the whole story? Though you were to stay here and question me for five years, or even six, I could not tell you all that the Achaeans suffered, and you would turn homeward weary of my tale before it ended. Nine long years did we try every kind of stratagem, but the hand of heaven was against us; during all this time there was no one who could compare with your father in subtlety—if indeed you are his son—I can hardly believe my eyes—and you talk just like him too—no one would say that people of such different ages could speak so much alike. He and I never had any kind of difference from first to last neither in camp nor council, but in singleness of heart and purpose we advised the Argives how all might be ordered for the best.

"When, however, we had sacked the city of Priam, and were setting sail in our ships as heaven had dispersed us, then Jove saw fit to vex the Argives on their homeward voyage; for they had not all been either wise or understanding, and hence many came to a bad end through the displeasure of Jove’s daughter Minerva, who brought about a quarrel between the two sons of Atreus.

"The sons of Atreus called a meeting which was not as it should be, for it was sunset and the Achaeans were heavy with wine. When they explained why they had called the people together, it seemed that Menelaus was for sailing homeward at once, and this displeased Agamemnon, who thought that we should wait till we had offered hecatombs to appease the anger of Minerva. Fool that he was, he might have known that he would not prevail with her, for when the gods have made up their minds they do not change them lightly. So the two stood bandying hard words, whereon the Achaeans sprang to their feet with a cry that rent the air, and were of two minds as to what they should do.

"That night we rested and nursed our anger, for Jove was hatching mischief against us. But in the morning some of us drew our ships into the water and put our goods with our women on board, while the rest, about half in number, stayed behind with Agamemnon. We—the other half—embarked and sailed; and the ships went well, for heaven had smoothed the sea. When we reached Tenedos we offered sacrifices to the gods, for we were longing to get home; cruel Jove, however, did not yet mean that we should do so, and raised a second quarrel in the course of which some among us turned their ships back again, and sailed away under Ulysses to make their peace with Agamemnon; but I, and all the ships that were with me pressed forward, for I saw that mischief was brewing. The son of Tydeus went on also with me, and his crews with him. Later on Menelaus joined us at Lesbos, and found us making up our minds about our course—for we did not know whether to go outside Chios by the island of Psyra, keeping this to our left, or inside Chios, over against the stormy headland of Mimas. So we asked heaven for a sign, and were shown one to the effect that we should be soonest out of danger if we headed our ships across the open sea to Euboea. This we therefore did, and a fair wind sprang up which gave us a quick passage during the night to Geraestus, {29} where we offered many sacrifices to Neptune for having helped us so far on our way. Four days later Diomed and his men stationed their ships in Argos, but I held on for Pylos, and the wind never fell light from the day when heaven first made it fair for me.

Therefore, my dear young friend, I returned without hearing anything about the others. I know neither who got home safely nor who were lost but, as in duty bound, I will give you without reserve the reports that have reached me since I have been here in my own house. They say the Myrmidons returned home safely under Achilles’ son Neoptolemus; so also did the valiant son of Poias, Philoctetes. Idomeneus, again, lost no men at sea, and all his followers who escaped death in the field got safe home with him to Crete. No matter how far out of the world you live, you will have heard of Agamemnon and the bad end he came to at the hands of Aegisthus—and a fearful reckoning did Aegisthus presently pay. See what a good thing it is for a man to leave a son behind him to do as Orestes did, who killed false Aegisthus the murderer of his noble father. You too, then—for you are a tall smart-looking fellow—show your mettle and make yourself a name in story.

Nestor son of Neleus, answered Telemachus, honour to the Achaean name, the Achaeans applaud Orestes and his name will live through all time for he has avenged his father nobly. Would that heaven might grant me to do like vengeance on the insolence of the wicked suitors, who are ill treating me and plotting my ruin; but the gods have no such happiness in store for me and for my father, so we must bear it as best we may.

My friend, said Nestor, now that you remind me, I remember to have heard that your mother has many suitors, who are ill disposed towards you and are making havoc of your estate. Do you submit to this tamely, or are public feeling and the voice of heaven against you? Who knows but what Ulysses may come back after all, and pay these scoundrels in full, either single-handed or with a force of Achaeans behind him? If Minerva were to take as great a liking to you as she did to Ulysses when we were fighting before Troy (for I never yet saw the gods so openly fond of any one as Minerva then was of your father), if she would take as good care of you as she did of him, these wooers would soon some of them forget their wooing.

Telemachus answered, "I can expect nothing of the kind; it would be far too much

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