The Tempest

By William Shakespeare

A tempest shipwrecks Alonso, the king of Naples; Antonio, the duke of Milan; and several others on a small island in the Mediterranean. Little do they know that the storm was conjured by Prospero, the former duke of Milan, who lives in exile on the island with his daughter Miranda, his slave Caliban, and his spirit servant Ariel. As Prospero manipulates the events that take place on the island using his books and magic, William Shakespeare invites the reader to examine the playwright's powers in the theatrical world. The fantastical, romantic play—believed to be the last one Shakespeare wrote alone—was published in 1623, after his death. This unabridged version is taken from an edition published in 1863.

• Language: English
• Publisher: Lerner Publishing
• Release date: Jan 1, 2015
• ISBN: 9781467787086

William Shakespeare

William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Book preview

Island

ACT 1

ACT 1, SCENE 1. ON A SHIP AT SEA; A TEMPESTUOUS NOISE OF THUNDER AND LIGHTNING HEARD

[Enter a Shipmaster and a Boatswain severally]

MASTER

Boatswain!

BOATSWAIN

Here, master: what cheer?

MASTER

Good! Speak to the mariners: fall to’t yarely, or we run ourselves aground: bestir, bestir.

[Exit]

[Enter Mariners]

BOATSWAIN

Heigh, my hearts! cheerly, cheerly, my hearts! yare, yare! Take in the topsail. Tend to th’ master’s whistle.—Blow till thou burst thy wind, if room enough.

[Enter Alonso, Sebastian, Antonio, Ferdinand, Gonzalo, and others]

ALONSO

Good boatswain, have care. Where’s the master?

Play the men.

BOATSWAIN

I pray now, keep below.

ANTONIO

Where is the master, boson?

BOATSWAIN

Do you not hear him? You mar our labour: keep your cabins: you do assist the storm.

GONZALO

Nay, good, be patient.

BOATSWAIN

When the sea is. Hence! What cares these roarers for the name of king? To cabin! silence! Trouble us not.

GONZALO

Good, yet remember whom thou hast aboard.

BOATSWAIN

None that I more love than myself. You are counsellor: if you can command these elements to silence, and work the peace of the present, we will not hand a rope more. Use your authority: if you cannot, give thanks you have lived so long, and make yourself ready in your cabin for the mischance of the hour, if it so hap.—Cheerly, good hearts!—Out of our way, I say.

[Exit]

GONZALO

I have great comfort from this fellow. Methinks he hath no drowning mark upon him: his complexion is perfect gallows. Stand fast, good Fate, to his hanging! make the rope of his destiny our cable, for our own doth little advantage! If he be not born to be hang’d, our case is miserable.

[Exeunt]

[Re-enter Boatswain]

BOATSWAIN

Down with the topmast! yare! lower, lower! Bring her to try wi’ th’ maincourse. [A cry within] A plague upon this howling! They are louder than the weather or our office.—

[Re-enter Sebastian, Antonio, and Gonzalo]

Yet again! What do you here? Shall we give o’er, and drown? Have you a mind to sink?

SEBASTIAN

A pox o’ your throat, you bawling, blasphemous, incharitable dog!

BOATSWAIN

Work you, then.

ANTONIO

Hang, cur, hang! you whoreson, insolent noisemaker, we are less afraid to be drowned than thou art.

GONZALO

I’ll warrant him for drowning, though the ship were no stronger than a nutshell, and as leaky as an unstanched wench.

BOATSWAIN

Lay her a-hold, a-hold! set her two courses: off to sea again: lay her off.

[Enter mariners, wet]

MARINERS

All lost! to prayers, to prayers! all lost!

[Exeunt]

BOATSWAIN

What, must our mouths be cold?

GONZALO

The King and Prince at prayers! let us assist them,

For our case is as theirs.

SEBASTIAN

I am out of patience.

ANTONIO

We are merely cheated of our lives by drunkards.—

This wide-chapp’d rascal—would thou might’st lie drowning

The washing of ten tides!

GONZALO

He’ll be hang’d yet,

Though every drop of water swear against it,

And gape at wid’st to glut him.

[A confused noise within:— ‘Mercy on us!’— ‘We split, we split!’— ‘Farewell, my wife and children!’— ‘Farewell, brother!’— ‘We split, we split, we split!’—]

ANTONIO

Let’s all sink wi’ the King.

[Exit]

SEBASTIAN

Let’s take leave of him.

[Exit]

GONZALO

Now would I give a thousand furlongs of sea for an acre of barren ground; long heath, brown furze, any thing. The wills above be done! but I would fain die dry death.

[Exit]

ACT 1, SCENE 2. THE ISLAND. BEFORE THE CELL OF PROSPERO.

[Enter Prospero and Miranda]

MIRANDA

If by your art, my dearest father, you have

Put the wild waters in this roar, allay them.

The sky, it seems, would pour down stinking pitch,

But that the sea, mounting to th’ welkin’s cheek,

Dashes the fire out. O! I have suffered

With those that I saw suffer: a brave vessel,

Who had, no doubt, some noble creatures in her,

Dash’d all to pieces. O! the cry did knock

Against my very heart. Poor souls, they perish’d.

Had I been any god of power, I would

Have sunk the sea within the earth, or e’er

It should the good ship so have swallow’d and

The fraughting souls within her.

PROSPERO

Be collected:

No more amazement: tell your piteous heart

There’s no harm done.

MIRANDA

O! woe the day!

PROSPERO

No harm.

I have done nothing but in care of thee,

Of thee, my dear one, thee, my daughter, who

Art ignorant of what thou art, nought knowing

Of whence I am: nor that I am more better

Than Prospero, master of a full poor cell,

And thy no greater father.

MIRANDA

More to know

Did never meddle with my thoughts.

PROSPERO

’Tis time

I should inform thee farther. Lend thy hand,

And pluck my magic garment from me.—So:

[Lays down his mantle]

Lie there my art.—Wipe thou thine eyes; have comfort.

The direful spectacle of the wrack, which touch’d

The very virtue of compassion in thee,

I have with such provision in mine art

So safely ordered that there is no soul—

No, not so much perdition as an hair

Betid to any creature in the vessel

Which thou heard’st cry, which thou saw’st sink. Sit down;

For thou must now know farther.

MIRANDA

You have often

Begun to tell me what I am: but stopp’d,

And left me

Reviews for The Tempest

[phoenixterran · Rating: 4 out of 5 stars]

Since I was in Ann Arbor when the Royal Shakespeare Company came through in 2006, with Patrick Stewart in tow, how could I give up and opportunity to attend at least one of the performances? It required camping out the night before the student tickets went on sale, and getting very wet and cold, but I became a happy owner of a ticket to see The Tempest. The RSC interpretation was a little unorthodox (it took place on an arctic island, among other things) I absolutely loved it and decided that I should probably actually read it at some point.The Tempest is the last finished play to be attributed completely to Shakespeare and is the favorite of many of The Bard's aficionados. While I have a preference to see his plays performed, reading them is very enjoyable as well. The Tempest occurs in one location over the course of one day; the plot, while inspired, is entirely Shakespeare's own. Prospero, the usurped Duke of Milan and a great sorcerer, has lived in exile with his daughter Miranda on a nearly deserted island for twelve years. When a ship sails close by carrying those who put him in such an unfortunate state, he quickly devises a plan to achieve his revenge and even more quickly puts it into motion.I read the Signet Classics edition which provides a general introduction to Shakespeare, an introduction to the play, excerpts from the sources it was derived from, and various commentaries in addition to the play itself, all of which were very nice to have.Experiments in Reading

[velmeran · Rating: 4 out of 5 stars]

It's Shakespeare. Really, what else can I say?

[deckla_1 · Rating: 5 out of 5 stars]

A great play. Never forget Sir Patrick Stewart in the title role. This version includes: Forward, Intro, essay on The Tempest in performance (through 1984), description of the Globe, essay on Shakespeare's sources (with excerpts), annotated bibliography, memorable lines.

[katieloucks · Rating: 4 out of 5 stars]

love it!!!!

[trilliams · Rating: 3 out of 5 stars]

Wizards, man, who knows.

[regularguy5mb · Rating: 5 out of 5 stars]

Being Shakespeare's last play, The Tempest is a masterful piece in which he uses Prospero as a stand-in for himself within a play full of the magic of stagecraft and his position as playwright.Using all the mystical techniques at his disposal (theatre), Prospero the magician (playwright) writes his tale of revenge as a ship containing his treasonous brother sails near enough to the island for him to set the stage at long last.The Tempest also stands as a magnificent tale even without the allegory. The rightful Duke of Milan (Prospero) is set adrift along with his daughter by his treacherous brother, but manages to survive on an island for twelve years with the help of his magic and the spirits of the island he has impressed into his service. Now, the King of Naples sails home along with Prospero's brother and he can finally seek his revenge, making sure to set his daughter into a happy role as well before things are done.I just love the way this play uses the stage to show Prospero's magic and Ariel's abilities. It truly is a great work by one of the masters.This particular volume I picked up from a local library sale and intend to add it to my Little Free Library for someone else to discover.

[glenline · Rating: 5 out of 5 stars]

Shakespeare at his best.

[dancingant · Rating: 5 out of 5 stars]

It is so-said Shakespeare's last play. Very clear plots attracted me as my first peek at English literature.

[jenniferthomp75 · Rating: 5 out of 5 stars]

Thunder, lightning, magical creatures and islands. A lovely fantasy.

[alcracka · Rating: 5 out of 5 stars]

The Tempest is almost a wisp of a thing. There's little plot and almost no character development. It's like a magic trick: you blow into your hand, and a cloud of flame pops up, and a dove flies out of it, everyone claps.

So the play is the spectacle, and the magic is the language. Prospero's speech, "We are such stuff as dreams are made on," is second maybe only to "All the world's a stage" in crystallizing Shakespeare's philosophy (and better, poetically); and there's Miranda's line, "O brave new world, that has such people in't!" - these and others are among the best lines Shakespeare wrote; and the feel of the play, the atmosphere - that magical island, populated by beasts and wizards, the evocation of a world we were still exploring - it sticks with you, even though, as I said, dramatically speaking, almost nothing happens.

And Caliban! Arguably the only memorable character - Prospero is cool, and Ariel differs from Puck, but is no Puck, and the others are just placeholders, a virtuous maid here, a villainous uncle there - but Caliban, that sniveling, backstabbing, savage would-be rapist, searching for a God whose boots need licking - he's a tremendous find. (And what made me love Tennyson.) Caliban's right up there with Iago.

In some ways, this play is all flash. But what a flash!

[pjulian-1 · Rating: 5 out of 5 stars]

Amazingg.. It has the ability to enchant every reader through its imagination. The part that I liked less is how (most probably unwittingly I suppose) did Shakespeare show how did Colonisation worked and the attitude of the colonised towards the coloniser. Overall, it gave me a feel of an old tale finishing up. All the negative characters were simply puppets in the hands of Prospers and it was in the understanding of the endurance that we were able to enjoy the present conquests of Prospero. Overall, a wonderful read.

[scott_hercher · Rating: 3 out of 5 stars]

Not one of the Bard's best.

[jennaelf · Rating: 4 out of 5 stars]

This was the first Shakespeare play I ever read - from an old white-covered paperback I had when I was 9 years old. I probably didn't understand it very well back then. I REALLY liked the title, though.

Now, it's still good stuff.

For me, supplementing my reading with a viewing of Helen Mirren as Prospera... magnified my enjoyment of this book tremendously.

[fernandosfjr-1 · Rating: 5 out of 5 stars]

O que dizer?

"O, wonder!

How many godly creatures are there here!

How beauteous mankind is! O brave new world,

That has such people in 't!".

[rogerramjet_1 · Rating: 5 out of 5 stars]

On rereading the Tempest, I realize that despite the title there is very little action in the play and it demonstrates Shakespeare's emphasis on character over plot. But the characters are fascinating. Prospero at times seems a type for the author himself, and of course as such he is the wise master and hero. But at the same time or a moment later, his manipulations and his selfishness make it not too hard to empathize with the hatred he inspires in Caliban, despite Caliban's repugnance. Then in the Epilogue, Prospero, not just a character that walks off of the page, actually asks the audience for permission to walk off of the page before doing so. There is not time to discuss all of the characters, but Miranda's sudden transformation from wondering innocence to worldly cynicism is both startling and yet somehow believable. I remember the Tempest being described as Shakespeare's perfect play, because it so completely conforms to Aristotle's unities of time, place and action. Yet the play has to be considered experimental in its deliberate artificiality and the distance between the audience and the action because it is a play within a play within a play. It is in essence a play about the making of a play. Definitely worth repeated readings.

[aramissciant · Rating: 3 out of 5 stars]

A quick reread ahead of seeing Julie Taymor's big-screen adaptation. The first/last time I read this play was aeons ago in school, and since it's not one of my favorite ones --the ones I read/see again and again-- I found I needed some help from time to time. I enjoyed the re-encounter with the play as I only remembered vaguely that there was a sorcerer and his daughter, and the most popular quotations: strange bedfellows, brave new world and such stuff as dreams are made of.. Now, I'm ready but it's still not one of my favorite plays.

[bullfinch-1 · Rating: 5 out of 5 stars]

Saw a magnificent production of this at Nottingham Playhouse. The shipwreck took place before the beginning proper. While we the audience were prevented from entering, the duke of milan and his fellows got swept from the foyer into the auditorium which was roaring orange light. Everything went quiet. Then we were allowed in to see Prospero on stage in a totally serene blue stage.

[jpsnow · Rating: 4 out of 5 stars]

This wasn't quite a comedy and isn't a tragedy. Prospero is an interesting character -- a scholar, a duke, a stranded man, a plotter, and a dad.

[frozenplums · Rating: 4 out of 5 stars]

I will start this review by saying I liked this play a lot more after I had time to sit and digest it. I knew from the start that I was going to hate Prospero, which does not leave much hope for a favorable opinion because he's behind everything that happens in the play. Prospero plays a good victim, but he's an amazing manipulator. If you can get past that, you will love this story. Characteristic if Shakespeare, The Tempest's pages are full of tragedy, humor, Romance, murder plots, revenge, and a smattering of mysticism. Short, dense, and enjoyable.4 stars.

[kennethwdavis_1 · Rating: 5 out of 5 stars]

For me, the most wondrous of the plays.

[harrod_1 · Rating: 4 out of 5 stars]

What's not to like about Will

[datrappert · Rating: 5 out of 5 stars]

One of Shakespeare's more unusual an fanciful plays. Not as silly as most of the comedies (and I don't mean silly in a good way). Full of great characters and some of Shakespeare's best quotes. And, of course, the inspiration for Forbidden Planet.

[antao-3 · Rating: 4 out of 5 stars]

Published 1998.


On this re-reading I noticed that the word "brave" was used a few times in the movies that I watched (Taymor, 2010 & Jarman 1979).

I like this word. It generates a very good feeling in my heart. This word often makes me think of someone who has a quality to face something difficult with the strength of heart / mind / body... Does not take me much to feel a respect and admiration for this person...

I also come to know that the word "brave" describes something wonderful, admirable in appearance...

And I just got curious to see how often the word "brave" was used in "The Tempest". And I started reading the play to look for the word "brave" and "bravely", and every time I found one of these words, I put a post-it note to the page to keep track of it... No, I did not use any fancy software to sort out the words or count the words... The work was done manually... Though I tried to be as faithful and accurate as possible, there might be a few occasions that I missed finding these words...

It looks like there are 11 occasions that the words "Brave" or "Bravely" were mentioned...

The rest of this review can be found elsewhere.

[aethercowboy · Rating: 5 out of 5 stars]

I picked up the Tempest, I admit, mostly due to Prospero's role in The League of Extraordinary Gentlemen. I was not disappointed.The Tempest tells the story of Prospero, the supplanted Duke of Milan, who takes control of small island. He's freed a spirit from a tree, who now faithfully follows him; and he's enslaved the twisted (physically and mentally) denizen of the island.Prospero discovers that his supplanting brother is nearby on a ship, so he calls a mighty tempest to beach them upon his island. He then tries to work the situation to his advantage, as well as marry off his daughter to the prince, who has likewise washed ashore.The Tempest is a comedy, which may give you some indication of how it ends, but it is not the destination with this play; rather, it is the route traveled.If you have ever read anything by Shakespeare, you're bound to enjoy The Tempest, even if you hated what you read, since you were most likely in high school, dissecting the lifeless dry corpse of literature. Like an airy spirit, breathe new life into your comprehension of literature, and get yourself a copy of the Tempest, and start reading!

[elmyra_1 · Rating: 4 out of 5 stars]

I was prompted to read this by my re-reading of the entire Sandman series by Neil Gaiman - and now I can go back and read the last chapter. I only read the play, and very little of the additional material in this edition - I probably will go back and read the rest and re-read the play. I kept expecting something horrible to happen at the end. I did like it rather more than Midsummer Night's Dream.

[crowyhead · Rating: 5 out of 5 stars]

This is one of my favorite of Shakespeare's plays, in terms of the richness of the story and the language.

[fleurdiabolique · Rating: 5 out of 5 stars]

Absolutely my favorite of Shakespeare's plays. His vision and poetic skill have come to full maturity in this fantasy of loss and redemption.

[potterhead9.75 · Rating: 3 out of 5 stars]

His weakest work.

[cyafer · Rating: 3 out of 5 stars]

This is my second read through of the play. I'm still not necessarily a fan; the way that Prospero gives blanket forgiveness to Alonso and Antonio seems forced, even if I have a better understanding of why he did it. In addition, the subplot with Sebastian and Antonio's attempt on the king's life goes nowhere. Prospero is still incredibly unlikeable as a main character.

As far as this specific version goes, it has to be one of my favorite editions in terms of how it handles footnotes. Most versions have ALL notes either lumped into the bottom, or on the facing page to the play. It makes it difficult sometimes to find what you're looking for without disturbing the flow of your reading. This book relegates short notes (one or two word translations of the Renaissance word into modern English) to the left of the line it occurs in, and longer footnotes and explanations to the facing page. Aside from an uncomfortable amount of white space on each page, it is an excellent edition.

[martinbodek · Rating: 3 out of 5 stars]

This book a bit different was
From oth'rs of The Bard I've read.
More with of the fantastic
F'r sooth, and f'r the head.
'Twas an amalgam of stylings.
Or mashup, if thou wouldst.
With manipulations, calculations
machinations, Prospero couldst.
All through, as always all
The language play is dear,
And Merrily doth I findeth it
When bent towards William's ear.
7 books of the smith have I read, what, ho!
And now if thou wilt excuseth me, I have 30 more to go.