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Twelfth Night
Twelfth Night
Twelfth Night
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Twelfth Night

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Twelfth Night, Or What You Will is a comedy by William Shakespeare, based on the short story "Of Apolonius and Silla" by Barnabe Rich. It is named after the Twelfth Night holiday of the Christmas season. It was written around 1601 and first published in the First Folio in 1623. The main title is believed to be an afterthought, created after John Marston premiered a play titled What You Will during the course of the writing.

LanguageEnglish
Release dateFeb 12, 2017
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William Shakespeare

William Shakespeare (1564–1616) is arguably the most famous playwright to ever live. Born in England, he attended grammar school but did not study at a university. In the 1590s, Shakespeare worked as partner and performer at the London-based acting company, the King’s Men. His earliest plays were Henry VI and Richard III, both based on the historical figures. During his career, Shakespeare produced nearly 40 plays that reached multiple countries and cultures. Some of his most notable titles include Hamlet, Romeo and Juliet and Julius Caesar. His acclaimed catalog earned him the title of the world’s greatest dramatist.

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    Twelfth Night - William Shakespeare

    Twelfth Night

    William Shakespeare

    Published: 1601

    Categorie(s): Fiction, Drama

    About Shakespeare:

    William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the Bard of Avon (or simply The Bard). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright. Shakespeare was born and raised in Stratford-upon-Avon. At the age of 18 he married Anne Hathaway, who bore him three children: Susanna, and twins Hamnet and Judith. Between 1585 and 1592 he began a successful career in London as an actor, writer, and part owner of the playing company the Lord Chamberlain's Men, later known as the King's Men. He appears to have retired to Stratford around 1613, where he died three years later. Few records of Shakespeare's private life survive, and there has been considerable speculation about such matters as his sexuality, religious beliefs, and whether the works attributed to him were written by others. Shakespeare produced most of his known work between 1590 and 1613. His early plays were mainly comedies and histories, genres he raised to the peak of sophistication and artistry by the end of the sixteenth century. Next he wrote mainly tragedies until about 1608, including Hamlet, King Lear, and Macbeth, considered some of the finest examples in the English language. In his last phase, he wrote tragicomedies, also known as romances, and collaborated with other playwrights. Many of his plays were published in editions of varying quality and accuracy during his lifetime, and in 1623 two of his former theatrical colleagues published the First Folio, a collected edition of his dramatic works that included all but two of the plays now recognised as Shakespeare's. Shakespeare was a respected poet and playwright in his own day, but his reputation did not rise to its present heights until the nineteenth century. The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called bardolatry. In the twentieth century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remain highly popular today and are consistently performed and reinterpreted in diverse cultural and political contexts throughout the world. 

    Act I

    SCENE I. DUKE ORSINO's palace.

    Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending

    DUKE ORSINO

    If music be the food of love, play on;

    Give me excess of it, that, surfeiting,

    The appetite may sicken, and so die.

    That strain again! it had a dying fall:

    O, it came o'er my ear like the sweet sound,

    That breathes upon a bank of violets,

    Stealing and giving odour! Enough; no more:

    'Tis not so sweet now as it was before.

    O spirit of love! how quick and fresh art thou,

    That, notwithstanding thy capacity

    Receiveth as the sea, nought enters there,

    Of what validity and pitch soe'er,

    But falls into abatement and low price,

    Even in a minute: so full of shapes is fancy

    That it alone is high fantastical.

    CURIO

    Will you go hunt, my lord?

    DUKE ORSINO

    What, Curio?

    CURIO

    The hart.

    DUKE ORSINO

    Why, so I do, the noblest that I have:

    O, when mine eyes did see Olivia first,

    Methought she purged the air of pestilence!

    That instant was I turn'd into a hart;

    And my desires, like fell and cruel hounds,

    E'er since pursue me.

    Enter VALENTINE

    How now! what news from her?

    VALENTINE

    So please my lord, I might not be admitted;

    But from her handmaid do return this answer:

    The element itself, till seven years' heat,

    Shall not behold her face at ample view;

    But, like a cloistress, she will veiled walk

    And water once a day her chamber round

    With eye-offending brine: all this to season

    A brother's dead love, which she would keep fresh

    And lasting in her sad remembrance.

    DUKE ORSINO

    O, she that hath a heart of that fine frame

    To pay this debt of love but to a brother,

    How will she love, when the rich golden shaft

    Hath kill'd the flock of all affections else

    That live in her; when liver, brain and heart,

    These sovereign thrones, are all supplied, and fill'd

    Her sweet perfections with one self king!

    Away before me to sweet beds of flowers:

    Love-thoughts lie rich when canopied with bowers.

    Exeunt

    SCENE II. The sea-coast.

    Enter VIOLA, a Captain, and Sailors

    VIOLA

    What country, friends, is this?

    Captain

    This is Illyria, lady.

    VIOLA

    And what should I do in Illyria?

    My brother he is in Elysium.

    Perchance he is not drown'd: what think you, sailors?

    Captain

    It is perchance that you yourself were saved.

    VIOLA

    O my poor brother! and so perchance may he be.

    Captain

    True, madam: and, to comfort you with chance,

    Assure yourself, after our ship did split,

    When you and those poor number saved with you

    Hung on our driving boat, I saw your brother,

    Most provident in peril, bind himself,

    Courage and hope both teaching him the practise,

    To a strong mast that lived upon the sea;

    Where, like Arion on the dolphin's back,

    I saw him hold acquaintance with the waves

    So long as I could see.

    VIOLA

    For saying so, there's gold:

    Mine own escape unfoldeth to my hope,

    Whereto thy speech serves for authority,

    The like of him. Know'st thou this country?

    Captain

    Ay, madam, well; for I was bred and born

    Not three hours' travel from this very place.

    VIOLA

    Who governs here?

    Captain

    A noble duke, in nature as in name.

    VIOLA

    What is the name?

    Captain

    Orsino.

    VIOLA

    Orsino! I have heard my father name him:

    He was a bachelor then.

    Captain

    And so is now, or was so very late;

    For but a month ago I went from hence,

    And then 'twas fresh in murmur,—as, you know,

    What great ones do the less will prattle of,—

    That he did seek the love of fair Olivia.

    VIOLA

    What's she?

    Captain

    A virtuous maid, the daughter of a count

    That died some twelvemonth since, then leaving her

    In the protection of his son, her brother,

    Who shortly also died: for whose dear love,

    They say, she hath abjured the company

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