The Contemplative Quarry: "I feel that women of my kind are a profound mistake!
By Anna Wickham
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About this ebook
Anna Wickham was the main pseudonym used by Edith Alice Mary Harper who was born on 7th May 1883, Wimbledon, Surrey.
Her first poetry collection was published privately in 1911 under another pseudonym, John Oland. Appropriately enough it was called Songs by John Oland. The main theme of the book was the difficulties of relationships between men and women. Unfortunately, her possessive husband was very upset at her publication, having also shown little support for her earlier singing and acting careers. It led to violent quarrels and sadly Anna had a nervous breakdown and was admitted to a private psychiatric hospital for a period of six weeks.
Shortly after recovering, she met Harold Monro at his Poetry Bookshop. He encouraged her writing, and this led to a second collection being published in 1915. Her life now became increasingly split between domesticity and the yearned for bohemian life that was now calling her.
Whilst the poetry volumes she released are small in number she left behind several hundred unpublished poems that survived both the war and her life. Today she is regarded as a leading Modernist poet who was able to frankly express her desires and feelings through verse despite these often being at odds with the prevailing morals of the day.
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The Contemplative Quarry - Anna Wickham
The Contemplative Quarry by Anna Wickham
Anna Wickham was the main pseudonym used by Edith Alice Mary Harper who was born on 7th May 1883, Wimbledon, Surrey.
Her first poetry collection was published privately in 1911 under another pseudonym, John Oland. Appropriately enough it was called Songs by John Oland. The main theme of the book was the difficulties of relationships between men and women. Unfortunately, her possessive husband was very upset at her publication, having also shown little support for her earlier singing and acting careers. It led to violent quarrels and sadly Anna had a nervous breakdown and was admitted to a private psychiatric hospital for a period of six weeks.
Shortly after recovering, she met Harold Monro at his Poetry Bookshop. He encouraged her writing, and this led to a second collection being published in 1915. Her life now became increasingly split between domesticity and the yearned for bohemian life that was now calling her.
Whilst the poetry volumes she released are small in number she left behind several hundred unpublished poems that survived both the war and her life. Today she is regarded as a leading Modernist poet who was able to frankly express her desires and feelings through verse despite these often being at odds with the prevailing morals of the day.
Index of Contents
I.—Amourette: The Woman and the Philosopher
II.—The Singer
III.
IV.—The Egoist
V.
VI.—The Hermit
VII.—The Cherry-Blossom Wand
VIII.—A Song of Morning
IX.
X.—Meditation at Kew
XI.—Song to the Young John
XII.—The Affinity
XIII.—The Contemplative Quarry
XIV.—Spoken to Adonis
XV.—The Mummer
XVI.—The Marriage
XVII.—Artificiality
XVIII.—Ship near Shoals
XIX.—The Revolt of Wives
XX.—The Free Woman
XXI.—For Poets, Workmen, Women, and Children in Orphanages
XXII.—The Faithful Amorist