Maud-Evelyn (1900)
By Henry James
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Henry James
«No había nada que James hiciera como un inglés, ni tampoco como un norteamericano –ha escrito Gore Vidal -. Él mismo era su gran realidad, un nuevo mundo, una tierra incógnita cuyo mapa tardaría el resto de sus días en trazar para todos nosotros.» Henry James nació en Nueva York en 1843, en el seno de una rica y culta familia de origen irlandés. Recibió una educación ecléctica y cosmopolita, que se desarrolló en gran parte en Europa¬. En 1875, se estableció en Inglaterra, después de publicar en Estados Unidos sus primeros relatos. El conflicto entre la cultura europea y la norteamericana está en el centro de muchas de sus obras, desde sus primera novelas, Roderick Hudson (1875), Washington Square (1880; ALBA CLÁSICA núm. CXII) o El americano (1876-1877; ALBA CLÁSICA núm. XXXIII; ALBA MINUS núm.), hasta El Eco (1888; ALBA CLÁSICA núm. LI; ALBA MINUS núm.) o La otra casa (1896; ALBA CLÁSICA núm. LXIV) y la trilogía que culmina su carrera: Las alas de la paloma (1902), Los embajadores (1903) y La copa dorada (1904; ALBA CLÁSICA MAIOR núm. II). Maestro de la novela breve y el relato, algunos de sus logros más celebrados se cuentan entre este género: Los papeles de Aspern (1888; ALBA CLÁSICA núm. CVII; ALBA MINUS núm. ), Otra vuelta de tuerca (1898), En la jaula (1898; ALBA CLÁSICA núm. III; ALBA MINUS núm. 40), Los periódicos (1903; ALBA CLÁSICA núm. XVIII) o las narraciones reunidas en Lo más selecto (ALBA CLÁSICA MAIOR núm. XXVII). Fue asimismo un brillante crítico y teórico, como atestiguan los textos reunidos en La imaginación literaria (ALBA PENSAMIENTO/CLÁSICOS núm. 8). Nacionalizado británico, murió en Londres en 1916.
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Maud-Evelyn (1900) - Henry James
MAUD-EVELYN
BY
HENRY JAMES
Copyright © 2013 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Contents
Henry James
Maud-Evelyn
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Henry James
Henry James was born in New York City in 1843. One of thirteen children, James had an unorthodox early education, switching between schools, private tutors and private reading. In 1855, the James family embarked on a three year-long trip to Geneva, London, and Paris; an experience that greatly influenced his decision, some years later, to emigrate to Europe. Having returned to America, and having met prominent authors and thinkers such as Ralph Waldo Emerson and Henry David Thoreau, James turned seriously to writing.
James published his first story, ‘A Tragedy of Error’, in the Continental Monthly in 1864, when he was twenty years old. In 1876, he emigrated to London, where he remained for the vast majority of the rest of his life, becoming a British citizen in 1915. From this point on, he was a hugely prolific author, eventually producing twenty novels and more than a hundred short stories and novellas, as well as literary criticism, plays and travelogues. Amongst James’s most famous works are The Europeans (1878), Daisy Miller (1878), Washington Square (1880), The Bostonians (1886), and one of the most famous ghost stories of all time, The Turn of the Screw (1898). James’ personal favourite, of all his works, was the 1903 novel The Ambassadors. He is regarded by modern-day critics as one of the key figures of 19th-century literary realism, and one of the greatest American authors of all-time.
James’ autobiography appeared in three volumes between 1914 and 1917. He died following a stroke in February of 1916, aged 72.
Maud-Evelyn
On some allusion to a lady who, though unknown to myself, was known to two or three of the company, it was asked by one of these if we had heard the odd circumstance of what she had just ‘come in for’ – the piece of luck suddenly overtaking, in the grey afternoon of her career, so obscure and lonely a personage. We were at first, in our ignorance, mainly reduced to crude envy; but old Lady Emma, who for a while had said nothing, scarcely even appearing to listen and letting the chatter, which was indeed plainly beside the mark, subside of itself, came back from a mental absence to observe that if what had happened to Lavinia was wonderful, certainly, what had for years gone before it, led up to it, had likewise not been without some singular features. From this we perceived that Lady Emma had a story – a story moreover out of the ken even of those of her listeners acquainted with the quiet person who was the subject of it. Almost the oddest thing – as came out afterwards – was that such a situation should, for the world, have remained so in the background of