John Delavoy (1898)
By Henry James
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Henry James
Henry James (1843–1916) was an American writer, highly regarded as one of the key proponents of literary realism, as well as for his contributions to literary criticism. His writing centres on the clash and overlap between Europe and America, and The Portrait of a Lady is regarded as his most notable work.
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John Delavoy (1898) - Henry James
JOHN DELAVOY
BY
HENRY JAMES
Copyright © 2013 Read Books Ltd.
This book is copyright and may not be
reproduced or copied in any way without
the express permission of the publisher in writing
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Contents
Henry James
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Henry James
Henry James was born in New York City in 1843. One of thirteen children, James had an unorthodox early education, switching between schools, private tutors and private reading. In 1855, the James family embarked on a three year-long trip to Geneva, London, and Paris; an experience that greatly influenced his decision, some years later, to emigrate to Europe. Having returned to America, and having met prominent authors and thinkers such as Ralph Waldo Emerson and Henry David Thoreau, James turned seriously to writing.
James published his first story, ‘A Tragedy of Error’, in the Continental Monthly in 1864, when he was twenty years old. In 1876, he emigrated to London, where he remained for the vast majority of the rest of his life, becoming a British citizen in 1915. From this point on, he was a hugely prolific author, eventually producing twenty novels and more than a hundred short stories and novellas, as well as literary criticism, plays and travelogues. Amongst James’s most famous works are The Europeans (1878), Daisy Miller (1878), Washington Square (1880), The Bostonians (1886), and one of the most famous ghost stories of all time, The Turn of the Screw (1898). James’ personal favourite, of all his works, was the 1903 novel The Ambassadors. He is regarded by modern-day critics as one of the key figures of 19th-century literary realism, and one of the greatest American authors of all-time.
James’ autobiography appeared in three volumes between 1914 and 1917. He died following a stroke in February of 1916, aged 72.
1
The friend who kindly took me to the first night of poor Windon’s first – which was also poor Windon’s last: it was removed as fast as, at an unlucky dinner, a dish of too perceptible a presence – also obligingly pointed out to me the notabilities in the house. So it was that we came round, just opposite, to a young lady in the front row of the balcony – a young lady in mourning so marked that I rather wondered to see her at a place of pleasure. I dare say my surprise was partly produced by my thinking her face, as I made it out at the distance, refined enough to aid a little the contradiction. I remember at all events dropping a word about the manners and morals of London – a word to the effect that, for the most part, elsewhere, people so bereaved as to be so becraped were bereaved enough to stay at home. We recognised of course, however, during the wait, that nobody ever did stay at home; and, as my companion proved vague about my young lady, who was yet somehow more interesting than any other as directly in range, we took refuge in the several theories that might explain her behaviour. One of these was that she had a sentiment for Windon which could override superstitions; another was that her scruples had been mastered by an influence discernible on the spot. This was nothing less than the spell of a gentleman beside her, whom I had at first mentally disconnected from her on account of some visibility of difference. He was not, as it were, quite good enough to have come with her; and yet he was strikingly handsome, whereas she, on the contrary, would in all likelihood have been pronounced almost occultly so. That was what, doubtless, had led me to put a question about her; the fact of her having the kind of distinction that is quite independent of beauty. Her friend, on the other hand, whose clustering curls were fair, whose moustache and whose fixed monocular glass particularly, if indescribably, matched them, and