The Beginning Professional Storyteller: Business for Breakfast, #3
By Blaze Ward
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About this ebook
So. You're a writer. Do you know the bones of what makes a good story? It's not the same thing as being a writer, not at all. How do you learn to tell a good story? There's trial and error, sure. But there are also books like this, to help you along, making it easier to learn, to remember. Some of the topic discussed include: The Seven Point Plot Structure Genre as a thing Story length as a professional requirement Breakfast dragons
The Business for Breakfast series contains bite-sized business advice. This is a 101 level book, with beginning advice for the professional.
Be sure to read all the books in this series!
Blaze Ward
Blaze Ward writes science fiction in the Alexandria Station universe (Jessica Keller, The Science Officer, The Story Road, etc.) as well as several other science fiction universes, such as Star Dragon, the Dominion, and more. He also writes odd bits of high fantasy with swords and orcs. In addition, he is the Editor and Publisher of Boundary Shock Quarterly Magazine. You can find out more at his website www.blazeward.com, as well as Facebook, Goodreads, and other places. Blaze's works are available as ebooks, paper, and audio, and can be found at a variety of online vendors. His newsletter comes out regularly, and you can also follow his blog on his website. He really enjoys interacting with fans, and looks forward to any and all questions—even ones about his books!
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Titles in the series (18)
The Beginning Professional Storyteller: Business for Breakfast, #3 Rating: 0 out of 5 stars0 ratingsThe Beginning Professional Writer: Business for Breakfast, #1 Rating: 4 out of 5 stars4/5The Beginning Professional Publisher: Business for Breakfast, #2 Rating: 4 out of 5 stars4/5The Healthy Professional Writer: Business for Breakfast, #6 Rating: 0 out of 5 stars0 ratingsThe Intermediate Professional Storyteller: Business for Breakfast, #4 Rating: 0 out of 5 stars0 ratingsBusiness Planning for Professional Publishers: Business for Breakfast, #5 Rating: 0 out of 5 stars0 ratingsBeginning Marketing for the Professional Publisher: Business for Breakfast, #11 Rating: 0 out of 5 stars0 ratingsHow to Launch a Magazine for Professional Publishers: Business for Breakfast, #8 Rating: 0 out of 5 stars0 ratingsThe Three Act Structure for Professional Writers: Business for Breakfast, #7 Rating: 5 out of 5 stars5/5Pulp Speed For Professional Writers: Business for Breakfast, #9 Rating: 4 out of 5 stars4/5Growing as a Professional Artist: Business for Breakfast, #10 Rating: 0 out of 5 stars0 ratingsImproving Your Craft for the Professional Writer: Business for Breakfast, #18 Rating: 0 out of 5 stars0 ratingsWorld-Building Space Opera: Business for Breakfast, #15 Rating: 0 out of 5 stars0 ratingsNaNoWriMo For the Rest of Us: Business for Breakfast, #13 Rating: 0 out of 5 stars0 ratingsCovers for the Professional Publisher: Business for Breakfast, #12 Rating: 0 out of 5 stars0 ratingsSeries and Continuity for the Professional Writer: Business for Breakfast, #14 Rating: 4 out of 5 stars4/5In Media Res: Business for Breakfast, #17 Rating: 0 out of 5 stars0 ratingsStory Structure: Business for Breakfast, #16 Rating: 0 out of 5 stars0 ratings
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Book preview
The Beginning Professional Storyteller - Blaze Ward
The Professional Storyteller
Business for Breakfast, Volume 3
Blaze Ward
Knotted Road Press
Contents
Introduction
1. The Seven Point Plot Structure
2. Character
3. Setting
4. The Problem
5. Try
6. Fail
7. Try/Fail
8. Climax
9. Denouement
10. Opening Paragraph, Closing Page
11. Lengths
12. Understanding Genre
13. In Conclusion…
Read More!
About the Author
Also by Blaze Ward
About Knotted Road Press
Introduction
Congratulations. You have decided that you want to move beyond being just someone who writes and become a real
writer. Hopefully, you have read Volume 1 in this series (Business for Breakfast: Volume 1, The Beginning Professional Writer) and now have a basic understanding of how to handle yourself, your practice, and your finances like a professional.
The goal of this book is to take a look at the basics of your craft as a (genre) fiction writer and make sure you understand what the requirements are for telling a good, professional story. Because, if you are going to act like a professional, and tell people you are one, they are going to expect these things from you. That includes, but is not limited to: editors, agents, mentors, and other professionals who will be in a position to put in a good word for you (or not, as it were).
Mind you, there are no real rules, besides making sure to have fun, but you’ll sell better if people think you know what you are doing. Or if you can fake it well enough.
I didn’t know these things when I was starting out. Granted, I have been a storyteller for as long as I can remember, but that didn’t necessarily mean I was telling good stories. Or, to be more exact, well-crafted stories.
Sure, they were entertaining as hell, but they didn’t necessarily look professional. When I decided I wanted to become a writer, both to independently publish my words and dreams and to submit to places that might pay me money, I didn’t understand these things.
I got lucky. I found a mentor who laid it all out for me and basically said Here are the bones of telling a good story. This will give you a good skeleton on which to build your stories, because the bones would be there.
It wasn’t everything I needed, but having it marked me as someone who was serious about the craft.
And it is a craft. Many of the writers you know are really just playing at it. Café dilettantes who tell you they are working on The Next Great American Novel, but they never seem to finish it. Or they write something and then tear it up because they are unhappy. They are approaching this like art.
We’re going to approach this like a job. A fun job, to be sure. But a highly technical undertaking.
Within my group of friends, we call the craft chair-making.
You can make lots of different chairs, many different ways, but the end result is the same: something you can sit on. You need to follow one of many very specific methods to get a chair rather than a table, or a sofa. Knowing these will help you make a chair you are proud of.
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