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Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later by Batya Weinbaum, Femspec Issue 16.1
Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later by Batya Weinbaum, Femspec Issue 16.1
Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later by Batya Weinbaum, Femspec Issue 16.1
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Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later by Batya Weinbaum, Femspec Issue 16.1

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Since the turn of the millennium, I have had the wherewithal to create opportunities to teach three literature courses in times and places as seemingly remote as they possibly could be from the energy and spirit of the times and the movement in which Joanna Russ had originally written the two novels I taught -The Female Man and We Who Are About To... In this article, I describe materials used in courses and various student reader-responses especially in terms of term papers undertaken. I offer the observation that what seemed to attract the students in my second attempt to teach The Female Man were her fast-paced in-the-now flashes which apparently transcended the distance between the time of origin and the time of reception for the students much better than slow-reading plodding narratives of lives beginning with conservative values nothing like those held by most of the students years after we had created our movement.

LanguageEnglish
Release dateNov 20, 2015
ISBN9781310338779
Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later by Batya Weinbaum, Femspec Issue 16.1

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    Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s - Batya Weinbaum

    FEMSPEC

    Volume 16, Issue1 (2016): The Great Age Issue Part 3 

    an interdisciplinary journal dedicated to challenging gender through science fiction, fantasy, magical realism, surrealism, myth, folklore and other supernatural genres

    Copyright 2016 by Batya Weinbaum. All rights reserved. No part of this journal may be reproduced or transmitted in any form or by any means without written permission from the author. ISBN1523-4002

    To become a tax-deductible Donor ($100), Patron ($250) , Benefactor ($500), or Friend ($1000), contact femspec@aol.com. To donate, go to femspec.org > Get Involved > Donations, and click on the Donate button. To encourage more institutional involvement with Femspec, we offer a membership package with several benefits: the submission of news and announcements; access to subscription base; reduced hard copy advertisement rates; discounts on products and services; display of materials at exhibit area tables.

    Special thanks to the Production Team and peer reviewers: Tangren Alexander, Jana Allmand-Zeman, Suzanne Bellamy, Constance Brereton, Emma B utcher, Emily Cox, Gerardo Cummings, Stacey Hanes, Janine Hatter, Maija Hatton, Veronica Hollinger, Jennifer Lawlor, Helen Merrick, Gloria Orenstein, Melissa Rigney, Robert von der Osten, Batya Weinbaum, and Gina Wisker; and special friends and recent donors Derek Thiess, Robert von der Osten, Veronica Hollinger, Gloria Orenstein, Sylvia Kelso, Naomi Mercer, Sharon Leder, Emmaline D eihl, and Nick Birns.

    Acknowledgments for the cover: To coincide with the Betty La Duke retrospective article in this special issue, we have chosen ‘African Creation Myth’ (1988) by La Duke as our cover image.

    Smashwords Edition, License Notes

    This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each recipient. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return to your favorite ebook retailer and purchase your own copy. Thank you for respecting the hard work of this author.

    Teaching Joanna Russ’s Consciousness-Raising Novels of the 70s: Three Decades Later

    Batya Weinbaum

    Since the turn of the millennium, I have had the wherewithal to create opportunities to teach three literature courses in times and places as seemingly remote as they possibly could be from the energy and spirit of the times and the movement in which Joanna Russ had originally written the two novels I taught

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