Enchanted Journeys: The Essential Guide for the Native American Style Flute
By Todd Chaplin, Simon Delahunt and Alys Titchener
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About this ebook
Did you buy a flute and found it came with inadequate instruction? Have you tried numerous other books, DVDs, or YouTube videos, but found them all confusing, limited or outdated?
Are you looking for a product that brings it all together in a step-by-step way?
Learn to play with Enchanted Journeys ePub – The Essential Guide for the Native American Style Flute: the world's most recent publication for the Native American Style Flute. This comprehensive product brings together all the tools the beginning or the advancing player requires in one package, elegantly recreating the acclaimed paperback book, with multiple additional e-features to optimize learning on your tablet, e-reader or laptop.
Enchanted Journeys ePub provides detailed, easy-to-follow instruction on topics including:
Native American Style Flute History
The Basics of Playing
How to Care for your Flute
Rhythm for Flute
Scales
Melodies & Songs (with specially created flute-specific musical notation)
Techniques & Embellishments
How to Play with Others
Improvisation
Drone Flute as well a Mayan Temple Flute playing
And much more!
Includes full access to the Enchanted Journeys online interactive e-Learning Media Support Centre – featuring video and audio tutorials, the model performance music library and more!
Purchase of Enchanted Journeys ePub also activates your lifetime license to personally contact flute master craftsman and teacher Todd Chaplin of Southern Cross Flutes to request instructional video tutorials individually recorded to answer your questions and advance your learning on any aspect of Native American Style Flute playing! all via the Enchanted Journeys Facebook Forum.
For the most up-to-date, comprehensive, easy-to-follow, full-access multi-media supported Native American Style Flute instructional e-book, look no further than Enchanted Journeys ePub – The Essential Guide for the Native American Style Flute.
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Book preview
Enchanted Journeys - Todd Chaplin
Enchanted Journeys: The Essential Guide For The Native American Style Flute
Published by Saraswati Publishing NZ
Book design by Todd Chaplin
Photography by Matt Hunt
Flute fonts by Clint Goss
First Edition, published 2014
Copyright © 2014 Southern Cross Flutes LTD
All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
ISBN 978-0-473-30881-0
This book is dedicated to my teachers Matt Shooting Star and Guillermo Martinez for their generosity.
With thanks to my teachers, my editors Simon Delahunt and Naomi Knight, contributions and feedback from Clint Goss, to Matt Hunt photography, videography by Warren Butcher, and my loving and supportive Aly.
Contents
Enchanted Journeys: The Essential Guide For The Native American Style Flute
Overture
How To Play Along using This Book
The Native American Style Flute: Beginning
Origins
Know Thy Flute
Breathing With Your Flute
Troubleshooting
Your First Scale – The Basic Scale
Your Next Steps With The Basic Scale
Basic Scale Practice – New Finger Pattern
Introducing Rhythm & Note Duration
Practicing Intervals
Flute Tuning
Flute Note Fingering Chart
Flute Care
Beyond The Basics: Advancing
Techniques & Embellishments
Scales For The Flute
Blossoming As A Player
Improvisation
Playing With Others
Song Structure
Healing With Flutes
Music For Flutes
The Drone Flute
Origins
Know Thy Drone Flute
Drone Flute Playing
Mayan Temple Flute
Origins
Know Thy Mayan Temple Flute
Your First Melody
Next Steps With Your First Melody
Advancing With The Mayan Temple Flute
Mayan Temple Flute Care
Mayan Temple Flute Tuning
Find Out More
Recommended NASF Solo Artists & Groups
References
Appendices
Posture
Stretches
Using Technology
Learn To Read Nakai Tablature
Catalogue
Southern Cross Flutes Online
Overture
My journey with the Native American Style Flute began in South Korea, 6000 miles away from my homeland of Aotearoa New Zealand, and 6000 miles away from the homeland of the Native American Flute on Turtle Island – the North American continent.
During those early months in South Korea, for reasons I still don’t know, a friend gifted me a CD to listen to. After an initial listen I loaded it onto my mp3 player and it never left my side. It was a haunting music that sent shivers up my spine, as I had never before heard the soft sound of wind traveling through wood. While my friends were listening to popular folk bands from Canada, I was alone listening to the spacious melodies created by the flute. We bonded, this music and I, as I walked the streets going from teaching job to teaching job, as I bounced along on the subway in crammed isolation, and as I traveled into the mountains during my free time. It was a step out of the busyness of my working world, and for the next four years that flute music continued to sooth and relax me.
I remember a poignant moment in Seoul, South Korea: the rush of cars within the towering concrete jungle competes with the bustle of food vendors selling hot food to warm the crowds coming home from work or school; I press through this swirling milieu and pass on to a woodland park and hill-side, hoping to escape from the urban intensity. I follow a slim forest path as it meanders towards the small Buddhist temple overlooking the city. I plug in my mp3 player, sit back on the stone temple stoop, and slip into the tranquil smell of sweet incense and the soulful sounds of the flute.
A few more albums came my way during the next years on the road, Carlos R. Nakai, Mary Youngblood, and Lawrence Laughing filled my mp3 player. From South Korea, back to New Zealand, and on to Australia, every spare moment I had was spent listening to the sound of the Native American Style Flute. In Australia during the winter of 2007, while working at an inspiring outdoor education facility, a new fire kindled in me as I finally decided to purchase my own Native American Style Flute. The instrument was waiting for me when I returned to New Zealand, and I vividly recall the evening I took my first breath with the flute. Four years of listening ceaselessly to the music opened into a flood of expression that