The Murders In The Rue Morgue: Short Story
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About this ebook
When the mutilated bodies of Madame L'Espanaye and her daughter are found in the rue Morgue, detective C. Auguste Dupin is faced with the most puzzling case of his career as witness accounts contradict each other and key evidence from the perpetrator does not appear to be human. “The Murders in the Rue Morgue” is recognized as the first detective story and the model for Sherlock Holmes and Hercule Poirot.
A pioneer of the short story genre, Poe’s stories typically captured themes of the macabre and included elements of the mysterious. His better-known stories include “The Fall of the House of Usher”, “The Pit and the Pendulum”, “The Murders in the Rue Morgue”, “The Masque of the Red Death” and “The Tell-Tale Heart”.
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Edgar Allan Poe
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Reviews for The Murders In The Rue Morgue
155 ratings10 reviews
- Rating: 4 out of 5 stars4/5This work by Poe is often described as the first mystery. With such a distinction, it is an important work to revisit from time to time, even if its plot is not as fully developed as later efforts, because of its influence on masters of the mystery genre such as Sir Arthur Conan Doyle. I remember reading this one back in high school and also in university. At the time, I was disappointed in it. As I read it this time, knowing the outcome, I think I appreciated it more because I found myself seeking the earlier hints which would lead to the crime's resolution. While I believe many questions remain unanswered regarding the sailor's role, I know I'm bringing my 21st century mindset to that question by envisioning lawsuits and other charges relating to harboring an orangutan in one's apartment. The use of deductive reasoning is the important contribution of this classic work which is probably appreciated most when it is re-read and studied for that reason.
- Rating: 4 out of 5 stars4/5Two women are found murdered in a locked apartment in Paris, and none of the witnesses can agree on what they heard. A man named Auguste Dupin examines each clue methodically, and comes up with a most unusual solution to the mystery.This is often credited with being the first detective story. The first section of the book is devoted to Dupin explaining how he uses deductive reasoning (at the time called ratiocination) to figure things out, and it's very tedious. The recounting of the crime scene and accompanying investigation are somewhat interesting. However, I think the solution is a bit too convenient and I don't think there's any way Dupin could actually have deduced it. Plus, if the sailor saw his orangutan murder two people, and then he ran away from the crime scene, why would he answer an advertisement asking if anyone had lost an orangutan?? I do find it interesting that the sailor is not held responsible for the orangutan's actions, though. That certainly would not be the case today. This is an important story to understand the history of the detective genre, but it's not actually that enjoyable to read.I listened to the audiobook read by David Case. I'm not sure if it was the audio quality or the narrator's voice, but I didn't care for it. I was considering listening to more of the stories in this audio collection but I think I'll pass.
- Rating: 2 out of 5 stars2/5I just skimmed this - how could he have known all of it?
- Rating: 4 out of 5 stars4/5The Murders in the Rue Morgue by Edgar Allan Poe is a novella that was originally published in 1841. Today this story is mostly admired for its’ historic value as it is considered the first modern detective story. The main character, C. Auguste Dupin solves the brutal murder of two women in Paris. Poe has his detective display many of the traits that become literary conventions in many of the detectives that were to follow, including Sherlock Holmes and Hercule Poirot. The idea that the detective has great analytical talents, is exceptionally brilliant and has a personal friend do the narration are all plot points that were introduced in this story. Although the language is rather dated, this is a fascinating story and well worth a quick read.
- Rating: 4 out of 5 stars4/5This stort story by Poe is considered to be the first detective story and has surely influenced other authors of such tales. It was the seemingly impossible scenario: two murdered women, one in a back yard and the other in a room locked from the inside. The murders are especially gory and violent. Monsieur C. Auguste Dupin is intrigued by the murders, and though the general concensus is that the situation is impossible, he believes that once the impossible is eliminated, whatever is left, though improbable, is the answer. Following Dupin’s thought process as he sifts through the information is an interesting study in the workings of a detective’s mind.
- Rating: 3 out of 5 stars3/5The first of the mysteries featuring the detective C. Auguste Dupin. He becomes interested in the unexplained (by the police) death of a Madame L'Espanaye and her daughter, Camille, in the Rue Morgue. Not just unexplained but brutal deaths.
It took a while to get into the writing style but an interesting mystery nevertheless. - Rating: 5 out of 5 stars5/5I don't recall exactly when I first read this (sometime in late elementary/middle school), but it certainly made an impact. I still consider Poe one of my favorite mystery writers.
- Rating: 4 out of 5 stars4/5The detective at the centre of this mystery, Auguste Dupin, was one of the inspirations for Conan Doyle's Sherlock Holmes. Dupin here uses the techniques of eliminating the impossible and arriving at a conclusion that, however improbable, must be the truth. But it felt more long winded here, and we didn't get to know Dupin at all. Indeed much of this felt more like an analytical essay than a story. 3.5/5
- Rating: 4 out of 5 stars4/5A Penguin 60s mini-book.I've read and enjoyed this story of "a gruesome crime and the birth of a super-sleuth" before.
- Rating: 4 out of 5 stars4/5This is considered, if not the first, one of the first detective stories that defined the genre. Dupin is supposedly the model for Sherlock Holmes. Poe's description of the murder scene is surprisingly horrific for the time period. If you don't know how this who-done-it ends, it may surprise you. Read this and then watch an episode of CSI. You will see the formula still in place over a hundred years later.
Book preview
The Murders In The Rue Morgue - Edgar Allan Poe
The Murders in the Rue Morgue
Edgar Allan Poe
HarperPerennialClassicsLogoCONTENTS
The Murders in the Rue Morgue
About the Author
About the Series
Copyright
About the Publisher
The Murders in the Rue Morgue
What song the Syrens sang, or what name Achilles assumed when he hid himself among women, although puzzling questions, are not beyond all conjecture.
—Sir Thomas Browne
The mental features discoursed of as the analytical, are, in themselves, but little susceptible of analysis. We appreciate them only in their effects. We know of them, among other things, that they are always to their possessor, when inordinately possessed, a source of the liveliest enjoyment. As the strong man exults in his physical ability, delighting in such exercises as call his muscles into action, so glories the analyst in that moral activity which disentangles. He derives pleasure from even the most trivial occupations bringing his talent into play. He is fond of enigmas, of conundrums, of hieroglyphics; exhibiting in his solutions of each a degree of acumen which appears to the ordinary apprehension præternatural. His results, brought about by the very soul and essence of method, have, in truth, the whole air of intuition.
The faculty of re-solution is possibly much invigorated by mathematical study, and especially by that highest branch of it which, unjustly, and merely on account of its retrograde operations, has been called, as if par excellence, analysis. Yet to calculate is not in itself to analyse. A chess-player, for example, does the one without effort at the other. It follows that the game of chess, in its effects upon mental character, is greatly misunderstood. I am not now writing a treatise, but simply prefacing a somewhat peculiar narrative by observations very much at random; I will, therefore, take occasion to assert that the higher powers of the reflective intellect are more decidedly and more usefully tasked by the unostentatious game of draughts than by a the elaborate frivolity of chess. In this latter, where the pieces have different and bizarre motions, with various and variable values, what is only complex is mistaken (a not unusual error) for what is profound. The attention is here called powerfully into play. If it flag for an instant, an oversight is committed resulting in injury or defeat. The possible moves being not only manifold but involute, the chances of such oversights are multiplied; and in nine cases out of ten it is the more concentrative rather than the more acute player who conquers. In draughts, on the contrary, where the moves are unique and have but little variation, the probabilities of inadvertence are diminished, and the mere attention being left comparatively unemployed, what advantages are obtained by either party are obtained by superior acumen. To be less abstract—Let us suppose a game of draughts where the pieces are reduced to four kings, and where, of course, no oversight is to be expected. It is obvious that here the victory can be decided (the players being at all equal) only by some recherché movement, the result of some strong exertion of the intellect. Deprived of ordinary resources, the analyst throws himself into the spirit of his opponent, identifies himself therewith, and not unfrequently sees thus, at a glance, the sole methods (sometime indeed absurdly simple ones) by which he may seduce into error or hurry into miscalculation.
Whist has long been noted for its influence upon what is termed the calculating power; and men of the highest order of intellect have been known to take an apparently unaccountable delight in it, while eschewing chess as frivolous. Beyond doubt there is nothing of a similar nature so greatly tasking the faculty of analysis. The best chess-player in Christendom may be little more than the best player of chess; but proficiency in whist implies capacity for success in all those more important undertakings where mind struggles with mind. When I say proficiency, I mean that perfection in the game which includes a comprehension of all the sources whence legitimate advantage may be derived. These are not only manifold but multiform, and lie frequently among recesses of thought