Lucian Freud: Eyes Wide Open
Written by Phoebe Hoban
4/5
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About this audiobook
Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.
In Hoban’s dramatic and fast-paced narrative, we follow Freud from his birthplace in Berlin to London, where he fled with his family in the 1930s, and then to Paris, where he mixed with Picasso and Giacometti. He led a dissolute life in Soho after the war, gambling and womanizing with fierce energy. He painted his wives nude, his children nude, himself nude. He married twice, had an uncountable number of children, and kept working through it all, painting everyone from close friend and rival Francis Bacon to Kate Moss and Queen Elizabeth. He sometimes spent years on a single painting, which could require hundreds of hours of sittings. However various his subjects, his intent was always the same: to find and reveal the character hidden within by means of his intense visual imagination.
Along with its startling biographical revelations, the great thrill of Lucian Freud: Eyes Wide Open is the way Hoban deconstructs the art itself—its influences, models, and technique—to show how Freud reproduced reality on the canvas while breaking down the illusion that what we see is real.
Phoebe Hoban
Phoebe Hoban is the author of the bestselling books Basquiat and Alice Neel.
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Reviews for Lucian Freud
14 ratings1 review
- Rating: 2 out of 5 stars2/5What should have been an amazing read, given the fascinating subject, turns out to be basically a straight reporting of the many lovers Freud had and the number of children he spawned, somewhat irresponsibly, though I doubt any of them, if they could, would argue their way back to their mother’s womb successfully. This book happened to be my introduction to Lucian Freud. His art is nothing really that interests me a great deal, but his methods and possible psychosis I think would. Being a grandson of Sigmund Freud would offer much to consider regarding the artist’s long life and relationships with other notable characters from the British SOHO that existed in the same underbelly as regards their art. More of a personal study of his relationships with Francis Bacon and John Deakin alone would have been thrilling to me. But, it was not to be. And perhaps never will unless it gets made-up as most of history undoubtedly seems to.