Polish Lovers Find Cold Comfort In The Elliptical, Frustrating 'Cold War'
Pawel Pawlikowski follows up 2013's Ida with this tale of Polish musicians living under Stalin; it's "an ode to joylessness that feels historically credible but narratively arbitrary."
by Mark Jenkins
Dec 20, 2018
2 minutes
In the opening sequence of the artful and distinctive yet finally unsatisfying Cold War, three minor functionaries of Poland's new Communist regime canvass a remote region. Armed with a tape recorder, the travelers seek genuine "peasant" music. But only one of them is truly interested in authenticity.
It's 1949, and musician Wiktor (Tomasz Kot), ethnomusicologist Irena
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