Classic Canning Series

Book 2 of the classic trilogy of humorous adventures An ebullient Mr Finchley is about to propose marriage to a lady he had rescued from mishap, when he is sent to Paris by his firm. There he manages to upset a boat, adopt a stray orphan and get himself kidnapped. The fine tangle he gets into takes some unravelling! Only when eventually back in London does he complete the proposal of marriage that was interrupted at the start. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: ‘Wonderful character from a kinder slower England between the wars.’ ‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’ ‘An antidote to the rush of the early 21st century.’ ‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’ ‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’ ‘So gentle, it hurts.’ ‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’ ‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’ ‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’ ‘Highly recommended for anyone seeking an entertaining amusing read.’ ‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’ Editorial reviews: ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm … The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘A paean to the beauties of the English countryside and the lovable oddities of the Engli

Mr Edgar Finchley, unmarried clerk, aged 45, is told to take a holiday for the first time in his life. He decides to go to the seaside. But Fate has other plans in store… From his abduction by a cheerful crook, to his smuggling escapade off the south coast, the timid but plucky Mr Finchley is plunged into a series of the most astonishing and extraordinary adventures. His rural adventure takes him gradually westward through the English countryside and back, via a smuggling yacht, to London. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: ‘Wonderful character from a kinder slower England between the wars.’ ‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’ ‘An antidote to the rush of the early 21st century.’ ‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’ ‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’ ‘So gentle, it hurts.’ ‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’ ‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’ ‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’ ‘Highly recommended for anyone seeking an entertaining amusing read.’ ‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’ Editorial reviews: ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm … The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘A paean to the beauties

" Book 3 of the classic trilogy of humorous rural adventures through pre-war England Mr Finchley takes a fancy to a horse-drawn caravan that he sees for sale, but his new wife does not relish the prospect of a caravan journey so she goes to visit her brother, while he sets out to explore the countryside and go house-hunting. While learning to handle the horse and the caravan, he encounters a variety of eccentrics and country characters, and several unsuitable houses. It gradually emerges that the caravan contains a secret, and Mr Finchley finds himself in real trouble – until his wife comes to the rescue. This gentle comedy trilogy was a runaway bestseller on first publication in the 1930s and retains a timeless appeal today. It has been dramatized twice for BBC Radio, with the 1990 series regularly repeated. What people are saying about the Mr Finchley series: ‘Wonderful character from a kinder slower England between the wars.’ ‘An overlooked gem. An innocent picaresque novel set in an arcadian version of mid 20th century England. The literary equivalent of naive painting, it narrates the adventures of a respectable upper middle-aged man who takes retirement.’ ‘An antidote to the rush of the early 21st century.’ ‘A thoroughly enjoyable stroll through a vanished England with some lovable characters. Don't expect modern, fashionable agonisings, here there is good, evil, and understanding. A lovely reminiscent wallow of a read.’ ‘Gentle well told simple story, full of pleasant surprises, and a mild mannered believable hero. Loved it to bits.’ ‘So gentle, it hurts.’ ‘There is a freshness about the writing which is charming and that disarms criticism. Don't expect any great profundities, a gripping plot or inter-character tensions - these books are of the world of Billy Bunter and William Brown - but do expect a very well-written and enjoyable romp through early twentieth-century England in the company of an engaging protagonist.’ ‘A delightful story of a man who finds himself jolted out of his comfort zone and taken on a journey beyond his wildest imaginings.’ ‘Another lovely book detailing the adventures of Mr Finchley in altogether far too short a series. Full of humour and a book I was sorry to finish as I wanted it to go on and on.’ ‘Highly recommended for anyone seeking an entertaining amusing read.’ ‘A delight to be transported to an England I never knew despite growing up in the 1950s and to experience the countryside through the sharp eyes of the author who obviously had a great love of all things rural.’ Editorial reviews: ‘Quite delightful, with an atmosphere of quiet contentment and humour that cannot fail to charm … The longer we travel with Mr Finchley, the better we come to love him. He makes us share his bread and cheese, and beer and pipe. His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph

An exuberant, life-affirming novel of taking your chances After a spur-of-the-moment day out with his boss’ daughter in celebration of his 21st birthday, Polycarp Jarvis decides to quit his Bristol-based junior government worker job. Newly emboldened, he embarks on an erratic, engaging and not always strictly legal course through life. Going from bus driver for the Red Dragon Motor Company to co-owner of a flying company, to seller of quack medicines, and eventually to media tycoon, Polycarp makes much of his luck along the way. Through ups and downs, his exuberance and charm carry him through. But what kind of person will he be by the end? This gentle coming-of-age story was hugely popular on first publication in the 1930s and retains a timeless appeal today. Praise for Victor Canning: ‘Quite delightful … with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story … is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times ‘His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch

How far could you go living in another’s shoes? In a mid-life moment, Paul Morison travels from America to England to discover his mother’s roots. A chance encounter and uncanny resemblance leads him to agree to assume the identity of a famous singer for a while. But it’s not just the unnerving attentions of the adoring public that he must deal with. Seeking to regain his freedom, Paul flees the length of Britain from Southampton to the Scottish Isles. On the run, he discovers he has let himself in for much more than he bargained. This gentle comic caper and love story was hugely popular on first publication in the 1930s and retains a timeless appeal today.

A life-affirming story of family and personal self-discovery When George, the eldest son of Matthew Silverman, announces he won’t follow his father’s footsteps as editor of the family-owned local newspaper, the family finds itself on a course for change. The newspaper has been going for nearly 100 years. With younger brother Alexander and sisters Loraine and Alison growing up fast too, and gradual progress in the world around them, can Matthew do what’s best for them all? This beautifully observed story of a loving family navigating generational change retains a timeless appeal today. Praise for Victor Canning: ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘Quite delightful … with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story … is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times

The collected short stories of the great Victor Canning, originally written and published in the 1950s and 1960s – full of humour, charm, and in true fashion of classic crime writing. Canning’s heart-warming vignettes and clever mysteries take us from a Welsh valley to a far-off island and across the French countryside – introducing unforgettable characters and stories along the way. Praise for Victor Canning: ‘His gift of story-telling is obviously innate. Rarely does one come on so satisfying an amalgam of plot, characterisation and good writing.’ Punch ‘Quite delightful … with an atmosphere of quiet contentment and humour that cannot fail to charm.’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic.’ Evening Standard ‘There is such a gentle humour in the book.’ Daily Sketch ‘What counts for most in the story … is his mounting pleasure in vagabondage and the English scene.’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character.’ New York Times

What’s going on behind the doors of Fountain Inn? When her employer suddenly disappears, young Grace Kirkstall finds herself accepting a new job at a new company in the same building – an oasis of tranquillity off the streets of London. Ben and Helen Brown’s startup company’s pitch is that, for a small consideration, they will help people out of their major and minor fixes. Their first big commission initiates Ben into the gentle art of house-breaking, and Helen into the mysteries of the Society for Progressive Rehabilitation… But for Grace, it will plunge her into more danger than she could ever have imagined. This leisurely, beautifully observed thriller marked Victor Canning’s entrée into crime fiction, and rewards with a thrilling finale - sure to delight fans of Agatha Christie’s Tommy and Tuppence.

The Minerva Club might look like any other London gentlemen’s club but behind its respectable and discreet façade, some of the most ambitious schemes for heists, money-making and evasion of the law are being worked out. It’s an exclusive club for criminals. Entry qualification: members must have served a prison sentence of two years minimum. Though the club’s criminal ventures don’t always go as planned… From trying to break into an old prison cell and stealing a stash of jewels hidden during a previous incarceration, love getting in the way during a hideout from the police, a cleverly planned break-in being interrupted by an unexpected guest, to figuring out where to steal a last-minute wedding cake – the club’s amiable criminals somehow always achieve their goal in the most surprising ways. This collection of five short stories follows the Minerva Club’s (mis)adventures and evokes the very best of humorous classic crime fiction.

Victor Canning’s light-hearted and cleverly plotted novella set on the beautiful French Riviera Young Paul Ashcroft has travelled to the beautiful French Riviera. His goal: to make a lot of money. His methods: more than questionable. Following his motto ‘the world owes me a living’, he steals and swindles – using what he needs for himself and passing on the rest to those less fortunate. After coming across the beautiful Villa Triton, he disguises himself as M. Durobat, a middle-aged Frenchman, to inspect the villa and to pawn the owner’s ornaments and paintings. At the local Casino, he becomes acquainted with the rich ladies of the resort. As he steals their jewellery, he blames the robberies on 'Gringo the Greek', a small crook he knew a long time ago.  But just as Paul's schemes and tricks start to be fruitful and he falls in love with the intriguing Elise Benoit, the real Gringo the Greek appears on the scene, ready to take on the cunning thief who has been blaming him all this time… Praise for Victor Canning: ‘Quite delightful … with an atmosphere of quiet contentment and humour that cannot fail to charm’ Daily Telegraph ‘What counts for most in the story … is his mounting pleasure in vagabondage and the English scene’ The Times ‘A paean to the beauties of the English countryside and the lovable oddities of the English character’ New York Times ‘His delight at the beauties of the countryside and his mild astonishment at the strange ways of men are infectious’ Daily Telegraph ‘A swift-moving novel, joyous, happy and incurably optimistic’ Evening Standard