Jeffrey Dahmer's Dirty Secret: The Unsolved Murder of Adam Walsh Series
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About this series
The Adam Walsh story you know: After 6-year-old Adam was found murdered, his father, John Walsh, channeled his unbearable grief into becoming an angry crime-fighting TV host.
Yet this is the story you don’t know: For decades, officials had never revealed the file proving the child was Adam. Astonishingly, it showed that the dead child had never been legally ID’d as him. Why? Was it because the evidence was either inconclusive—or showed that the child likely actually wasn’t Adam?
INVESTIGATIVE TRUE CRIME: Never intended to be publicly seen, the key to Adam Walsh’s murder mystery was hidden in an autopsy file 40 years ago. The key wasn’t what was in it; it’s what wasn’t in it. Possibly only one man, maybe two, had seemed to know that—not even the detectives because it meant that decades of their work had not only been wrong and wasted, but couldn’t possibly have been right. On the moment of its discovery by a reporter, the prevailing narrative of the case was about to be shattered.
And that was the least of it.
A famous old crime. No linking physical evidence. For decades, the murder of Adam Walsh, the iconic face of Missing Children, the boy on the milk carton, was an unsolved mystery. Suddenly police declared a solution resurrected on a theory of theirs they’d long discredited. At a live nationally-televised police press conference, the victim’s family was tearful and grateful.
The national media bought it. The local press, however, recognized it as a convenient fiction.
On July 30, 2021, days after the 40th anniversary of Adam’s disappearance, Fred Grimm wrote in the South Florida Sun Sentinel:
“A sensational alternate theory blamed serial killer Jeffrey Dahmer, who was living in Miami in 1981. But in 2008, despite no new evidence, Hollywood police hung the crime on long-dead Ottis Toole.
“The only mystery left unsolved was how any cop could have possibly believed Ottis Toole.”
While Toole was still alive and in state custody, and could have been charged with Adam’s murder on the same information, John Walsh had belittled the idea:
“A lot of people still think Ottis Elwood Toole did it. But he and [his partner] Henry Lee Lucas confessed to a lot of murders they didn’t do. It’s a great ploy for convicts: They read about a murder and they’re in solitary. They call the police, desperate to clear a murder, and they say, ‘Fly me there and buy me a pizza,’ and they get out of their cells for two days!”
—South Florida magazine, July 1992
Police had statements from six separate witnesses at the mall who said they saw Dahmer when Adam disappeared, but police couldn’t confirm that Dahmer had been in town then. Then reporter Art Harris, working with ABC Primetime, found a Miami police report with Dahmer’s name dated 20 days before Adam was taken. Still they weren’t interested. But by 2008, both Dahmer and Toole were dead, so did it matter? Although the police’s conclusion was eye-rolling, it seemed harmless.
Grimm was wrong only in that police’s belief in Toole was the only mystery left.
Probably without realizing it, by closing the case police unlatched a door locked nearly 30 years before to a guarded secret.
Inside Harris discovered a much larger convenient fiction, but this one not at all harmless. In looking back it explained everything irregular in the investigation that had followed. As long as the secret was kept, the case could never be truly solved. Harris was then working with The Miami Herald, but even when they confronted them, the chief medical examiner who’d hidden it, the police—and most surprisingly, even the Walshes all turned blind eyes.
What was the never-meant-to-be-seen or spoken-of truth in Adam Walsh’s murder?
It starts with, there was an autopsy but no one wrote an autopsy report. That never happens...
Titles in the series (2)
- The Unsolved Murder of Adam Walsh: Book One: Finding the Killer
1
The Adam Walsh story you know: After 6-year-old Adam was found murdered, his father, John Walsh, channeled his unbearable grief into becoming an angry crime-fighting TV host. Yet this is the story you don’t know: For decades, officials had never revealed the file proving the child was Adam. Astonishingly, it showed that the dead child had never been legally ID’d as him. Why? Was it because the evidence was either inconclusive—or showed that the child likely actually wasn’t Adam? INVESTIGATIVE TRUE CRIME: Never intended to be publicly seen, the key to Adam Walsh’s murder mystery was hidden in an autopsy file 40 years ago. The key wasn’t what was in it; it’s what wasn’t in it. Possibly only one man, maybe two, had seemed to know that—not even the detectives because it meant that decades of their work had not only been wrong and wasted, but couldn’t possibly have been right. On the moment of its discovery by a reporter, the prevailing narrative of the case was about to be shattered. And that was the least of it. A famous old crime. No linking physical evidence. For decades, the murder of Adam Walsh, the iconic face of Missing Children, the boy on the milk carton, was an unsolved mystery. Suddenly police declared a solution resurrected on a theory of theirs they’d long discredited. At a live nationally-televised police press conference, the victim’s family was tearful and grateful. The national media bought it. The local press, however, recognized it as a convenient fiction. On July 30, 2021, days after the 40th anniversary of Adam’s disappearance, Fred Grimm wrote in the South Florida Sun Sentinel: “A sensational alternate theory blamed serial killer Jeffrey Dahmer, who was living in Miami in 1981. But in 2008, despite no new evidence, Hollywood police hung the crime on long-dead Ottis Toole. “The only mystery left unsolved was how any cop could have possibly believed Ottis Toole.” While Toole was still alive and in state custody, and could have been charged with Adam’s murder on the same information, John Walsh had belittled the idea: “A lot of people still think Ottis Elwood Toole did it. But he and [his partner] Henry Lee Lucas confessed to a lot of murders they didn’t do. It’s a great ploy for convicts: They read about a murder and they’re in solitary. They call the police, desperate to clear a murder, and they say, ‘Fly me there and buy me a pizza,’ and they get out of their cells for two days!” —South Florida magazine, July 1992 Police had statements from six separate witnesses at the mall who said they saw Dahmer when Adam disappeared, but police couldn’t confirm that Dahmer had been in town then. Then reporter Art Harris, working with ABC Primetime, found a Miami police report with Dahmer’s name dated 20 days before Adam was taken. Still they weren’t interested. But by 2008, both Dahmer and Toole were dead, so did it matter? Although the police’s conclusion was eye-rolling, it seemed harmless. Grimm was wrong only in that police’s belief in Toole was the only mystery left. Probably without realizing it, by closing the case police unlatched a door locked nearly 30 years before to a guarded secret. Inside Harris discovered a much larger convenient fiction, but this one not at all harmless. In looking back it explained everything irregular in the investigation that had followed. As long as the secret was kept, the case could never be truly solved. Harris was then working with The Miami Herald, but even when they confronted them, the chief medical examiner who’d hidden it, the police—and most surprisingly, even the Walshes all turned blind eyes. What was the never-meant-to-be-seen or spoken-of truth in Adam Walsh’s murder? It starts with, there was an autopsy but no one wrote an autopsy report. That never happens...
- The Unsolved Murder of Adam Walsh: Book Two: Finding the Victim
2
The Adam Walsh story you know: After 6-year-old Adam was found murdered, his father, John Walsh, channeled his unbearable grief into becoming an angry crime-fighting TV host. Yet this is the story you don’t know: For decades, officials had never revealed the file proving the child was Adam. Astonishingly, it showed that the dead child had never been legally ID’d as him. Why? Was it because the evidence was either inconclusive—or showed that the child likely actually wasn’t Adam? INVESTIGATIVE TRUE CRIME: Never intended to be publicly seen, the key to Adam Walsh’s murder mystery was hidden in an autopsy file 40 years ago. The key wasn’t what was in it; it’s what wasn’t in it. Possibly only one man, maybe two, had seemed to know that—not even the detectives because it meant that decades of their work had not only been wrong and wasted, but couldn’t possibly have been right. On the moment of its discovery by a reporter, the prevailing narrative of the case was about to be shattered. And that was the least of it. A famous old crime. No linking physical evidence. For decades, the murder of Adam Walsh, the iconic face of Missing Children, the boy on the milk carton, was an unsolved mystery. Suddenly police declared a solution resurrected on a theory of theirs they’d long discredited. At a live nationally-televised police press conference, the victim’s family was tearful and grateful. The national media bought it. The local press, however, recognized it as a convenient fiction. On July 30, 2021, days after the 40th anniversary of Adam’s disappearance, Fred Grimm wrote in the South Florida Sun Sentinel: “A sensational alternate theory blamed serial killer Jeffrey Dahmer, who was living in Miami in 1981. But in 2008, despite no new evidence, Hollywood police hung the crime on long-dead Ottis Toole. “The only mystery left unsolved was how any cop could have possibly believed Ottis Toole.” While Toole was still alive and in state custody, and could have been charged with Adam’s murder on the same information, John Walsh had belittled the idea: “A lot of people still think Ottis Elwood Toole did it. But he and [his partner] Henry Lee Lucas confessed to a lot of murders they didn’t do. It’s a great ploy for convicts: They read about a murder and they’re in solitary. They call the police, desperate to clear a murder, and they say, ‘Fly me there and buy me a pizza,’ and they get out of their cells for two days!” —South Florida magazine, July 1992 Police had statements from six separate witnesses at the mall who said they saw Dahmer when Adam disappeared, but police couldn’t confirm that Dahmer had been in town then. Then reporter Art Harris, working with ABC Primetime, found a Miami police report with Dahmer’s name dated 20 days before Adam was taken. Still they weren’t interested. But by 2008, both Dahmer and Toole were dead, so did it matter? Although the police’s conclusion was eye-rolling, it seemed harmless. Grimm was wrong only in that police’s belief in Toole was the only mystery left. Probably without realizing it, by closing the case police unlatched a door locked nearly 30 years before to a guarded secret. Inside Harris discovered a much larger convenient fiction, but this one not at all harmless. In looking back it explained everything irregular in the investigation that had followed. As long as the secret was kept, the case could never be truly solved. Harris was then working with The Miami Herald, but even when they confronted them, the chief medical examiner who’d hidden it, the police—and most surprisingly, even the Walshes all turned blind eyes. What was the never-meant-to-be-seen or spoken-of truth in Adam Walsh’s murder? It starts with, there was an autopsy but no one wrote an autopsy report. That never happens...
Arthur Jay Harris
A feature film, SPEED KILLS, based on my book, opened in November 2018! You can stream it.Watch the trailer:https://www.screendaily.com/news/first-look-trailer-john-travolta-in-speedboat-drama-speed-kills-exclusive/5129868.articleTrue crime writers primarily pursue the question "Why?" Why did somebody commit the crime? How could he get away with it for so long?In my true crime books, I pursue a different primary question: about the case's outcome, I ask, "Are you sure?"Every true crime story has loose ends that naggingly just don't fit into the constructed narrative. They make for a challenge: stay with your narrative and ignore or play them down, or follow them and risk your narrative.There is an essential messiness to true crime that a reader of it must both resist and embrace. But that's why we read it, right? If you want everything well-tied up at the end, read crime fiction. To start, give up on the idea that a story must have a bottom. How can there not be a bottom? Yes, theoretically there is a bottom, but to us on the outside looking in, it's just not accessible. In reality, what we think are story bottoms are really false bottoms; beneath them, if we dare to look, are more bottoms. That wisdom, I should add, did not come to me easily. My stories are always less about the crimes themselves than my endurance to stay on the rollercoaster rides to find the truth. Countless times I'm upended, and I never see it coming.Yet the job of a guide, narrator and investigator, such as myself, remains to organize that mess. However, I also scrutinize the work of the other guides, narrators, and investigators on the story. When I approach a story, I look for, then follow, significant pathways not taken: people who law enforcement couldn't get or weren't then ready to talk; witnesses who weren't asked everything important; and things the authorities were blind to or simply missed.Then there are the stories in which the official investigators suppressed facts. On those, I am unrelenting in pursuing public records (always politely, politeness is essential in all information gathering). In obscure files and from additional reporting based on them, I've discovered a few rare things that were never known outside of law enforcement.Always remember that to some extent, every interested party in a crime story is intentionally misleading us. They tell mostly true things but withhold or lie about other facts that are contrary to their interests. Trust only the people with no skin in the game not to intentionally mislead.In each of my books, I first bring you up to speed by composing the story from what's on the record, then I make a narrative switch to first person and have you follow my investigation. When I pick up the right trail, it becomes obvious. I always advance my stories, including Speed Kills and Until Proven Innocent, but the two books in which I made the most significant (and contrarian) contributions are Jeffrey Dahmer's Dirty Secret: The Unsolved Murder of Adam Walsh, and Flowers for Mrs. Luskin.And now, because it seems obligatory in such biographical summaries, among the television shows I have appeared on with my stories include: ABC Primetime; Anderson Cooper 360; Nancy Grace; Ashleigh Banfield; The Lineup; Inside Edition; Catherine Crier; Snapped; City Confidential; Cold Blood; and Prison Diaries.
Read more from Arthur Jay Harris
Flowers for Mrs. Luskin: Who Ordered the Deadly Delivery for the Millionaire's Wife? Rating: 3 out of 5 stars3/5Until Proven Innocent Rating: 0 out of 5 stars0 ratingsBox Set: Flowers for Mrs. Luskin and The Unsolved Murder of Adam Walsh Books One and Two Rating: 0 out of 5 stars0 ratingsBox Set: Speed Kills and The Unsolved Murder of Adam Walsh Books One and Two Rating: 0 out of 5 stars0 ratingsBox Set: Until Proven Innocent and The Unsolved Murder of Adam Walsh Books One and Two Rating: 0 out of 5 stars0 ratingsSpeed Kills: Who Killed the Cigarette Boat King, the Fastest Man on the Seas? Rating: 0 out of 5 stars0 ratings
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