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The Holdovers (2023)

The Holdovers (2023)

FromCinema Spectator


The Holdovers (2023)

FromCinema Spectator

ratings:
Length:
74 minutes
Released:
Dec 5, 2023
Format:
Podcast episode

Description

 Cameron and Juzo discuss Alexander Payne's newest feature, The Holdovers (2023). In a new holiday classic, The Holdovers explores the perspectives of a grumpy high school history teacher and a slacker student as they end up stuck with each other over Christmas break. As the barriers between them break down, they develop compassion and understanding for each other. This classic formula is taken to new heights with exceptional characters and direction by Payne. 
 
Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O’Neill; recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on Youtube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project Everything Comes from Something (2018), now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer, majoring in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends, we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support.
#LOTR #ReturnOfTheKing #EpicFantasy #PeterJackson #Tolkien #MoviePodcast
Released:
Dec 5, 2023
Format:
Podcast episode

Titles in the series (99)

An ECFS Productions Original Podcast: Cinema Spectator is a film history podcast that takes away the pretense that usually comes along with learning about film. Each week, we tackle a "classic" of film history but do these films actually hold up for a modern audience? Can they entertain someone who grew up on Spider-Man reboots and Jim Carrey movies, or will they forever be relics of a bygone era?