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Triangle of Sadness (2022)

Triangle of Sadness (2022)

FromCinema Spectator


Triangle of Sadness (2022)

FromCinema Spectator

ratings:
Length:
74 minutes
Released:
Nov 15, 2022
Format:
Podcast episode

Description

Isaac and Juzo go to the movies to review and discuss a widely-considered best picture nominee. Although the year isn't over, this dark comedy had stirred up analysis across the film community. The film follows a couple that work as models as they navigate their relationship in life, on a cruise, and eventually stranded on an island. A majority themes focus on ideas around class and relationships. But what did a casual think of the film? What about an expert. Side-note: Isaac and Juzo did no research into other perspectives before this review. This might be a hot take. 
Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O’Neill; recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on Youtube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcast with their first project Everything Comes from Something (2018), now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer, majoring from SFSU Film school to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends, we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support. 
Released:
Nov 15, 2022
Format:
Podcast episode

Titles in the series (99)

An ECFS Productions Original Podcast: Cinema Spectator is a film history podcast that takes away the pretense that usually comes along with learning about film. Each week, we tackle a "classic" of film history but do these films actually hold up for a modern audience? Can they entertain someone who grew up on Spider-Man reboots and Jim Carrey movies, or will they forever be relics of a bygone era?