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Rashomon (1950)

Rashomon (1950)

FromCinema Spectator


Rashomon (1950)

FromCinema Spectator

ratings:
Length:
72 minutes
Released:
Nov 21, 2022
Format:
Podcast episode

Description

 Isaac and Cameron are back recording together, and taking on a legendary Akira Kurosawa film, Rashomon (1950). This film uses flashbacks and non-linear editing to tell different and contradictory stories of a heinous crime. Each person involved has their own perspective to tell, and each story conflicts with the last. Does this classic post-war Japanese film stand the test of time, or does it fall on its sword in the eyes of modern viewers? 
Cinema Spectator is a movie podcast hosted by Isaac Ransom and Cameron Tuttle. The show is executive produced by Darrin O’Neill; recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on Youtube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcast with their first project Everything Comes from Something (2018), now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer, majoring from SFSU Film school to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom is a professional creative, digital marketer, and product manager working full-time. Isaac is the student. The podcast is a passion project between two longtime friends, we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support. 
Released:
Nov 21, 2022
Format:
Podcast episode

Titles in the series (99)

An ECFS Productions Original Podcast: Cinema Spectator is a film history podcast that takes away the pretense that usually comes along with learning about film. Each week, we tackle a "classic" of film history but do these films actually hold up for a modern audience? Can they entertain someone who grew up on Spider-Man reboots and Jim Carrey movies, or will they forever be relics of a bygone era?