The final episode of Exquisite Corpse’s second season features a conversation between LA-based architect, Michael Maltzan, who chose to speak with an artist who had an impact on his work, Mary Miss, who is based in New York.Mary speaks about her early career as an artist during the 1960s, the influences of minimalism and landscape on her practice, and how these influences pushed her closer to architecture. The two National Academicians discuss the ways in which their work is, in part, concerned with the interaction between a viewer and the work itself. They both discuss the psychological concerns of this interaction between the viewer and the work and what impact this has on their respective practices.Michael probes a constellation of ideas—timescales, permanence, ephemerality—and how their respective practices are often quite different in this regard. Both examine the paths their practices have taken toward the impacting social change, and Mary considers participation and the notion of the “expanded field” working as an artist out in the world as an architect does.