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ratings:
Length:
63 minutes
Released:
May 24, 2022
Format:
Podcast episode

Description

New York based Katy Pyle is a genderqueer lesbian dancer and choreographer who founded their dance company Ballez in 2011 to explore their complicated relationship to the cis-hetero patriarchal form of ballet, and to make space for their own, and their communities’, presence within it. The mission is to reimagine ballet through collaborative, community-minded, and antihierarchical approaches. Katy is working to insert the herstory and lineage of lesbian, queer and transgender people into the ballet canon through the creation of large-scale story ballets, open classes, and public engagement. Major works include “The Firebird, a Ballez,” which has a lesbian princess and a “tranimal”—part bird, part prince), “Sleeping Beauty & the Beast,”which you’ll hear all about later in the episode, and most recently "Giselle of Loneliness," staged in  2021. As a dancer Katy has appeared in the works of Ivy Baldwin, Faye Driscoll, Xavier Le Roy, Karinne Keithley Syers, Jennifer Monson, StinaNyberg and many others. Lou spoke to Katy when they were in New York in May 2022. Wetalked about Katy’s journey in, out and back in to ballet, their refusal to bow to the traumatic oppression and limitations of the ballet world, and their realisation that they didn’t have to change themselves – they could change ballet instead.https://www.ballez.orghttps://www.washingtonpost.com/entertainment/theater_dance/ballez-katy-pyle-giselle-of-loneliness/2021/06/01/23f9897c-bfd0-11eb-b26e-53663e6be6ff_story.html
Released:
May 24, 2022
Format:
Podcast episode

Titles in the series (32)

DOWNTIME features a series of interviews with dance artists and arts leaders about how they work, what it is that drives them, and whether their purpose has changed in response to the challenges of the past couple of years. It is hosted by internationally respected dramaturg Lou Cope, who spearheaded The Centre of Applied Dramaturgy (CoAD). CoAD seeks to make the value of dramaturgical practice clear, embed it into organisations – artistic and otherwise, and develop its reach – both in terms of form and scope.