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Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville

Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville

FromMusic History Monday


Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville

FromMusic History Monday

ratings:
Length:
22 minutes
Released:
Feb 20, 2023
Format:
Podcast episode

Description

We mark the premiere performance, on February 20, 1816 – 207 years ago today – of Gioachino Rossini’s comic opera masterwork, The Barber of Seville, at Rome’s famed Teatro Argentina. The Natural Gioachino Antonio Rossini was born on February 29 (bummer of a birthday!), 1792 in the Italian city of Pesaro, on the Adriatic Sea. He died of colorectal cancer on November 13, 1868, in his villa in Passy, which today is located in Paris’ chic, 16th arrondisement. He was the only child of Giuseppe Rossini (1758-1839) and Anna (née Guidarini) Rossini (1771-1827).  Rossini’s father Giuseppe was a professional trumpet and horn player, and as such was Gioachino’s first music teacher.  (The adult Rossini liked to say that: “Sono figlio di corna,” “I am the son of a horn!”) “Son of a horn” he might have been, but when it came to his real musical education, it was as the son of an opera singer.  Rossini’s mother Anna was, at the time of his birth in 1792, a seamstress by trade.  But changes in Italian society allowed her to make a second career as a professional singer.  According to Rossini’s biographer Richard Osborne (Rossini; Oxford University Press): “Italian Society began to […]
The post Music History Monday: The First Night: Gioachino Rossini’s The Barber of Seville first appeared on Robert Greenberg.
Released:
Feb 20, 2023
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.