41 min listen
Humor and High Jinks in Rossini's 'The Barber of Seville'
FromHe Sang/She Sang
ratings:
Length:
24 minutes
Released:
Jan 24, 2017
Format:
Podcast episode
Description
Despite its disastrous premiere in 1816 — complete with raucous heckling, a bloody nose and a stray cat scampering across the stage — Rossini’s The Barber of Seville quickly joined the ranks of the best-loved and most-performed operas in the world. Based on the first of a trilogy of plays by the French writer Pierre Beaumarchais (the second of which is The Marriage of Figaro), Barber is full of characters and tunes that have delighted audiences for centuries.
In this episode, the He Sang/She Sang team talks with WQXR morning show host Jeff Spurgeon about why Figaro’s memorable aria “Largo al factotum” is a baritone’s “calling card” aria and how Rossini’s music has found its way into movies, TV commercials and everyone’s favorite Saturday morning cartoons.
Jeff Spurgeon's YouTube pick:
(Note: this podcast was recorded shortly before we learned of the death of soprano Roberta Peters. We mourn her passing and are grateful to remember her artistry in sharing this clip of her in one of her signature roles, Rosina, in Rossini's The Barber of Seville.)
Merrin Lazyan's YouTube pick:
Mike Shobe's YouTube pick:
This episode features excerpts from the following album:
Rossini: Il Barbiere di Siviglia (RCA, 1987)— Robert Merrill, baritone; Roberta Peters, soprano; Georgio Tozzi, bass; Metropolitan Opera Orchestra conducted by Erich Leinsdorf
In this episode, the He Sang/She Sang team talks with WQXR morning show host Jeff Spurgeon about why Figaro’s memorable aria “Largo al factotum” is a baritone’s “calling card” aria and how Rossini’s music has found its way into movies, TV commercials and everyone’s favorite Saturday morning cartoons.
Jeff Spurgeon's YouTube pick:
(Note: this podcast was recorded shortly before we learned of the death of soprano Roberta Peters. We mourn her passing and are grateful to remember her artistry in sharing this clip of her in one of her signature roles, Rosina, in Rossini's The Barber of Seville.)
Merrin Lazyan's YouTube pick:
Mike Shobe's YouTube pick:
This episode features excerpts from the following album:
Rossini: Il Barbiere di Siviglia (RCA, 1987)— Robert Merrill, baritone; Roberta Peters, soprano; Georgio Tozzi, bass; Metropolitan Opera Orchestra conducted by Erich Leinsdorf
Released:
Jan 24, 2017
Format:
Podcast episode
Titles in the series (24)
Up Close with 'L'Amour de Loin': On this week's episode of He Sang/She Sang, hosts Merrin Lazyan and Mike Shobe get you ready for the new Metropolitan Opera production of L'Amour de Loin. We'll discuss the plot, characters and the music from this 12th century story about a long-distance relationship. Plus, we'll hear from bass-baritone Eric Owens, soprano Susanna Phillips and composer Kaija Saariaho. Mike and Merrin's YouTube picks to get even more familiar with L'Amour de Loin: The Met's trailer for the opera featuring Susanna Phillips, Eric Owens and Tamara Mumford. The Pilgrim (mezzo-soprano Monica Groop) and Clémence, Countess of Tripoli (soprano Dawn Upshaw). This episode features excerpts from the following album: • L'amour de Loin (Harmonia Mundi, 2009) — Daniel Belcher, tenor; Ekaterina Lekhina, soprano; Marie-Ange Todorovitch, mezzo-soprano Like what you heard? Subscribe to He Sang/She Sang on iTunes. by He Sang/She Sang