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Music History Monday: Why We Shouldn’t Bring Our Dogs to Work: A Cautionary Tale

Music History Monday: Why We Shouldn’t Bring Our Dogs to Work: A Cautionary Tale

FromMusic History Monday


Music History Monday: Why We Shouldn’t Bring Our Dogs to Work: A Cautionary Tale

FromMusic History Monday

ratings:
Length:
16 minutes
Released:
Dec 13, 2021
Format:
Podcast episode

Description

As those who read via blog and/or listen via podcast to Music History Monday know, as often as not I’ll mention two, three, or even more date related items before getting to the “main attraction” of a particular post. However, every now and then, one of those preliminary items will take on a life of its own and demand – rather curtly I would add – to be the main attraction itself. That’s precisely what has happened today. The original title for today’s Music History Monday was An American in Paris. Here is that post’s lead: “We mark the premiere on December 13, 1928 – 93 years ago today – of George Gershwin’s orchestral work An American in Paris. The premiere took place in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic.” We will briefly deal with the creation and premiere of George Gershwin’s An American in Paris before moving on to the canine-related item that has stolen today’s show. Be assured, however, that we will return to An American in Paris and what was to be the meat-and-potatoes of today’s post on Thursday, December 23. A Brooklynite in Paris In the spring of 1926, George and Ira […]
The post Music History Monday: Why We Shouldn’t Bring Our Dogs to Work: A Cautionary Tale first appeared on Robert Greenberg.
Released:
Dec 13, 2021
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.