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Music History Monday: The Wayward Bach, His Wayward Daughter, and the Bachs of Oklahoma

Music History Monday: The Wayward Bach, His Wayward Daughter, and the Bachs of Oklahoma

FromMusic History Monday


Music History Monday: The Wayward Bach, His Wayward Daughter, and the Bachs of Oklahoma

FromMusic History Monday

ratings:
Length:
20 minutes
Released:
Aug 1, 2022
Format:
Podcast episode

Description

We mark the death on August 1, 1784 – 238 years ago today – of the German composer and organist Wilhelm Friedemann Bach in Berlin at the age of 73.  Born in the central German city of Weimar on November 22, 1710, Wilhelm Friedemann Bach, who from here on we will refer to as Friedemann Bach, was the second child and first son of Johann Sebastian Bach (who from this point forward we will refer to as Sebastian Bach). Friedemann Bach was a gifted musician, the equal (in my opinion) to his more famous brothers Carl Philip Emanual and Johann Christian Bach.  But unlike his brothers, Friedemann harbored personal demons that poisoned his relationships with others and led to his financial ruin later in his life.  We’ll discuss these issues in detail in tomorrow’s Dr. Bob Prescribes post, as well as the singular disaster Friedemann’s poverty eventually wrought, when he chose to the sell off so many of his father’s precious musical manuscripts, which were then lost for all time. For the remainder of this post, we’re going to shift our focus to Friedemann Bach’s only surviving child, his daughter Friederica Sophia, who was born in the Saxon city of […]
The post Music History Monday: The Wayward Bach, His Wayward Daughter, and the Bachs of Oklahoma first appeared on Robert Greenberg.
Released:
Aug 1, 2022
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.