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Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books

Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books

FromMusic History Monday


Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books

FromMusic History Monday

ratings:
Length:
20 minutes
Released:
Jan 16, 2023
Format:
Podcast episode

Description

We mark the death on January 16, 1864 – 159 years ago today – of Anton Felix Schindler, in Frankfurt, at the age of 68.  Born on June 13, 1795, in the town of Medlov in today’s Czech Republic, Schindler was, for a time, Beethoven’s “factotum”: his secretary and general assistant.  He was also a scoundrel and a profiteer, who after Beethoven’s death lied about his relationship with Beethoven, stole irreplaceable objects and documents from Beethoven’s estate, and falsified and destroyed many of those documents (some of which he later sold off) in order to make himself look better in the eyes of history.  Boo-hoo for Schindler: the “making-himself-look-better-in-the-eyes-of-history” thing didn’t work, and today he is regarded as the patron saint of lying and thieving employees. Among the Beethovenian documents Anton Schindler took upon himself to “remove for safekeeping” were Beethoven’s so-called “Conversation Books.” Beethoven’s Conversation Books It took an agonizingly long time for Beethoven to go completely deaf. His hearing loss began in 1796, in his 26th year: a buzzing in his ears and a slow but progressive loss of high frequency hearing.  By the fall of 1802, Beethoven had cut himself off from much of his world out […]
The post Music History Monday: The Blockhead – Anton Felix Schindler – and Beethoven’s Conversation Books first appeared on Robert Greenberg.
Released:
Jan 16, 2023
Format:
Podcast episode

Titles in the series (100)

Exploring Music History with Professor Robert Greenberg one Monday at a time. Every Monday Robert Greenberg explores some timely, perhaps intriguing and even, if we are lucky, salacious chunk of musical information relevant to that date, or to … whatever. If on (rare) occasion these features appear a tad irreverent, well, that’s okay: we would do well to remember that cultural icons do not create and make music but rather, people do, and people can do and say the darndest things.