Alessandro Ongaro is a CG Supervisor at Double Negative. With almost 20 years of experience, he is presently considered to be among the CG Industry's top professionals.  Alessandro was born in Switzerland and holds a dual Italian and Swiss citizenship. While studying design at the School of Design in Milan, Italy, Alessandro first began using computers to create photo-realistic 3D renderings for the architecture industry. He began working in the feature films after moving back to Milan where he was recruited by Digitalia Graphics, the first Italian company to work with a film negative. It pioneered all the visual effects for the very first Italian sci fi movie, Nirvana.   After 5 years at Digitalia Graphics, Alessandro was offered a position by ESC Entertainment where he began to work on Constantine. Soon after finishing work on Constantine, he was recruited by DreamWorks Animation where he worked on such films as Madagascar, Over The Hedge, Flushed Away, Bee Movie, Shrek: Forever After, Turbo and Kung Fu Panda 3. Since joining Double Negative, Alessandro has worked on features Ant-Man and the Wasp, The Meg, Alpha and the upcoming Men in Black: International. Most recently, he’s produced and directed the highly acclaimed web series Hollywood Hitmen, and an animated teaser The Nine Lives of Claw which he also wrote. In this Podcast, Alessandro talks about some of his favorite projects, the difference between VFX and animation, the importance of being a Generalist -- and the most crucial skill for visual effects artists. For more show notes, visit www.allanmckay.com/190/.