In part five of our series dedicated to the mixing phase of the record process, we dive into how your mix will depend on the recording conditions, the differences between the artist and the engineer's reference material, and much more. Topics covered include:-Establishing a language when working with bands-Distancing yourself from the ego-Should you limit heavily when sending a mix out for mastering?For more info, visit our website at:www.truelevelstudio.com/therecordprocessFollow us on Instagram:https://www.instagram.com/therecordprocess/https://www.instagram.com/truelevelstudio/?hl=enShow Hosts:Casey Cavaliere (Producer / Mixer / Guitarist of The Wonder Years)www.CaseyCavaliere.comwww.thewonderyearsband.comIG: https://www.instagram.com/case_rock/?hl=enTom Conran (Audio Engineer / Producer / Acoustician )www.TomConranAudio.comIG: https://www.instagram.com/thetomconran/?hl=enAdam Ackerman (Songwriter / Recording Artist / Multi-Instrumentalist)www.AtomSonicConcepts.comIG: https://www.instagram.com/theadamackerman/?hl=enShare any thoughts, questions, comments, or suggestions with us via email at:TrueLevelStudio@gmail.comArtwork by Holly Smith ( https://www.instagram.com/_hollysmith/?hl=en )Edited and Mixed by Deanna Chapman ( https://www.instagram.com/deanna_chapman/ )Music Credits:"Almas" by Casey Cavaliere (Main Theme)"Memorial Hospital Parking Lot" by Slo TV (Intro / Credits)"Red Lake" by Slo TV (Additional Music)