Pop critic, chart analyst, writer of Slate's "Why Is This Song No. 1?", and host of the podcast Hit Parade, Chris Molanphy, joins DJ Louie for the first of a two-part series on American Icon, Diana Ross. First, Louis and Chris set the stage by discussing how the phrases "pop" and "pop star" came into form in the late 1950s, the establishment of the teenager as a target market group for music and the birth of the "teen idol". They then discuss Diana Ross' backstory growing up in the burgeoning Detroit music scene, how the formation of the predecessor to The Supremes, The Primettes, dovetailed with the creation of her future-label-boss-turned-husband Berry Gordy's Motown Records, why Motown and "the Motown Sound" were so transformational in the pop music landscape in the late '50s and early '60s, and how a popular wave of pre-Supremes girl groups like The Shangri-Las and The Marvelettes functioned as musicians and stars in this period. Next, Louie and Chris walk through The Supremes signing with Gordy, their flop first album and Diana being promoted to permanent front-woman, their historic collaboration with storied producers and songwriters Holland-Dozier-Holland, their smash second album, Where Did Our Love Go? and subsequent astounding run of hits through the middle and end of the '60s, how their music evolved with the times, the inherent radicalism of a group of black women becoming the most popular pop act in the world, what makes Diana's star quality and voice to singular, and how Gordy positioned her for eventual solo stardom, often at the expense of the other girls in the group. Join us next week for Part 2, which will cover Diana's solo career!Send questions about this episode, the Pantheon, pop stars in general or whatever else is on your mind to PopPantheonPod@gmail.comJoin the Pop Pantheon Discord Monday 3/7 at 8PM ET / 5PM PT!Check Out Louie's The Supremes Essentials PlaylistFollow DJ Louie XIV on InstagramFollow DJ Louie XIV on TwitterFollow Pop Pantheon on InstagramFollow Pop Pantheon on TwitterFollow Chris Molanphy on Twitter