Multiple Casualty Incident (NHB Modern Plays)
By Sami Ibrahim
()
About this ebook
Here, Sarah gets a meal deal. There, people are in danger. Here, Khaled watches a training video. There, there are men with guns. Here, Sarah and Khaled flirt with each other. There, an aid worker looks after a refugee.
Suddenly – here becomes there.
In Sami Ibrahim's play Multiple Casualty Incident, roleplay, desire and compassion intertwine, revealing the limits of help, the beginnings of harm and the complexities of humanitarian work. It was first performed at The Yard Theatre, London, in 2024, directed by Jaz Woodcock-Stewart.
'A timely exploration of the ethics of foreign aid' - The Stage
'Unforgettable… when what's actually going on is revealed, the impact is astonishing' - Time Out
'Mind-bending and reality-blending… the political becomes extraordinarily personal in ways [that are] wholly unexpected… does not shy away from the disconcerting questions [about] Western humanitarian aid' - A Youngish Perspective
Sami Ibrahim
Sami Ibrahim is a writer from London. His plays include: Multiple Casualty Incident (The Yard Theatre, London, 2024); A Sudden Violent Burst of Rain (Paines Plough / Rose Theatre, Kingston / Gate Theatre, London, 2022); two Palestinians go dogging (Royal Court Theatre, London, 2022; winner of the inaugural Theatre Uncut Political Playwriting Award in 2019); Metamorphoses, co-written with Laura Lomas and Sabrina Mahfouz, after Ovid (Shakespeare's Globe, 2021); Wind Bit Bitter, Bit Bit Bit Her (2018 VAULT Festival, London); Iron Dome Fog Dome (The Yard, London, 2017) and Force of Trump (Brockley Jack). He has worked at the Almeida Theatre as a member of their Creative Board, developing and producing From the Ground Up, a piece of immersive theatre.
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Book preview
Multiple Casualty Incident (NHB Modern Plays) - Sami Ibrahim
Sami Ibrahim
MULTIPLE
CASUALTY
INCIDENT
NICK HERN BOOKS
London
www.nickhernbooks.co.uk
Contents
Original Production Details
Characters
Multiple Casualty Incident
About the Author
Copyright and Performing Rights Information
Multiple Casualty Incident was first performed at The Yard Theatre, London, on 27 April 2024, with the following cast:
Characters
DAN, thirty
KHALED, twenty-five
NICKI, thirty-nine
SARAH, thirty-three
Time
Some time close to the present.
Setting
A training centre in London.
Notes
A dash ( – ) indicates an active pause.
Sentences without a full stop are unfinished or interrupted.
Accents should probably be avoided.
After the performance, the audience might be given the option to donate to a chosen charity.
This ebook was created before the end of rehearsals and so may differ slightly from the play as performed.
An under-decorated room: stark and white. A few chairs are stacked to one side, there’s a rubbish bin, scraps of paper that haven’t made it in, a kettle and mugs on the floor in the corner, a duffel bag filled with clothes, a backpack, and whatever else you’d find in an empty room.
Stage left there are some double doors leading into the hallway.
Stage right, an emergency fire exit.
NICKI sits in a chair up against the back wall.
Next to her, but not too close, is KHALED.
NICKI I can get you a tea or a coffee or…
KHALED I’m good.
Thanks.
Pause.
NICKI They should’ve told me last week.
KHALED It’s no problem.
NICKI Well I’m sorry.
About that.
Another pause.
I wanted to say there’s a world where you take time off.
KHALED I don’t need time off.
NICKI Okay.
And another pause.
NICKI checks her watch.
I’m just trying to think of
Before they get here
KHALED –
NICKI As in it’s not the same this week, you know, you’ve got to be up for throwing yourself in, trying stuff out.
KHALED I get that.
NICKI Which is great.
KHALED And I’m doing fine, I don’t need people sticking their nose in.
NICKI No one’s sticking their nose in, it’s
Then NICKI’s phone goes off. She rejects the call.
KHALED You can take it, I don’t mind.
NICKI It can wait.
KHALED –
NICKI Look, I’m not trying to tell you what to do but
I think
The more people you have around to…
You know, the easier it’ll be.
And obviously that can be difficult.
KHALED Difficult?
NICKI Sometimes. But maybe you could do with, I don’t know
Her phone goes off again. She sighs.
You know what, is that alright?
NICKI stands, answers her phone –
Hey. Yeah, uh-huh, look. I’m about to
– and leaves the room.
KHALED waits. For a moment. Then he stands. He unstacks a couple of chairs.
SARAH enters.
SARAH Hey.
KHALED Hi.
She puts her bag in the corner of the room.
SARAH Good weekend.
KHALED Fine.
SARAH Get up to anything.
KHALED Not much. You?
SARAH Not much either.
An awkward pause.
KHALED Um. I’m just gonna
KHALED drags a chair over to the centre of the room, places it there. SARAH picks up a chair and puts it next to the first chair.
DAN enters.
DAN All good all good?
SARAH Morning.
DAN Everyone else have a shit weekend?
DAN dumps his bag and helps move a chair too.
I spent a whole Saturday getting a verruca burnt off my foot. I couldn’t get a proper view but they sort of boil it with this needle thing and then scoop it out, sort of looks like a child’s tooth covered in blood. My advice would be never get a fucking verruca, they might as well have stuck my foot in acid, I don’t know why they don’t give you anaesthetic. Honestly, I spent Sunday limping up to the big Asda and back, some guy dropped fifty p in my coffee cup cos he thought I was homeless.
Hey man.
KHALED Hey.
DAN My foot’s fine now.
Where is she?
KHALED Taking a call.
By now, five chairs have been set up in a sort of semicircle in the centre of the room.
It’s quiet.
DAN checks his phone, SARAH goes over to her bag, KHALED takes a seat.
Finally, NICKI comes back in.
NICKI Right, sorry, I’m in the room – how’s everyone doing?
NICKI gets a mumbled response as she goes over to her bag, gets out some sheets.
Who’s got the time?
SARAH Almost ten.
NICKI Perfecto. So we should start with
But NICKI notices not everyone is there.
Ah. Has anyone heard from her?
SARAH Not since Friday.
NICKI Okay, um
DAN