Return of the Gift
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Michael O'Neill
An Adams Media author.
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Return of the Gift - Michael O'Neill
Contents
Dazzle
Porthmeor Beach
Scene
Reverie
Janus
Not That Only
Canareggio
Ibridismo
Pruritus
Trios
To Do List
Landscape with Red Spots, No. 2
(Peggy Guggenheim Collection)
Chapel
Postcard
Care
Revisiting
Show
Maze
The Trick
Fantasia
Values
Variations
Echoes
First Light
Stalker
Calling
Turbulence
Two for Friendship
1 Ash-Wednesday
2 Acrostic
Return of the Gift
Endings
The Swan (after Baudelaire)
Prefix
Hodegetria
The Coronation of Poppea
Earthly Paradise (from Dante, Purgatorio, Canto 28)
Celestia
Far
Nothing More
Bit by Bit
In an Hour
Help
The Thought
Hint
Bookshop
Two Rooms
February
The Missionary
I was walking
To the Moon (after Leopardi)
History
In that city
Station
German City Songs
1 Muenster
2 Wuppertal
Criss-Cross
Roman Fountain (after Rilke)
From the Cancer Diary
i Scope
ii Just as
iii Ironies
iv On Hold
v Wine and Roses
vi Mists
vii Paths
viii Diet
ix Medical Physics
x Those days
xi Case Review
xii Sunday
xiii Company
Biographical Note
Dazzle
Dazzle when headbeam after headbeam crosses.
Cessation of laughter in the back seat.
He presses his foot down, hard, then harder. The car squeezes
through a wind tunnel charged with darkened heat
that flanks the flying metal till they come
out the other side of what had the air
of high-speed death and, mercifully, the same
is true of each too close for comfort neighbour.
And the summer hurtles on: New York apartments,
eyes ‘like glass ready to smash’, drugged smiles, the Doors…
I travel back this evening to that hill
between the city and the forest, pause
beside the tarmac, awaiting myself, tense
and careless, deaf to any ageing call.
Porthmeor Beach
The waves could get to haunt you,
growing longer and whiter,
greener and bluer,
driven in more strongly
past the Island, chapel
exposed on the top,
or urged this side of
the spur of headland
where a path
climbs towards Zennor
and a gull or two flicker
only to swing back
across boarders
in wetsuits, flailing
a limp front crawl or if
more practised riding
foothills of surf as
people dawdle, some
looking through lenses
for kittiwake or chough
– one at least on
the track of Woolf
and her primal memories,
waves breaking, filling
the ‘bowl that one fills’;
others trailing the painters,
thermals, windows, jumbled
perspectives, worlds ready
to be drowned, masts
jutting their verticals…
The waves would get to haunt you,
drawing you back
to the sands and the sky,
to the blue and the green,
to the wet and whiteness
of crests you’d watch
lapsing into foam, lost
soul-essences in
quest of God knows what
past the horizon.
Scene
The Adriatic spreads to the horizon.
Our balcony gives on to the latest dawn.
It’s very early, yet a boy is up and curving
into wet sparkle from a pier-like spit.
It’s well under way again, this ordinary
wonder, rotated curvature of light,
event the previous lot kept witnessing
when they were the ones who loved, who thought they sought…
There’s a low clap from where the waves collapse,
and yet a silence can be heard.
When, as I do these days, I let them catch
up on me, inklings of a final lapse,
I set them wish-fulfillingly in such a scene,
people turning sleepily or waking up,
waters extending for miles, a boy diving,
the looker on no longer looking on.
Reverie
I was leaning on