Renditions
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About this ebook
In Renditions Reginald Gibbons conducts an ensemble of poetic voices, using the works of a varied, international selection of writers as departure points for his translations and transformations. The collection poses the idea that all writing is, at least abstractly, an act of translation, whether said act “translates” observation into word or moves ideas from one language to another. Through these acts of transformation, Gibbons infuses the English language with stylistic aspects of other languages and poetic traditions. The resulting poems are imbued with a sense of homage that allows us to respectfully reimagine the borders of language and revel in the fellowship of idea sharing. In this tragicomedy of the human experience and investigation of humanity’s effects, Gibbons identifies the “shared underthoughts that we can (all) sense:” desire, love, pain, and fervor.
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Renditions - Reginald Gibbons
SOURCES
ONE
Make up your mind, Crab!
You’re half inside your house, half
inside my own, now!
—after Richard Wright
Swear—
—by the cold beards
of frosted stones,
by stoic stead-
fast winter pines,
by the crystal-
frosted window
where my lonely
candle peers out:
swear: when summer
comes I won’t let
even one skiff
pass by on my
river without
my inviting
it: Stop! Moor here!
I won’t let one
singer stand at
my listening
door without my
saying—Come in!
Let us hear you.
–after Marina Tsvetaeva (1919)
Honeycombs and Cobwebs
Heaviness and tenderness—they’re sisters
the same way bees and wasps will ply
the same sweet languid rose.
Sands cool. People die.
Yesterday’s sun is borne away in a hearse.
Heavy honeycombs and tender webs!
It would be easier to lift a boulder than to speak
Your name.
But there’s still one hope—a