Mokusatsu - Sequel to El Niño
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About this ebook
Charlie's out on bail and back on the sauce. He drinks to kill the pain and robs all he can to feel alive. But the past won't give him peace. The cops want him in jail. Kramer's old crew have a price on his head and Freddie, his new partner in crime, has big plans to carve out his own niche in the criminal underworld. Roped into a series of audacious heists and ingenious schemes he finds himself smuggling diesel in Westmeath, stealing ATM machines in Mayo and violent debt collecting in Galway. Couple that with his regular income of robbing wallets and shops and you have a cyclone of a man roaring down a path to self-destruction. And then there's Karena. The beautiful girl that may save him - but maybe she should know better? At times dark, others touching, and often comic, Mokusatsu is a refreshing feast of Irish crime writing.
Mick Donnellan
Mick Donnellan is a novelist, playwright and screenwriter. His fiction has won numerous awards and his plays are regularly adapted for the national and international screen. Read more on www.mickdonnellan.com
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Fisherman's Blues Rating: 0 out of 5 stars0 ratingsThe Dead Soup Rating: 0 out of 5 stars0 ratingsEl Niño Rating: 0 out of 5 stars0 ratingsThe Naked Flame Rating: 0 out of 5 stars0 ratings
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Mokusatsu - Sequel to El Niño - Mick Donnellan
For Nairobi, always.
Nice bitta dusht
Guilt has the sharpest tooth and she was biting down hard. So hard even a whole bottle of Jameson could do nothing to quell the pain. Still I took another long swill but the bitch just kept on coming, like emotional wet cement turning fast into concrete fear.
The law wanted me in jail but the system gave me bail. Free to drink deep and roam the dark corridors of nowhere.
Boom! Goes the phone and it was Oscar and he said: ‘Last time we met, your liver was about to burst.’
‘Where was that?’
‘Mill Street Station. I thought you were dead for sure. Are you still drinkin?’
‘I am. What do you want?’
‘I’ve a job on tonight. Will you come?’
‘I might. What is it?’
‘We’re robbing a few warehouses. Nice bitta dusht.’
‘How much dusht?’
‘Performance related. The more we steal, the more we make.’
‘What are we stealin?’
‘Merchandise. From one supplier, to be sold to another. Probably a lot of boxes.’
‘You’re soundin vague.’
‘I’ll tell you more when I meet ya.’
‘Where’ll that be?’
‘How’s Salthill at eight?’
‘Sound. Don’t forget to steal the car.’
He hesitated, then said: ‘No problem.’
I hung up and drank more Jameson.
It sang on my tongue, danced on my tonsils, and cruised all the way home.
After, I wasn’t drunk. Just topped up. Ready to start drinking right. Said I’d stay steady for the job. Drink after.
Later in Salthill.
Smell of seaweed.
People walking the prom.
Stars starting to shine, sun dipping behind the hungry Atlantic.
Smoked three Benson before Oscar arrived.
He pulled up in a Toyota Starlet from 1999.
It looked like a pure ball of shite.
I walked over.
He had sallow skin. Some kind of Brazilian roots. I said: ‘You’re twenty minutes late.’
‘Sorry.’ He said. ‘I was finishin a burger at the house.’
‘Where’s this fuckin place?’
‘Down here.’ He said. ‘Sit in.’
I sat in.
Roll down windows and screeching wipers. Cigarette butts beside the gearstick and an old bottle of Sprite on the floor.
Did I wear a seatbelt? Did I fuck.
He pulled off with loud rattles. Wasn’t that good a driver either. Revved too hard, muttered to himself.
Asked him: ‘Where’d you lamp this fuckin yoke?’
‘Father Griffin Road. Wasn’t even locked.’
‘It looks like Fred’s car.’
‘Who’s Fred?’
‘Flintstone.’
‘Piss off.’
I lit another Benson, said: ‘I still don’t see this place you’re on about.’
‘See them metal tanks over there?’ He said, pointing, trying to sound confident.
‘Yeah?’
‘Yeah, well they’re fulla clothes.’
‘So?’
‘So we’re goin to rob them and sell the stuff to a warehouse.’
I waited for the punchline. It didn’t come, so I said: ‘Are you fuckin serious?’
‘There’s good money in it.’
‘In what? Robbin charity clothesbins?’
‘Charity begins at home, man.’
I went for apoplectic, said: ‘Go home so. You fuckin gobshite.’
‘No need to be a bollox about it. We all need to make a livin somehow.’
‘How’ll you even get the stuff out?’
‘I’ve one of my young fellas comin.’
‘With what? A boltcutter? Somethin to cut the locks?’
‘No, boltcutters cost money. We’ll have to put him into it.’
‘Into where?’
‘We’ll lodge him into the clothes bin, the same as if we’re donatin somethin...’
‘And?’
He parked the car, said: ‘And he can pass out the bags from in there...’
‘And what if he can’t get out?’
‘If he can get in, he’ll be able to get out.’
‘The doors on them things are designed to only go one way.’
‘Fuck off, Charlie. I know what I’m doin.’
‘Besta luck with it so. I’ll get out here.’
‘Are ya not comin?’
‘I’ve a few things on. I have to go.’
‘Go where?’
‘Anywhere but here.’
‘We need you for this.’
‘You need a kick in the hole. Fuckin clothesbanks? I thought you were a serious outfit?’
‘This is the only way to make money. Unless you go into the drugs. And nobody knows what the fuck’s goin on with that crowd.’
I looked around, said: ‘There’s a Topaz over there.’
‘Where?’
‘There. Look.’
He looked, said: ‘So?’
‘Have you a gun?’
‘I do.’ He said, curious. ‘Under the seat.’
‘It’s not a water pistol now or anythin?’
‘It’s a fuckin gun. But them places have CCTV, alarm buttons, shutters, security locks.’
‘They also have money. Cash. Not St.Vincent De Paul’s unwanted shite.’
‘I don’t know. If we get caught...’
‘Gimme the gun.’
He leaned down. Searched. Found it. Held it up. It wasn’t too bad.
‘It’s a Glock.’ He said. ‘But I’ve never used it.’
‘I’ll do the job. You wait in the car outside. Be ready to drive as soon as you see me comin....can you manage that?’
‘Yeah.’
‘Ok, park over there.’
‘This is mental, Charlie, I don’t know...’
‘Have you some kind of bag?’
‘I’ve one of the kids schoolbags?’
‘It’ll do. Pour out what’s in it.’
He did. Schoolbooks and copies fell out. It smelled like rotten bananas.
After. We pulled around to the side of the Topaz.
By the carwash.
Oscar had a balaclava ready for the bin job. I took that. Put it on.
‘Sure you don’t want me to come?’ He asked.
‘Fuckin positive.’ I said. And got out.
Exterior. Galway. Night. Adrenaline.
Walked over, between the pumps and the bags of coal. A liquorice smell of motor oil.
The Prodigy were in my head with: Smack my bitch up.
The ground had become air unbound. My mind in a glorious episode of criminal symmetry. A return to the source. My blood throbbed, my heart danced. The lights of the shop like a supernova.
My vision swayed as I put a hand on the door. Once I was in, that was it.
What were you doing in the shop wearing a balaclava and holding a gun, Charlie?
I was in for a bar of chocolate, your honour.
Like fuck.
Interior. Topaz. Bright and warm. No customers. Radio going with some kinda chill music. Closing for the night in sight. Until now.
The fella behind the counter was unpacking a box of Tayto. Buck teeth like Roger Rabbit.
His tag said: Manager - Trevor Jones.
Early thirties. Brown eyes. Black hair. He registered what was happening and pulled a contorted face, like a burst condom.
Then he pressed the security button.
Silent alarm. Three minute response time. Needed to work fast. So I hit him with the butt of the gun and it cracked his jaw and put him unconscious.
Time to go for the money.
Could hear my breathing, like I was under water.
The drawer was full of cash. Purple, yellow, blue. Sound.
Stuffed them into my jacket.
Trevor groaned on the ground so I gave him a kick to keep him quiet.
The tunes overhead went to Pink Floyd - Brain Damage. Crepuscular notes leaning light on the pleasure centres.
That’s when the young one came back from her break.
Skinny black jeans. Big arse. Blonde and acne.
The name on her tag said: Sharon.
She paused in shock. Looked at her phone. She seemed conflicted, like she didn’t know whether to run like fuck or ask for a selfie.
She decided to run. Something she wasn’t used to. I took my time and shot her in the leg.
The gun had a loud report.
My ears were ringing after it.
Sharon dropped, screamed. Held the wound.
Blood present, stains the floor. The fabric of reality is torn as the shark of death smells a score. Sharon started reaching for the phone on the counter. Pulling at the leads. It was time to quieten her.
I looked around and found the fire extinguisher.
Used that.
Belted her over the head.
There was a sound like breaking twigs and she was still.
I couldn’t feel my arms now, my legs. I couldn’t feel myself at all. A floating entity of violence, a storm outside your window, waiting to make a kill, jacked the fuck in.
Here’s Charlie death, here’s a cyclone of hate. I was drenched in purpose and expertise and authority.
Got back to work.
Packed away a few boxes of cigarettes.
Lottery tickets.
Coins.
Now time for the drink.
Vodka, Whisky, Jack Daniels.
Jameson for desert.
Then I was 087. Ready to go.
Zipped up the bag.
The door opened and I looked up with a premonition of early cops but it was just a fat fella wanting to pay for petrol. He was holding a fifty in his hand, stunned at the sight of me.
I walked over, took the fifty, said: ‘That’s grand, thanks.’
And I walked out.
There was already sirens in the distance.
I strolled casually to the car. Sat in. Oscar was nervous. ‘Did you...?’
‘I did. Now drive.’
‘Where?’
‘Barna. We’ll burn the car there.’
‘Burn it?!’
‘It’s about all it’s good for. Now FUCKIN DRIVE!’
Four kids
One can of petrol. Box of matches. Up she went. Oscar watched the flames and asked: ‘Do you want to do the bins tomorrow, so?’
‘No, thanks, Oscar.’
He paused in thought, then said: ‘I think you’re in a much bigger league than me.’
‘I don’t think you’re in any league at all.’
‘I saw a picture of your girlfriend. On the paper. The one they raped and killed.’
I took a long swig of Whisky, asked: ‘Is that right?’
‘She was gorgeous. Did you kill Kramer and that detective too?’
‘We better go.’
‘Is there still a price on your head?’
‘Price on my head?’
‘There’s a price on your head. Hundred thousand. Did you not know?’
‘No. Who’s fundin that?’
‘Fella called McWard. He’s tryin to take over things after Kramer. Nobody really likes him.’
‘You mean nobody really fears him. Otherwise I’d be gone.’
We looked at the flames, then Oscar asked: ‘Where are you stayin anyway?’
‘Nowhere.’
‘You can have a couch at mine if you want. I’ve four kids, but the couch is free.’
‘You’re grand, thanks. I’ll find a hostel.’
‘It’d be an honour, Charlie. Charlie the legend.’
Breaking twigs. Sharon’s head. Broken teeth on Trevor Jones.
Charlie, I thought. The fuckin legend.
Deadborn
Interior. Oscar’s house. Days later, still drinking, still alive.
We’d made €11,000 on the robbery.
Good grade.
Here now. The sun was glaring through the window, bouncing off the empty cans of Heineken on the carpet. The fireplace was full of Supermacs wrappers and used nappies. I’d been there since the robbery. It was safe and the neighbours minded their own business. The cops stayed away too. Last time they were around, someone broke their windshield with a brick and threw a petrol bomb on the roof. Third degree burns and a quiet life since.
Mouth dry. Been sweating for hours. Oscar was shaking me.
‘Charlie!’ He was saying. ‘Charlie....’
‘Wha...Oscar. Wha...?’
‘McWard was on the phone.’
‘Who the fuck is McWard?’
‘He’s tryin to take over things. I told you the other night. Drugs