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The Playhouse Apprentice (NHB Modern Plays)
The Playhouse Apprentice (NHB Modern Plays)
The Playhouse Apprentice (NHB Modern Plays)
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The Playhouse Apprentice (NHB Modern Plays)

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About this ebook

An exhilarating and hilarious story about theatre, bravery and how a little voice can make a big difference.
1597, the Globe Theatre. A crisis is underway. The Lord Chamberlain has closed the playhouses and banned the theatre company from the stage. The livelihoods of hundreds of artists are suddenly in jeopardy.
There's only one thing for it: somebody must face the terrors of Blackfriars and travel through London to deliver a petition directly to the Queen of England herself. But who'd be brave (or foolish) enough to take on the task? Enter an unexpected hero…
Jessica Swale's play The Playhouse Apprentice was first performed at the Globe Theatre, London, in a production by the students of Dulwich College.
The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to older teenagers and young adults.
LanguageEnglish
Release dateNov 2, 2023
ISBN9781788507318
The Playhouse Apprentice (NHB Modern Plays)
Author

Jessica Swale

Jessica Swale is an Olivier Award-winning writer, director and film maker. She trained at Central School of Speech and Drama and the University of Exeter. Jessica began her career spending a happy decade as a theatre director, during which she founded and Red Handed Theatre Company, with whom she won Best Ensemble in the Peter Brook Empty Space Awards and multiple Evening Standard Award nominations. She then began writing. Her first play, Blue Stockings, premiered at Shakespeare’s Globe in 2013. It is now one of the most performed plays in the country, and is featured on the GCSE Drama syllabus. She is currently writing the TV series. Jessica’s next play, Nell Gwynn, won her an Olivier Award for Best New Comedy and transferred from the Globe to the West End, starring Gemma Arterton. She is currently writing the screenplay for Working Title. Other plays include Thomas Tallis (Sam Wanamaker Playhouse), The Mission and adaptations of The Jungle Book, Sense and Sensibility, Far from the Madding Crowd, Stig of the Dump and The Secret Garden. Now working primarily in film and television, she both directs and writes for the screens – original works and adaptations. Screenplays include Persuasion for Fox Searchlight, Nell Gwynn for Working Title, Longbourn for Studio Canal and an original rom-com for Blue Print Pictures. Her first film, Horrible Histories the Movie, premiered in 2019 and was nominated for a BAFTA for Best Feature for Children. Her directorial debut feature, Summerland (also writer), starring Gemma Arterton, premiered in 2020. She also wrote and directed the internet hit Leading Lady Parts, a short film promoting equality in film, starring Arterton, Felicity Jones, Emilia Clarke and friends, for the BBC and Rebel Park Productions. You can watch it on YouTube. Jessica is an associate artist with Youth Bridge Global, an international NGO which uses theatre as a tool for promoting social change in war-torn and developing nations. As such, she has lived in the Marshall Islands and in Bosnia and Herzegovina, directing Shakespeare productions including The Comedy of Errors, Much Ado About Nothing, Twelfth Night and The Tempest. She has written three titles in Nick Hern Books’ popular Drama Games series: for Classrooms and Workshops, for Devising, and for Rehearsals. She is also an active campaigner for greater equality and diversity across all dramatic media, and an active member of Times Up and the Me Too movement.

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    Book preview

    The Playhouse Apprentice (NHB Modern Plays) - Jessica Swale

    Jessica Swale

    THE PLAYHOUSE

    APPRENTICE

    NICK HERN BOOKS

    London

    www.nickhernbooks.co.uk

    Contents

    Introducing Multiplay Drama

    Original Production

    Characters

    The Playhouse Apprentice

    About the Author

    Copyright and Performing Rights Information

    Introducing Multiplay Drama

    Every year, many original plays are commissioned and performed by drama schools, educational institutions, and youth, student and amateur-theatre companies. Reading them, talking to their writers, seeing them in production, we are often struck by the ambition of their themes, the invention of their storytelling and the calibre of their playwrights.

    Some of these plays have gone on to be revived in professional productions – for instance, Blue Stockings by Jessica Swale was first seen at RADA in 2012 before being professionally produced at Shakespeare’s Globe in 2013 – but most don’t usually have further life. It seems like the very raison d’être of many of these plays – the creation of large-scale original pieces for young, large casts – has meant theatre companies, hamstrung by ever-shrinking budgets, haven’t been able to find a way to give the plays the continuing existence that they deserve.

    That’s why Nick Hern Books created Multiplay Drama – a series aiming to bring back to the fore some of the best plays for large casts we’ve read. We first launched the series in 2019, with ten high-quality plays that had originated with various drama schools and youth-theatre companies, providing a selection of complex, dramatic and theatrical works with one common factor: large casts of rich, exciting characters for teenagers and young adults to perform.

    Launching the series was something of an experiment. Would there be an appetite for this kind of work? Gratifyingly, it has been a huge success. Hundreds of drama schools, youth theatres, student-drama societies, sixth-form colleges and amateur-theatre companies have read, studied and performed the plays we published in the first ‘season’ of Multiplay Drama, and the initiative was nominated for a Music and Drama Education Award.

    Now, four years after we made these first plays available, we’re expanding the series with ten more brilliant and imaginative pieces of work. As we sought out this new set of plays, we had a few goals in mind. We wanted to offer more work that would appeal to younger performers, so that a wider group of schools and amateur companies could benefit. We wanted to diversify the forms and genres of the pieces, so that there was a range of theatrical styles available – from naturalistic drama to period comedies, from sci-fi adventure tales to plays packed with

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