Whitsun and Ascension: An Introductory Reader
By Rudolf Steiner and Matthew Barton
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Rudolf Steiner
Nineteenth and early twentieth century philosopher.
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Whitsun and Ascension - Rudolf Steiner
RUDOLF STEINER (1861–1925) called his spiritual philosophy ‘anthroposophy’, meaning ‘wisdom of the human being’. As a highly developed seer, he based his work on direct knowledge and perception of spiritual dimensions. He initiated a modern and universal ‘science of spirit’, accessible to anyone willing to exercise clear and unprejudiced thinking.
From his spiritual investigations Steiner provided suggestions for the renewal of many activities, including education (both general and special), agriculture, medicine, economics, architecture, science, philosophy, religion and the arts. Today there are thousands of schools, clinics, farms and other organizations involved in practical work based on his principles. His many published works feature his research into the spiritual nature of the human being, the evolution of the world and humanity, and methods of personal development. Steiner wrote some 30 books and delivered over 6000 lectures across Europe. In 1924 he founded the General Anthroposophical Society, which today has branches throughout the world.
Only where sense knowledge ends
stands the doorway opening
the soul to living realities;
the soul creates the key
when it grows strong within itself
through struggle which worldly forces wage
on their own ground with
human powers;
when by its own means soul drives off
the sleep that at the senses’ furthest limit
shrouds powers of knowledge in spiritual night.
WHITSUN AND ASCENSION
Also available:
(Festivals)
Christmas
Easter
Michaelmas
St John’s
(Practical Applications)
Agriculture
Architecture
Art
Education
Eurythmy
Medicine
Religion
Science
Social and Political Science
(Esoteric)
Alchemy
Atlantis
Christian Rozenkreutz
The Druids
The Goddess
The Holy Grail
RUDOLF STEINER
WHITSUN
AND ASCENSION
An Introductory Reader
Compiled with an introduction,
commentary and notes by
Matthew Barton
Sophia Books
Sophia Books
An imprint of Rudolf Steiner Press
Hillside House, The Square
Forest Row, RH18 5ES
www.rudolfsteinerpress.com
Published by Rudolf Steiner Press 2012
For earlier English publications of individual selections please see Sources
The material by Rudolf Steiner was originally published in German in various volumes of the ‘GA’ (Rudolf Steiner Gesamtausgabe or Collected Works) by Rudolf Steiner Verlag, Dornach. This authorized volume is published by permission of the Rudolf Steiner Nachlassverwaltung, Dornach (for further information see Note Regarding Rudolf Steiner’s Lectures)
All translations revised by Matthew Barton
Matthew Barton would like to thank Margaret Jonas, librarian at Rudolf Steiner House, for her invaluable help in locating volumes used in compiling this book
This selection and translation © Rudolf Steiner Press 2007
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publishers
A catalogue record for this book is available from the British Library
ISBN 978 1 85584 342 4
Cover by Andrew Morgan
Typeset by DP Photosetting, Neath, West Glamorgan
CONTENTS
Introduction by Matthew Barton
RISING TO THE CLOUDS, TETHERED TO EARTH
1. Blossoming to Bear Fruit
2. Release from Bondage: a Festival of Awareness
3. Penetrating the Pictures
SUFFERING’S OPEN DOOR
4. No Celebration but Truth
5. The Struggles of Prometheus
6. Gain Only Through Loss: All Knowledge Born from Pain
ALL ONE TO ALONE TO ONE IN ALL
7. Forming a Conscious Vessel
8. One Fire, Many Tongues
9. Warmth Transmutes Matter
10. The Spirit Lives in Time
HUMAN FREEDOM AND THE WORD
11. The Lost Word
12. From Empty Phrase to Living Word
13. ‘The Truth Shall Set You Free’
Afterword
Notes
Sources
Further Reading
Note Regarding Rudolf Steiner’s Lectures
Introduction
The age-old differences of view between Jewish and Christian tradition often conceal deep parallels, sympathies and similarities. In Jewish tradition, the festival of Shavu’ot falls very close to the Christian Pentecost. One of its many dimensions, besides celebrating the giving of the Torah, or body of sacred teachings, to the Jews, is a celebration of the ‘first fruits’ of harvest. In many places in this volume Rudolf Steiner speaks of flowers and fruit, and in particular of Whitsun as the ‘fruit’ of Easter: of a culminating point when a gift given universally to all humanity can ripen into the seed of individual insight in each separate one of us. This culmination reminds me of the ‘dew point’ when dew condenses out of the atmosphere; and in fact it used to be a Pentecost tradition to walk barefoot through dew-covered meadows before Whit Sunday mass, and to feed one’s animals bread soaked in this dew. In this volume Steiner has much to say about the seed power in imaginative pictures. I want to explore these images of dew and fruit a little further, for they seem to me to illuminate Whitsun and Ascension.
A drop of dew reflects the cosmos in its globed shape and in the way it gathers light and shines, almost as though it were a small sun itself. In his poem entitled ‘On a Drop of Dew’, Andrew Marvell writes how the dewdrop
Does, in its pure and circling thoughts, express
The greater heaven in an heaven less.
Marvell compares the dewdrop to the human soul, that is ‘divided from the sphere’ it originally came from. ‘Trembling, lest it grow impure’, the dewdrop must wait
Till the warm sun pity its pain,
And to the skies exhale it back again.
While Marvell’s dewdrop is one that shuns the darker reaches of the material world and, unlike most human souls in our day and age, is eager to ‘dissolve’ and ‘run / Into the glories of the almighty sun’, the image nevertheless conjures a sense of the soul’s potential kinship with elevated spiritual and cosmic realities. None of us can claim the pure transparency and urge for transcendence of Marvell’s dewdrop. Most probably we would not want to, since we intuitively feel a need to engage fully with the physical world. Nevertheless, we can probably recognize the yearning for a purer state, an ascent to unearthly existence. The evaporating dewdrop clearly relates to Ascension, to sublimation into another condition. This is both a beautiful image of death, but also, if we strive to ‘dissolve’ too soon, a warning that this might be merely escape, a failure to complete what we came here for. To complement it we need another picture, which Whitsun